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    Branching Out

    Hidden gem Houston store offers timeless antiques at affordable prices

    Emily Cotton
    Feb 28, 2025 | 12:11 pm

    Not far off the beaten path, in Houston’s Spring Valley neighborhood, exists an unassuming industrial building with a door marked only by the giant, seemingly anachronistic, olive oil jar that houses an olive tree. Behind this door lies Living Century Home, a store that sells imported decorative goods from Greece, Turkey, Indonesia, and India — all 100-years-old or more.

    Founded in 2023, this fledgling company has already gained “cult status” among designers and architects from all over the Southeast. Even more impressive is that their marketing strategy is merely old-fashioned word-of-mouth. This appointment-only showroom sees two visitors a day on average, which makes sense when each appointment lasts between two and three hours. These time blocks may seem extreme, but once immersed in Living Century’s santal-scented sea of olive jars, small pots, and wooden pieces, it becomes clear how easily a person could lose all sense of time while searching for that perfect piece.


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    Umit Aktura founded Living Century Home for pragmatic reasons — he and wife Melis found it frustrating to source authentic antique olive jars for their own home. That previous lack of authentic inventory stateside is how Aktura explains their rapid success, even opening a secondary location near the Dallas Design District last year.

    “I’m not someone who can sit behind a computer monitor all day,” Aktura tells CultureMap. The former software engineer and University of Houston alumnus decided to take the leap into home decor importing once the family had successfully sourced items for themselves.

    “We try to source the best products, we have Round Top quality and better,” says Aktura. “We sometimes take two months overseas sourcing the very best.”

    Living Century Home is aware that many garden centers and big box stores offer mass-produced replicas of the types of items in their inventory, but that’s not an issue for them. “That’s not our client,” he explains.

    While many replicas exist of the large, white, olive jars from Greece, the highly textural and patinated jars from other countries are impossible to replicate. The three most popular styles come from Turkey and are known for their distinctive regional traits. These Turkish jars are Avanos, Aydin, and Odemis.

    To assist clients with completing the Living Century look, the company also sells regionally appropriate “Shady Lady,” aka “Black Olive” trees in 6-9’ heights — very full service indeed.

    Every item in inventory is subject to an authentication process and is tagged with color codes and numbered seals — they have provenance. “Everything we have I’ve put my own hands on and personally selected,” Aktura tells CultureMap.

    Olive jars of all sizes, small jugs, bread boards, accent tables and stools carved from a single piece of wood, the list of items is impressive. Beautifully carved cabinets from India sit alongside a small selection of dining tables. The store also stocks rare, lime-washed paper mache “bowls” (just don’t add water!).

    “The best pieces are only here because we love them,” says Aktura. “That’s why we take so much time sourcing.”

    Most items from Living Century Home are purchased for private collections, though recently their antiques can be seen at Houston Greek restaurant Niko Niko’s, the new Yellow Rose by Kendra Scott store in the Heights, and what will be a very public-facing art installation in a soon-to-be-announced restaurant.

    Do not be misled by their appointment-only approach to doing business. With pricing between $45-$2,000, their antiques are very accessible, but hagglers beware: “This isn’t a Round Top festival style ‘buy two, get 50-percent off’ sort of place,” says Aktura with a laugh. “Everything here is special.” Duly noted.


    Living Century Home store

    Photo by Emily Cotton

    Hand-selected imports fill this Spring Valley showroom.

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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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