RodeoHouston 2025

RodeoHouston taps Post Malone, Bun B, Reba McEntire, and more for 2025 concerts

RodeoHouston is back in the saddle again and is bringing major star power to the star-shaped stage for its 2025 lineup.

After drawing over 1.3 million people to concerts last year, officials revealed this year’s performers at a media event at NRG Center, next door to NRG Stadium. While the Beyoncé rumors didn't pan out, the acts playing from March 4-23 include a variety of genres, heavily focused on country, but also including pop, rock, hip-hop, R&B, regional Mexican, and Christian music.

Tickets will go on sale at rodeohouston.com on Thursday, January 16, in two waves at 10 am and 2 pm.

Arguably the biggest standout is Post Malone, who makes his RodeoHouston debut on Tuesday, March 18 in what should be a massive draw. The hugely successful rap star is back in Houston after selling out two nights at Cynthia Woods Mitchell Pavilion last fall. His turn towards country music on his No. 1 album, F-1 Trillion, featuring the No. 1 single “I Had Some Help” with country bad boy Morgan Wallen, and songs with Luke Bryan and Blake Shelton, was no doubt on the minds of RodeoHouston organizers.

One of the longest-running rodeo favorites, Reba McEntire will open the 2025 season on Tuesday, March 4. She holds one of the organization’s highest honors as the first woman inducted to RodeoHouston’s Star Trail of Fame in 2007. This will be her 20th performance on the rotating stage and her first time back in 11 years.

Other eyebrow-raising headliners include Bun B's Birthday Bonanza on Black Heritage Night (Friday, March 7). This is the fourth consecutive year that the chopped and screwed rap legend will bring his “International Players Anthem” to RodeoHouston, the 2024 edition being one of the most buzzed about shows of the year, with appearances by Drake, Nelly, Eve, Rick Ross, and others. As for who will turn up this year, let the speculation begin.

Also notable is fast-rising Americana honkytonk country artist, the San Benito, TX-raised Charley Crockett, making his debut on Monday, March 17. Anyone who has caught him on small club stages in Houston as he paid his dues will find this a reason to celebrate this huge step-up in audience size.

This year’s lineup is noticeably embracing a younger demographic, especially in the country ranks. Up-and-comers, Riley Green (March 5), Zach Top (March 11), and Kelly Clarkson’s favorite heartthrob Warren Zeiders (March 15) all make their debuts and are a glimpse at the future. The 24-year-old Bailey Zimmerman (March 8) achieved three consecutive No. 1 singles, including the album’s namesake, “Religiously,” deemed the biggest streaming country debut of all time upon its release.

Outside of the country genre, streaming stars and pop-rock trio AJR fill the pop-rock role that Jonas Brothers shattered records with last year, appearing on Thursday, March 6. Mexican singer-songwriter Carin León plays on Sunday, March 9, and two-time Grammy Award-winning contemporary Christian artist Lauren Daigle returns for her second stint on Wednesday, March 12.

Rock and Roll Hall of Famers, Journey, follow-up their epic 2022 RodeoHouston performance on Friday, March 14, while Mexican-American band Grupo Frontera takes the mantle for the seat-filling Go Tejano Day on Sunday, March 16.

RodeoHouston loves their established country stars and plenty will return in 2025. The reliably great Brad Paisley plays First Responders Appreciation Day on March 10 for his 17th appearance; Jon Pardi makes his third appearance in a row on March 13; country band Old Dominion headlines for the second time on March 19; country rebel Cody Jinks is back after his 2023 debut on March 20; Conroe’s Parker McCollum makes it three times on March 21.

Country Hall of Famers, Brooks & Dunn, will tally their mind-blowing 22nd appearance on March 22. After nearly three weeks of performances, American Idol judge Luke Bryan will hip-swivel his way through his 12th show to close out the RodeoHouston calendar.

Always aware of the many different audiences that appreciate a day on the midway, organizers have another eclectic mix of youthful names and legacy acts, ensuring that many Houstonians will have a reason to head to NRG Stadium for at least one night of music this March. Giddy up!

Courtesy Houston Livestock Show and Rodeo

Country thirst-trap Warren Zeiders debuts at RodeoHouston on Saturday, March 15.

rodeohouston rodeo concerts

Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Photo courtesy of IFC

Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

---

The Plague is now playing in theaters.

movies film

RodeoHouston 2025

RodeoHouston taps Post Malone, Bun B, Reba McEntire, and more for 2025 concerts

Sawyer Yards cafe closes as Astro-owned Houston coffee brand pivots

Major closures, celeb sightings, more top Houston restaurant news 2025

Houston’s women of distinction kick off 2026 season in style

Movie Review

Summer camp drama The Plague proves middle school is still pure horror