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    Top Chef episode 12 recap

    Top Chef recap: Bludorn shines in season's farewell to Houston

    Eric Sandler
    May 20, 2022 | 9:25 am
    Chef Sarah Welch addresses the judges.
    Chef Sarah Welch addresses the judges.
    Photo by David Moir Bravo

    This week’s episode of Top Chef marks the end of the show’s time in Houston, but it went out with a bang by giving us the Gulf Coast seafood challenge the season needed.

    Instead of a Quickfire, the chefs go fishing in the Gulf of Mexico to collect the proteins for a seafood-themed Elimination Challenge with guest judges Daniel Boulud and Top Chef Chicago winner Stephanie Izard. Tasked with creating two different preparations for a table of seven diners in only two-and-a-half hours, some of the cheftestants rise to the occasion while two of the season’s strongest competitors wilt under the pressure.

    Ultimately, one of this season's breakout stars packs his knives, and the show moves on to the finale episodes in Tucson, Arizona.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Top Chef didn’t feature much of Galveston’s food world in episode 11, but the show makes up for that this week. After fishing, the cheftestants visit local institution Katie’s Seafood Market to prepare their fish and supplement their catch with some additional ingredients such as farm-raised redfish and snapper.

    Even better, the five remaining chefs return to Houston to prepare, cook, and serve their meals at Bludorn where chef-owner Aaron Bludorn joins the table. It’s the show’s first visit to a Houston restaurant since Brennan’s in episode six, and the first Houston chef (other than Top Chef alum Dawn Burrell) to appear on the show since ChòpnBlọk’s Ope Amosu in episode seven.

    Seated with his mentor Daniel Boulud, Bludorn provides insightful commentary on each competitor’s strengths and weaknesses. The restaurant impresses the judges, too, with Tom Colicchio describing it as “very handsome” and Padma Lakshmi calling it “beautiful.”

    Dawn’s back, too, for both the fishing expedition and the Elimination Challenge meal. As always, she’s a confident, articulate presence at the table who can relate to how the contestants are feeling in this moment.

    How did Evelyn Garcia do
    Our local cheftestant gets a much needed wake-up call in this week’s episode. Although she doesn’t make any errors in preparing her two dishes — caldo de pescado with poached redfish and taco al pastor with roasted redfish — the judges fault her for a lack of ambition that’s required at this stage of the competition. She advances to the finals in Tucson, but not before getting a warning to step it up in the future.

    “I think you gave us two good dishes, but I think you played it really safe today,” Padma tells her. “I know you can make a taco in your sleep. My fish was cooked fine, but it was too much tortilla and not enough fish and not enough taco.”

    Who wins
    Chef Sarah Welch seemed to struggle in her return to the competition last week — keep in mind she had been eliminated in episode four, which means it had been weeks since she'd been part of it — but she finds her footing here. Her “Pseudo Crudo” of pickled Gulf snapper with silken tofu, fermented greens and kraut broth and a pastrami-spiced smoked red drum with carrot butter and Parisian gnocchi takes the win for its creative preparations and bold flavors. In particular, Colicchio hails her pastrami fish as "perfectly cooked," and judge Gail Simmons thinks she's created a new signature dish.

    Chef Sarah's self-deprecating humor has provided some necessary levity in a season that's been defined, at least in part, by its complete lack of drama between the cheftestants. Also, credit her for recognizing the significance of what she achieves this week. "I just cooked for two of the most impressive chefs in the world," she declares after serving the judges.

    Considering the epic run through Last Chance Kitchen it took for her to make it back into the main competition, she has to be viewed as a serious contender for the title.

    Who goes home
    Chef Nick Wallace earned the title of “The Baker” for his ability to make bread, i.e., earn money, in the show’s various competitions, but this week's seafood challenge proves his undoing. He struggles with time management, overcooking the fish in his taco and forgetting to prepare a binder for his fish cake. In an emotional goodbye, he thanks the judges for the opportunity and celebrates the bond he formed with fellow cheftestant Damarr Brown. While his presence will be missed, at least he's leaving with $35,000 in winnings.

    Who exceeds expectations
    Chef Buddha Lo can’t quite make it three Elimination Challenge wins in a row, but he still looks like the overall favorite to be the next Top Chef. He pays homage to one of Daniel Boulud’s signature dishes with his pastry-wrapped fried flounder (a nod that Bludorn recognizes). His ginger-scallion steamed bull redfish (red drum) with shrimp farce earns universal praise from the judges.

    Looking good, Bludorn.

    Top Chef Houston episode 12
      
    Photo by David Moir/Bravo
    Looking good, Bludorn.
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    Movie Review

    New horror movie Sinners sings the blues with twin turn from Michael B. Jordan

    Alex Bentley
    Apr 18, 2025 | 12:30 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Michael B. Jordan and Miles Caton in Sinners.

    Writer/director Ryan Coogler has become so well-known for his blockbuster films — Creed, Black Panther, and Black Panther: Wakanda Forever — that it’s easy to forget that he made his debut with the small-but-powerful 2013 film, Fruitvale Station. After more than a decade, he’s finally returning to original material with his latest film, Sinners.

    Each of Coogler’s films has either starred or featured Michael B. Jordan, and this one gives moviegoers a double dose, as Jordan plays twins who go by the nicknames of Smoke and Stack. Set in 1932, the two hustlers have recently returned from mysterious (and possibly criminal) work in Chicago to their hometown of Clarksdale, Mississippi to open a juke joint.

    They call upon a number of friends and family to help them with the venture, including cousin and guitar player Sammie Moore (Miles Caton), Smoke’s old girlfriend Annie (Wunmi Mosaku), piano player Delta Slim (Delroy Lindo), bouncer Cornbread (Omar Miller), and Chinese couple Bo and Grace Chow (Yao and Li Jun Li). Trouble is never far from the brothers, though, whether it’s Stack’s old girlfriend Mary (Hailee Steinfeld), the Ku Klux Klan leader who sold them the property for the juke joint, or something even more sinister.

    Coogler began his feature film career by confronting the issue of unjustified shootings of Black people by police. How Black people are perceived by society has been a part of everything he’s done since. By placing this film firmly in the middle of the Jim Crow era, he infuses the story with all manner of subtext, including the injustice of sharecropping and prevalent segregation in the South.

    Music, specifically Blues, plays a big part in the film as well. It’s championed through the emerging talent of Sammie and the veteran presence of Delta Slim, but it’s also a driving force for other parts of the plot. Sammie is decried by his pastor father for playing “the devil’s music,” while strange newcomer Remmick (Jack O’Connell) seems to appreciate it a little too much. A fantastically surreal scene at the juke joint turns into an entertaining and educational lesson on the history of Black music.

    It’s Remmick’s obsession that’s at the center of the final hour or so of the film, one in which all hell breaks loose. The manner of that hell is probably better enjoyed if it’s not spoiled here, but suffice it to say that Remmick has an evil to him that threatens to destroy Smoke and Stack’s venture before it even gets started. The horror aspect of the film is fine, but it winds up being the least interesting part of the story.

    Jordan can occasionally go over-the-top with his performances, and with him playing twins the threat of doing so was doubled. But he remains relatively restrained for most of the film, giving each twin their own unique spin. Caton, a rising R&B singer, makes his acting debut in the film and winds up stealing every scene he’s in. The rest of the cast complements each other well, with Mosaku and Steinfeld being standouts.

    Coogler has proven himself to be a savvy filmmaker in each of his previous four films, and with Sinners he combines the personal with crowd-pleasing elements to great effect. It features great music, an insightful story, and even some gory action for an experience you’re not likely to find anywhere else.

    ---

    Sinners opens in theaters on April 18.

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