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    roll tide

    This Houston furniture store sells big name brands at deep discounts

    Emily Cotton
    Aug 29, 2025 | 2:00 pm

    For the past 35 years, Alabama Furniture has served Houston as the premier source for showroom-condition secondhand designer furniture and antiques. Find designer brands that include Bernhardt, Baker, and Thomasville, plus mainstream store inventory from Restoration Hardware, Arhaus, and West Elm for over 50 percent off — every day of the week.

    Proprietor Sherri Enroth, colloquially known as “Sofa Sherri,” opened her savvy-shopper staple on West Alabama in 1991. Commercial development in 1996 caused Enroth to relocate the store to 22nd and Yale in The Heights — where Alabama Furniture remained for 20 years — before settling into its current Independence Heights location in 2016.

    Alabama Furniture is technically a fast-paced consignment store, with the bulk of the inventory coming from fellow Houstonians. The remainder is sourced from store liquidations and surplus inventories from furniture stores and showrooms. Enroth sells to everyone from the design trade to one-off looky-loos; even Round Top retailers source inventory from the store. However, it’s what Enroth calls the “TikTok effect” that has caused Gen Z to “discover” the store — while embracing thrifting as an environmentally-conscious lifestyle choice — and welcome an entirely new clientele.

    “With the younger generation, the new keyword is ‘thrifting,’” says Enroth. “You’re not out shopping resale shops, you’re out thrifting! And thrifting is getting that find at the best possible price — getting more for less. It sounds cliché, but why would you shop retail? In here you can shop brand new, 50 percent off or more, and take it home or have it delivered the same day.”

    The concept of purchasing brand new furniture below wholesale is what attracts interior designers and retailers to Alabama Furniture. The store lists its entire inventory online, and ships as well. Recently, a client filled an entire truck to furnish a second home in a remote area of Colorado. According to Enroth, this type of thing happens all of the time. Buyers even fill shipping containers to send overseas to stock their own stores with brands and items unavailable in their local markets.

    “It’s cheaper than wholesale. So even if you can buy wholesale, or you get a 20 percent trade discount at Ladco, we’re still cheaper,” says Enroth. “Go out to any one of those big brand stores and look at their prices, then come back here and we will be best friends.”

    What’s more, she means it. Clients of Alabama Furniture have been repeat buyers for decades, which Enroth loves: “I know my customers, I know their kids, and now I even know their grandkids. It’s wonderful.”

    Enroth hails from a long line of furniture enthusiasts. Her grandparents owned the iconic Red Barn Furniture in Denver, and her interior designer father owned the eponymous Tim Hamrock Furniture in Highland Village. “It’s in my blood. I was cursed from birth,” she says with a laugh. Her keen eye for quality is what has kept Alabama Furniture alive for nearly four decades. As it says on the sign out front, “There’s no sale, like resale!”

    The store is bursting with new and like-new furniture on any given day, but approximately 10 percent of the inventory is antique or period specific. “I get more of the collectibles, like Murano and certain types of art glass, certain china [and barware],” says Enroth. As for 30s, 40s, MCM, and retro pieces, “That sells quick!”

    When it comes to Alabama Furniture being plucked by furniture flippers prior to the Round Top antiques fairs, Enroth doesn’t mind at all: “They do whatever with their prices. Most of those people do it for a hobby. So, if you go out and sell a couple of pieces, you’ve paid for your trip — so why not overprice it?”

    Just keep in mind when you pick a piece of vintage from a field this October, that it could have come from Alabama Furniture — for less!

    Alabama Furniture Store

    Courtesy of Alabama Furniture

    Visit “Sofa Sherri” in Independence Heights.

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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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