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    Futuristic METRO Station Killed

    Futuristic METRO station suddenly scrapped: Houston is sticking with the same old look

    Tyler Rudick
    Nov 26, 2013 | 12:56 pm

    After more than two years of planning, Metro's architectural gem of a downtown rail terminal is dead in the water with the transit authority electing to scrap the project for a less expensive option.

    The terminal, located at Main and Capitol where three rail lines will meet in late 2014, was envisioned as a sort of centerpiece in the Metro's hard-won efforts to bring efficient public transportation to a city long associated with cars, highways and sprawl.

    Designed by award-winning firm Snøhetta — the team behind New York's current Times Square reconstruction project and a one-time contender in the upcoming Museum of Fine Arts, Houston expansion — the downtown rail terminal took its inspiration from Houston's sudden summertime downpours . . . one of the joys/nightmares of any Bayou City commute.

    Led by Snøhetta partner and UT-Austin grad Craig Dykers, the $2-million design would carry rainwater away from the platform through a sequence of stalactite-looking funnels. Metro's special architectural jury selected the project from more than 70 entries in February 2012.

    With an allotted budget of only $600,000 to $1.2 million for the project — plus an addition $600,000 contribution from the Downtown District for the landmark station — Metro officials took almost a year and a half to finally approve the plans, which became official in September.

    Decisions, decisions

    But during a recent board meeting, Metro trustees dropped the Snøhetta design in favor of a basic $1 million canopy, similar to those seen throughout the light rail system. According to the Chronicle, chairman Gilbert Garcia said the transit station project has been "mismanaged from the get-go."

    By going with a standard station, Metro will forfeit the Downtown District's $600,000, which only applied to the Snøhetta plan.

    The rejected $2-million design would carry rainwater away from the platform through a sequence of stalactite-looking funnels.

    Interim Metro CEO Tom Lambert tells CultureMap his organization has been working directly with Snøhetta for the past several months to lower costs. While the architecture firm reworked some of its initial plans and shortened the overall length of the canopy, a budget-friendly design that could be completed by fall 2014 never materialized.

    "This is going to be a very important and busy station to our passengers," Lambert says. "The main issue is that we have an extremely limited amount of time at this point and we really have to get moving." He explains that the board needs to make sure the project is something Metro and its customers can afford in the long run.

    Dykers, who was unable to be reached for comment, told the Chronicle his firm is confused by Metro's decision, noting that his team has been accommodating requests to make the station more affordable for more than a year.

    “This is a labor of love for us," he said. "We have already and continue to be open to making the design work. We have been working steadily to make this happen . . . We just want what is best for the city.”

    Metro officials rejected an architecturally-savvy transit hub by Snøhetta, opting for a more basic platform design.

    3 doomed Houston Transit Station November 2013.jpg CROPPED
    Snøhetta
    Metro officials rejected an architecturally-savvy transit hub by Snøhetta, opting for a more basic platform design.
    unspecified
    news/home-design

    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

    houston livestock show and rodeohome-designcotton holdings
    news/home-design

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