Jonas Brothers Review

Jonas Brothers celebrate RodeoHouston return by setting new attendance record

The band broke the mark set by Los Tigres Del Norte on Sunday.

Fifteen years after their last appearance as teen stars, the now fully-grown up Jonas Brothers – Kevin, Joe, and Nick – conquered their second headlining perfromance at RodeoHouston on Friday, March 15 by setting an all-time attendance record with 75,600 fans.

The night’s show made the case that pop groups can get better with age via an exciting mix of hit singles from their songbook over the course of their 75-minute show. While the trio operates in the same space as other pop-rock acts like Maroon 5 or OneRepublic, their Disney star past meant that their fans have grown up with them.

They now have a nearly two decades of hits – including five Billboard top five albums — to pull from, and those years of experience paid off on the star-shaped stage. They seemingly knew exactly what their audience wanted with a set that had nothing but smashes. In reality, they could have played the birthday song 12 times, and it still would have been the loudest show of the year.

Before they launched Jonas Brothers 2.0 in 2019, the group took a long hiatus that allowed the three brothers to branch out into solo careers, side-projects, acting in movies (most notably Nick in a star-making turn in Jumanji), TV shows, and more. So with the release of the comeback No. 1 Billboard Hot 100 single, “Sucker,” in 2019, they’d gained a multitude of new fans, mostly the children of the suburban women who had their posters on their bedroom walls back in the early-2000s. Plenty of tabloid fodder that came from marriages to famous actresses and an impending divorce surely didn't hurt their visibility.

Several sold-out arena tours under their belt (including two huge shows at Toyota Center last year), and a couple of actually good comeback records were the cherry on top, making the Jo-Bros one of the biggest bands in the pop world. They were an excellent choice to play RodeoHouston on the Friday that falls on spring break for many Houston students. The fact that they shattered the all-time attendance record almost shouldn't be a surprise.

The Jonas Brothers were sneakily talented, at ease on stage playing with each other, and they appeared to be having a good time. They are also extremely tight musicians, coming in hot from the middle of their 90-date “The Tour” world tour, a setlist comprised of songs from across their career, much like Taylor Swift’s The Eras Tour. A backing band featuring solid professionals playing brass, strings, keyboard, and drums took their sound to the next level.

Unfortunately, with RodeoHouston’s time constraints, the trio could only perform 14 songs, but they didn’t miss when they condensed their usual 33-song setlist.

Opener “Celebrate!” from their latest album, The Album, harkened back to ‘70s funk groups like Earth, Wind and Fire, Joe taking lead singer duties, dressed in a pink and black western shirt, leather pants and black cowboy hat.

The 2020 single, “What a Man Gotta Do,” featured vocal trade-offs between Joe and Nick, the latter dressed in a red shirt and jeans pulling electric guitar duties, while Kevin played acoustic guitar dressed handsomely in full blue denim. The song elicited a cacophony of screams that assured some form of hearing loss for all those in the seats. “Waffle House” from 2023’s The Album kept the decibels high.

“We had a few incredible stops in Houston, but this is next level,” Nick said, addressing the youthful, mostly female throng. “We usually play for a few hours, but we have to play the highlights tonight. That said, we think it’s important to bring it back to where it started — how many OG Jonas Brothers fans are in the house?"

That drew what might have been the loudest cheers of the entire RodeoHouston season before kicking into the 2007 smash, “S.O.S,” from their self-titled second album. The brothers all joined in on vocals for the best performance of the night so far.

“Cool,” from 2019 comeback album, Happiness Begins, brought a sugary rush with an undeniable chorus. The one-two acoustic ballad punch of Joe's “Gotta Find You" from mouse-house flick, Camp Rock, and Nick's "Introducing Me” from Camp Rock 2 slowed things down, the singalong nearly drowning out the singers on stage. Follow-up “Play My Music” was one of the most upbeat numbers of the night.

“For a big part of our life we spent time in Texas,” Joe said, alluding to their youth spent in Westlake, near Austin. "We actually wrote this next one with our dad.”

“When You Look Me in the Eyes” brought out thousands of cellphone flashlights, one of the closest country music-sounding songs so far. The emo-pop tune and top 40 hit, “Year 3000” — actually from the year 2007 and quite obviously a song of their youth — was a Blink-182 song if that band were more earnest and wholesome. A contagious, stadium-wide, round of clapping broke out.

“Jealous”, the No. 7-charting Nick solo song allowed for him to take the spotlight in a brown cowboy hat, his high-octave vocal prowess on full display. He took a bow and a hat-tip and deserved it.

Joe commandeered the stage next with the excellent “Cake by the Ocean." The No. 9 hit by his side-project DNCE allowed that band’s guitarist, JinJoo Lee, a moment to shine, utilizing the stage starpoints to make sure the entire venue felt like they were a part of the party. The song ended with a wicked Lee guitar solo.

And no headliner can go wrong with a cover of “Friends In Low Places" by the highest-selling country artist in history and multi-time RodeoHouston headliner, Garth Brooks. While not the strongest executed performance of the night — they admitted they were still learning the song — it united the entire audience. Dads who brought their daughters to the show were thankful that they actually recognized one.

“Lovebug” was an epic rush, before going headlong into the biggest song of the night in “Burnin’ Up,” the top five single from the record, A Little Bit Longer. “Only Human," the other huge hit from their 2019 comeback album, Happiness Begins, kept the energy at 11, the bangers seemingly endless.

“Sucker,” the No. 1 hit comeback single from that same album sounded as good as it did when it was released, with some impressive whistling by Joe, the women in the crowd audibly expressing their approval. And finally, the ballad “Leave Before You Love Me” served as the easy comedown— melodic hints of Wham’s melancholic-sweetener, “Last Christmas.”

With that, the brothers hopped onto the back of a pick-up truck as the announcer notified us we were all a part of RodeoHouston history. While previous 2024 RodeoHouston shows leaned definitively towards the adult side, the now seasoned pros reminded us that family friendly headliners can still fill the building.

It'd be a shame to make us wait another 15 years to get the Jonas Brothers back to RodeoHouston.

Setlist
Celebrate!
What a Man Gotta Do
Waffle House
S.O.S
Cool
Play My Music
When You Look Me in the Eyes
Year 3000
Jealous
Cake By the Ocean
Friends in Low Places
Lovebug
Only Human
Sucker
Love Me Before You Leave Me

concert review jonas brothers rodeo rodeohouston concerts

Movie Review

Pop star Charli XCX seizes 'The Moment' in new mockumentary

Photo courtesy of A24

Charli XCX in The Moment.

There have been plenty of music documentaries and biopics that show how the life of a music star can be a trying one, with fans, record label executives, and hangers-on all wanting a piece of a certain singer or band. Charli XCX knows the pressures as well as anyone thanks to back-to-back hit albums, but instead of addressing her life with a self-aggrandizing promo film, she’s gone the unexpected route with the mockumentary, The Moment.

The singer plays a fictionalized version of herself who’s coming off of “Brat Summer,” a cultural phenomenon that followed the release of her 2024 album, Brat. In addition to a planned tour, she and her team are trying to come up with other ways to capitalize on the moment, ideas that sometimes include her input and sometimes don’t. The one that becomes the driving force of the story is a concert film that will be directed by the in-demand filmmaker Johannes (Alexander Skarsgård).

Even though Charli XCX had already planned out the visuals, props, and other elements of the tour with good friend Celeste (Hailey Gates), Johannes slowly but surely pushes his ideas to be used instead. As that part of her life starts to slip from her grasp, she starts to lose it in general, agreeing to endorse a Brat-themed credit card, taking an ill-advised spa trip to Ibiza, and more.

Written and directed by Aidan Zamiri (who’s directed two Charli XCX music videos) and co-written by Bertie Brandes, the film should in no way, shape, or form be interpreted as giving viewers an accurate idea of who the singer really is. Aside from the presence of well-known actors like Skarsgård and Rosanna Arquette and comedic actors like Kate Berlant and Jamie Demetriou, everything in the film is heightened sufficiently to understand it shouldn’t be taken seriously.

Still, it’s clear that fans of Charli XCX or those who participated in Brat Summer will be more invested in the film than others. Knowing that Rachel Sennott’s cameo likely stems from their friendship following Charli XCX doing the score for Sennott’s film, Bottoms, or that she enjoyed early fame from the inclusion of her song, “Boom Clap,” in “a movie about two kids with cancer,” as her character puts it, adds some depth to the film.

One of the funniest things about the film is the lack of a showcase of Charli XCX’s music. She doesn’t sing a single note in the entire film, and any songs of hers that are heard are incidental to the story. There is, however, a ton of oppressive flashing titles and frenetic imagery during the various transitions in the film. If you are even slightly affected by rapid lights and/or movement, it might be best to avoid the film entirely.

As George Clooney can attest from Jay Kelly, it’s more difficult to play a version of yourself than you might think, and Charli XCX deserves credit for playing into rumors of her “bitchiness” in this film. Upcoming roles in other films will prove whether she’s truly a good actress or not, but she has a presence that serves this movie well. Skarsgård, who seems to be having a moment of his own in the real world, is the clear winner for best supporting actor of the film, scoring in almost every scene he’s in.

The Moment may not be as effective a mockumentary as something like This is Spinal Tap, but it still has enough memorable moments to make it worth seeing for both fans and non-fans alike. If that’s not enough Charli XCX for you, she’s also created the soundtrack for Emerald Fennell’s Wuthering Heights, which will be in theaters on February 13.

---

The Moment opens wide in theaters on February 6.

movies film