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    Top Chef episode 6 recap

    Top Chef recap: Houston chef's Selena fandom blossoms into a winning moment

    Eric Sandler
    Apr 8, 2022 | 9:35 am
    A group of distinguished Texas women judged the Elimination Challenge.
    A group of distinguished Texas women judged the Elimination Challenge.
    Photo by David Moir Bravo

    In his opening monologue on last week’s episode of Saturday Night Live, host Jerrod Carmichael spends about five minutes saying he’s not going to talk about “it.” Carmichael never says that “it” is Will Smith slapping Chris Rock at the Oscars. He doesn’t have to, because the audience understands exactly what he’s "not" talking about.

    This week’s episode of Top Chef felt a little like Carmichael’s monologue. No one in the episode says the words “abortion” or “Senate Bill 8,” but it’s clearly on the minds of both the guest judges and the cheftestants. Think back to last fall, when Top Chef regulars Padma Lakshmi and Gail Simmons spoke at a rally to protest the law, which sharply restricted access to abortion.

    Dr. Lori Choi, co-founder of the female health non-profit I’ll Have What She’s Having, also participated in the march. She appears in episode six alongside other famous, very accomplished women to dine on dishes inspired by five historically significant Texas women: aviator Bessie Coleman, Congresswoman Barbara Jordan, Texas Governor Ann Richards, Queen of Tejano music Selena, and Olympian and golf legend Babe Didrikson Zaharias.

    “I really want to say for Houston, especially the restaurant women, thank you so much for coming,” Choi says to Lakshmi, Simmons, and head judge Tom Colicchio. “For you to come at this time couldn’t be more important.”

    Everyone at the table knew what Choi meant by “this time,” because the protests against SB 8 raged statewide around the time they dined together. Whether food-obsessed Top Chef fans nationwide will also understand the episode’s context is unclear. Hopefully, they do.

    Politics aside, let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Joining Choi for the Elimination Challenge meal are a few other accomplished Texas women: Cecile Richards, daughter of Ann; Suzette Quintanilla, Selena’s sister and drummer; Texas Tech and Houston Comets basketball star Sheryl Swoopes; and former Houston Ballet principal Lauren Anderson. Houston chef and current James Beard finalist Christine Ha joins Top Chef alum and current Beard finalist Tiffany Derry as the challenge’s guests judges.

    All of the guests provide insights, with Anderson criticizing one dish by saying, “We have to be able to say, ‘Your baby is ugly.’” Ha, no stranger to reality TV after winning the third season of Masterchef, noted that being visually impaired makes her unimpressed by presentation; she — wait for it — saw through the chef’s displays and keenly detected flaws in their dishes, especially chef Ashleigh Shanti’s undercooked, overly-vinegared pork.

    The choice of Brennan’s of Houston to host the challenge seems fitting, too. Both the Midtown institution and its sister restaurant, New Orleans’ iconic Commander’s Palace, claim legendary restaurateur Ella Brennan as a founder. That history doesn’t make the episode, but viewers are treated to a couple of quick exterior shots and an appropriately luxurious-looking dining room.

    How did Evelyn Garcia do
    Once again, the only Houstonian cheftestant shines. Luckily, chef Evelyn draws Selena, one of her favorite musicians — the producers helpfully throw in a picture of childhood Evelyn dressed as the singer for Halloween. She makes a snapper aguachile inspired by “Como la Flor,” her favorite Selena song, that has everyone at the table swooning.

    “I have none left,” Swoopes declares. By a vote of the entire table, Garcia wins her second challenge in a row.

    “Winning is definitely pushing me,” Evelyn declares at Judges’ Table. “This is just a boost of energy to keep going hard, staying true to me, and showing y’all what I have.”

    Who wins
    As with last week’s barbecue episode, Evelyn is joined in the top three by chefs Buddha Lo and Jackson Kalb. Lo created an expertly roasted chicken in honor of Coleman learning to fly in France, while Kalb celebrated Jordan’s “heart and guts” by using offal in his pasta.

    Considering Jackson and Buddha won episode four’s Elimination Challenge as well, the three chefs have clearly established themselves as the season’s frontrunners. The other chefs are going to have to step up if they want to have a shot at the overall title.

    Who goes home
    After trending in the bottom all season, chef Monique Feybesse finally packs her knives. She created a dish of fried oysters, beans, and pickled okra in tribute to ingredients Barbara Jordan might have cooked with in her hometown of Houston, but the chef’s decision to cut the oysters in half and serve the dish with an under seasoned pancetta broth confused the judges.

    Chef Ashleigh, fresh off returning to the competition from Last Chance Kitchen, gets saved by her immunity from the Quickfire Challenge. Noma alum Luke Kolpin’s insufficiently cured salmon landed in the bottom three as well.

    Who exceeded expectations
    Chef Nick Wallace wins his second Quickfire in a row, and immunity, by collaborating with Ashleigh on a sweet and savory dessert built around ginger snaps and pork rinds. Technical flaws kept his Elimination Challenge dish of potato-crusted red snapper out of the top three, but its whimsical visual style delighted the non-chef judges.

    A group of distinguished Texas women judged the Elimination Challenge.

    Top Chef Houston episode 6
    Photo by David Moir/Bravo
    A group of distinguished Texas women judged the Elimination Challenge.
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    Movie Review

    New comedy I Want Your Sex saddles an all-star cast with a dull story

    Alex Bentley
    Jul 31, 2026 | 2:15 pm
    Cooper Hoffman and Olivia Wilde in I Want Your Sex
    Photo courtesy of Magnolia Pictures
    Cooper Hoffman and Olivia Wilde in I Want Your Sex.

    Writer/director Gregg Araki has been making provocative movies for nearly 40 years, releasing his debut — Three Bewildered People in the Night — in 1987. Most of them have had plotlines that revolved around sex in one way or another, and for his latest — his first film in 12 years — he’s putting it right there in the title, I Want Your Sex.

    Elliot (Cooper Hoffman) is an aimless twenty-something who can’t even afford the rent for his apartment with best friend, Apple (Chase Sui Wonders). Thankfully, he finds a job at the gallery of artist Erika Tracy (Olivia Wilde), who is open with her sexuality both in her artwork and in her day-to-day life. That soon includes Elliot, whom she convinces to enter into a dominant-submissive relationship with her, with sessions taking place both at work and her home.

    Elliot, who’s in a going-nowhere coupling with Minerva (Charli XCX), is more than willing to participate, both because it lets him feel something he doesn’t get normally and because Erika offers a perspective on sex that’s much different from people of his generation. But as he gets in deeper with her, he starts to lose a sense of himself, going down a path in which he finds himself talking to police detectives Zem (Johnny Knoxville) and Zola (Margaret Cho).

    Araki does his level best to make I Want Your Sex into a broad comedy, and early on it seems as if he might succeed. The deadpan way that sexual objects appear in the film (a penis-shaped rug in Elliot and Apple’s apartment, a vagina artwork with chewed gum as the medium) make for amusing sight gags. He also makes Elliot the bewildered other in multiple twosomes, with Minerva being the funniest, as she’s way more interested in studying than his ham-fisted attempts at sex.

    It’s clear that Araki wants the film to be a commentary on the generational differences about sex, but he fumbles his own idea. It starts with an on-the-nose conversation between Erika and Elliot, and continues with the various dalliances, which seem to be more about making Elliot look and feel ridiculous than giving true insight. Their encounters certainly open his mind about what sex can be, but their one-note nature makes them repetitive and frankly boring, odd considering the acts in which the two engage.

    The uninspired storytelling makes the 90-minute film drag way more than it should. Araki includes a few other characters to try to vary the tone of the film, including gallery workers Zap (Mason Gooding) and Vikktor (Daveed Diggs), but their early promise yields little results. The framing device of Elliot’s interview with the detectives never works, especially because Araki completely neuters the personalities of Cho and Knoxville for seemingly no good reason.

    The cast as a whole goes to waste. Hoffman is showing the promise of his late father (Philip Seymour Hoffman), and even though he’s appealing here, the material pulls him down. Wilde just made her own provocative movie about sex (The Invite), and this one pales in comparison despite her heightened performance. Wonders, Charli XCX, and Gooding are all young stars who deserve to be showcased much better than they are in this film.

    A film called I Want Your Sex is announcing itself as daring and alluring, but this film contains almost none of those qualities. Instead, it’s a slog that only occasionally has something interesting to show or say, mostly relying on the power of its actors to hold viewers’ attention — and failing at even that.

    ---

    I Want Your Sex is now playing in select theaters.

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