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    Top Chef episode 6 recap

    Top Chef recap: Houston chef's Selena fandom blossoms into a winning moment

    Eric Sandler
    Apr 8, 2022 | 9:35 am
    A group of distinguished Texas women judged the Elimination Challenge.
    A group of distinguished Texas women judged the Elimination Challenge.
    Photo by David Moir Bravo

    In his opening monologue on last week’s episode of Saturday Night Live, host Jerrod Carmichael spends about five minutes saying he’s not going to talk about “it.” Carmichael never says that “it” is Will Smith slapping Chris Rock at the Oscars. He doesn’t have to, because the audience understands exactly what he’s "not" talking about.

    This week’s episode of Top Chef felt a little like Carmichael’s monologue. No one in the episode says the words “abortion” or “Senate Bill 8,” but it’s clearly on the minds of both the guest judges and the cheftestants. Think back to last fall, when Top Chef regulars Padma Lakshmi and Gail Simmons spoke at a rally to protest the law, which sharply restricted access to abortion.

    Dr. Lori Choi, co-founder of the female health non-profit I’ll Have What She’s Having, also participated in the march. She appears in episode six alongside other famous, very accomplished women to dine on dishes inspired by five historically significant Texas women: aviator Bessie Coleman, Congresswoman Barbara Jordan, Texas Governor Ann Richards, Queen of Tejano music Selena, and Olympian and golf legend Babe Didrikson Zaharias.

    “I really want to say for Houston, especially the restaurant women, thank you so much for coming,” Choi says to Lakshmi, Simmons, and head judge Tom Colicchio. “For you to come at this time couldn’t be more important.”

    Everyone at the table knew what Choi meant by “this time,” because the protests against SB 8 raged statewide around the time they dined together. Whether food-obsessed Top Chef fans nationwide will also understand the episode’s context is unclear. Hopefully, they do.

    Politics aside, let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Joining Choi for the Elimination Challenge meal are a few other accomplished Texas women: Cecile Richards, daughter of Ann; Suzette Quintanilla, Selena’s sister and drummer; Texas Tech and Houston Comets basketball star Sheryl Swoopes; and former Houston Ballet principal Lauren Anderson. Houston chef and current James Beard finalist Christine Ha joins Top Chef alum and current Beard finalist Tiffany Derry as the challenge’s guests judges.

    All of the guests provide insights, with Anderson criticizing one dish by saying, “We have to be able to say, ‘Your baby is ugly.’” Ha, no stranger to reality TV after winning the third season of Masterchef, noted that being visually impaired makes her unimpressed by presentation; she — wait for it — saw through the chef’s displays and keenly detected flaws in their dishes, especially chef Ashleigh Shanti’s undercooked, overly-vinegared pork.

    The choice of Brennan’s of Houston to host the challenge seems fitting, too. Both the Midtown institution and its sister restaurant, New Orleans’ iconic Commander’s Palace, claim legendary restaurateur Ella Brennan as a founder. That history doesn’t make the episode, but viewers are treated to a couple of quick exterior shots and an appropriately luxurious-looking dining room.

    How did Evelyn Garcia do
    Once again, the only Houstonian cheftestant shines. Luckily, chef Evelyn draws Selena, one of her favorite musicians — the producers helpfully throw in a picture of childhood Evelyn dressed as the singer for Halloween. She makes a snapper aguachile inspired by “Como la Flor,” her favorite Selena song, that has everyone at the table swooning.

    “I have none left,” Swoopes declares. By a vote of the entire table, Garcia wins her second challenge in a row.

    “Winning is definitely pushing me,” Evelyn declares at Judges’ Table. “This is just a boost of energy to keep going hard, staying true to me, and showing y’all what I have.”

    Who wins
    As with last week’s barbecue episode, Evelyn is joined in the top three by chefs Buddha Lo and Jackson Kalb. Lo created an expertly roasted chicken in honor of Coleman learning to fly in France, while Kalb celebrated Jordan’s “heart and guts” by using offal in his pasta.

    Considering Jackson and Buddha won episode four’s Elimination Challenge as well, the three chefs have clearly established themselves as the season’s frontrunners. The other chefs are going to have to step up if they want to have a shot at the overall title.

    Who goes home
    After trending in the bottom all season, chef Monique Feybesse finally packs her knives. She created a dish of fried oysters, beans, and pickled okra in tribute to ingredients Barbara Jordan might have cooked with in her hometown of Houston, but the chef’s decision to cut the oysters in half and serve the dish with an under seasoned pancetta broth confused the judges.

    Chef Ashleigh, fresh off returning to the competition from Last Chance Kitchen, gets saved by her immunity from the Quickfire Challenge. Noma alum Luke Kolpin’s insufficiently cured salmon landed in the bottom three as well.

    Who exceeded expectations
    Chef Nick Wallace wins his second Quickfire in a row, and immunity, by collaborating with Ashleigh on a sweet and savory dessert built around ginger snaps and pork rinds. Technical flaws kept his Elimination Challenge dish of potato-crusted red snapper out of the top three, but its whimsical visual style delighted the non-chef judges.

    A group of distinguished Texas women judged the Elimination Challenge.

    Top Chef Houston episode 6
    Photo by David Moir/Bravo
    A group of distinguished Texas women judged the Elimination Challenge.
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    Movie Review

    Anne Hathaway's busy 2026 continues with meta-thriller Verity

    Alex Bentley
    Oct 2, 2026 | 3:00 pm
    Anne Hathaway in Verity
    Photo by Alisha Wetherill
    Anne Hathaway in Verity.

    Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

    Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

    The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

    Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

    Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

    What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

    Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

    Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

    ---

    Verity is now playing in theaters.

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