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    AIA Home Tour

    Step inside a Memorial dream home where the koi roam: Architects love this oilman's style

    Joel Luks
    Oct 25, 2012 | 4:20 pm
    Step inside a Memorial dream home where the koi roam: Architects love this oilman's style
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    "Custom" and "customizable" may stem from the same linguistic root, but when it comes to how these labels are thrown around in residential construction lingo, the terms might as well mean couture and off-the-discount-rack.

    That's particularly true in Houston where production builders rule master-planned communities. To increase perceived value, the builder may talk about the many "custom" options offered. In that milieu, it's the ability to choose between a pre-engineered design, slap on one of the many facades, append flexible spaces, finish out attics, attach additional garage bays, and then choose from one of a handful of granite countertops, tile flooring colors, hardwoods, decorative details, fixtures, paint, stains and so on.

    "I wasn't sure if I was going to kill my builder or my wife," Patrick King laughs. "Somebody was going to go."

    Selections depend on vendor relationships and what's trending on the market. As long as homeowners stick with the available options, they "can have any color as long as it's black," as Henry Ford remarked back in 1909 about his cars.

    As custom building relates to the true spirit of the practice, it's having the freedom to drift with imagination — reined in by practicality, of course. And as it pertains to the American Institute of Architects, custom is when architects design for a specific parcel of land for an individual client's lifestyle.

    The AIA Houston Home Tour, set for Saturday and Sunday, opens the doors to eight properties that evince synergistic relationships between draftsmen and homeowners. The homes range in square footage, starting at 2,500 square feet to upwards of 15,000 square feet. The residences aren't for sale — they are on view to highlight what such collaborations can yield.

    "When architects from other countries come to Houston, they are surprised that in American homes the amenities are top notch. But the structure itself, the container, is not up to par with what we put into the house."

    Meet the King family

    Patrick King is an amicable oil and gas industry professional who has moved 16 times during the course of his career, with his wife Erica. The empty nesters had landed in Houston two times prior.

    He jokes that in the energy sector, as in Rome, "all roads do cross in Houston."

    The couple aspired for the modern, away from the stucco, clay tiled-roof Mediterranean flair often found in higher end neighborhoods. They partnered with MC2 Architects to erect a one-of-a-kind, 6,000 square foot pad at 8730 Memorial Dr. that reflects their own sense of style.

    "You dream for years and years," Erica King tells CultureMap. "We collected photos from magazines, we went on this (AIA) tour previously and amassed ideas from that. The tour was a great opportunity to meet architects and people who could provide the resources to build this. In the end, it's an expression of what we wanted."

    MC2 Architects, founded by Vietnam-born brothers Chung and Chuong Nguyen, designs and builds their projects. Both men graduated from the University of Houston, then pursued masters degrees from Columbia University and Yale University respectively. As their given names are similar, their sister referred to them endearingly as "C squared" — thus the name of the company.

    The challenge for MC2 Architects was to build something very permanent, a feature that was of great importance for the Kings.

    8730 Memorial Dr.

    "When architects from other countries come to Houston, they are surprised that in American homes the amenities are top notch," Chung Nguyen says. "We have the best appliances and plumbing fixtures, for example. But the structure itself, the container, is not up to par with what we put into the house. The bones are not as strong — or valuable."

    To achieve strength, they found inspiration in tilt wall construction, an American World War I invention to fabricate partitions for target practice.

    To achieve that strength, they found inspiration in tilt wall construction, an American World War I invention to fabricate partitions for target practice. Today, tilt construction is used for commercial warehouses. For residential projects, the technique is underutilized.

    "This home is our investigation with tilt wall construction," Chung Nguyen continues. "The structure is very permanent; it doesn't bounce like wood; it doesn't move; it's very low maintenance. I expect it to be standing for more than 100 years.

    "We introduced the clients to this construction system, and elevated it to achieve sophistication in design."

    The home is mostly glass, concrete and steel, and is aligned with a trend in consumers demanding green components. The blueprint moves beyond adding energy efficient features, like solar panels, to also consider passive solar design. Windows are limited on the west side of the home to avoid the hot afternoon sun. An outdoor corridor is akin to a modern version of a Texas dogtrot house's breezeway, one that allows for the free flow of wind to cool off al fresco areas.

    "All these elements came from the investigation of Texas vernacular architecture, then applied in a modern way," Chung Nguyen says.

    Rusty Bienvenue, executive director of AIA Houston, has observed a movement toward clean lines, open spaces and glass, partly due to technological advances that enable architects to design living spaces that bring the outside into the home without the symptom of astronomical cooling expenses.

    "The biggest misconception about Houston architecture is that hiring an architect is too expensive for most people," Bienvenue says. "That's really not the case. An architect can help you keep your house, or any building, within budget and help keep the energy costs down in the long run.

    "You don't have to add to the bottom line of the house that you are building just because you have an architect involved."

    "An architect can help you keep your house, or any building, within budget and help keep the energy costs down in the long run."

    The design

    Patrick King loves fish, both in saltwater aquariums and in exterior water systems. The built-in aquarium, designed by Aquarium Design Group, is connected to a utility room dedicated to the upkeep of the tanks. A long, rectangular pond was installed adjacent to the expansive, 25-foot high ceilings main gathering area. Panels of continuous butted glass render an unobstructed view of a bubbling fountain, enhanced with colorful water lilies that contrast the graphite-colored stone flooring.

    "A lot of times in Houston, it's a bit too warm to sit outside and watch your koi," Patrick King explains. "By moving the pond right next to the house, you can sit inside in the air conditioning and enjoy them."

    Erica King dreamed of a swimming pool — it's how she keeps her sanity in humid months — and MC2 sketched a long lap pool next to a double-height contemporary outdoor kitchen overlaid with glass tile and outfitted with a television and an outdoor shower. From the master wing, she can contemplate her Zen-like oasis.

    The Bulthaup kitchen is equipped with Miele appliances from Kuhl-Linscomb. The stainless steel electrics are complemented by Nano white glass countertops along the walls and a slab of exotic Bianco Antico Brazilian granite in the island, also from Kuhl-Linscomb. Much of the flooring is natural. That includes limestone planks from Thorntree Slate & Marble.

    Lessons learned

    Custom means decisions. And though the Kings say that this is by far their favorite home, they aren't prepared to go through this process again anytime soon. The end product has become the place where their grown children and family visit for get togethers and holidays.

    It's often said that if a marriage can survive true custom building, it can thrive through any challenge.

    "I wasn't sure if I was going to kill my builder or my wife," Patrick King laughs. "Somebody was going to go."

    "It turned out great," Erica added jokingly "We survived."

    ___

    The AIA Houston Home Tour is on Saturday and Sunday. Tickets are $25 per person, $20 for bike riders and $10 for entry to a single house.

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    news/home-design

    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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