RodeoHouston 2025

RodeoHouston taps Post Malone, Bun B, Reba McEntire, and more for 2025 concerts

RodeoHouston is back in the saddle again and is bringing major star power to the star-shaped stage for its 2025 lineup.

After drawing over 1.3 million people to concerts last year, officials revealed this year’s performers at a media event at NRG Center, next door to NRG Stadium. While the Beyoncé rumors didn't pan out, the acts playing from March 4-23 include a variety of genres, heavily focused on country, but also including pop, rock, hip-hop, R&B, regional Mexican, and Christian music.

Tickets will go on sale at rodeohouston.com on Thursday, January 16, in two waves at 10 am and 2 pm.

Arguably the biggest standout is Post Malone, who makes his RodeoHouston debut on Tuesday, March 18 in what should be a massive draw. The hugely successful rap star is back in Houston after selling out two nights at Cynthia Woods Mitchell Pavilion last fall. His turn towards country music on his No. 1 album, F-1 Trillion, featuring the No. 1 single “I Had Some Help” with country bad boy Morgan Wallen, and songs with Luke Bryan and Blake Shelton, was no doubt on the minds of RodeoHouston organizers.

One of the longest-running rodeo favorites, Reba McEntire will open the 2025 season on Tuesday, March 4. She holds one of the organization’s highest honors as the first woman inducted to RodeoHouston’s Star Trail of Fame in 2007. This will be her 20th performance on the rotating stage and her first time back in 11 years.

Other eyebrow-raising headliners include Bun B's Birthday Bonanza on Black Heritage Night (Friday, March 7). This is the fourth consecutive year that the chopped and screwed rap legend will bring his “International Players Anthem” to RodeoHouston, the 2024 edition being one of the most buzzed about shows of the year, with appearances by Drake, Nelly, Eve, Rick Ross, and others. As for who will turn up this year, let the speculation begin.

Also notable is fast-rising Americana honkytonk country artist, the San Benito, TX-raised Charley Crockett, making his debut on Monday, March 17. Anyone who has caught him on small club stages in Houston as he paid his dues will find this a reason to celebrate this huge step-up in audience size.

This year’s lineup is noticeably embracing a younger demographic, especially in the country ranks. Up-and-comers, Riley Green (March 5), Zach Top (March 11), and Kelly Clarkson’s favorite heartthrob Warren Zeiders (March 15) all make their debuts and are a glimpse at the future. The 24-year-old Bailey Zimmerman (March 8) achieved three consecutive No. 1 singles, including the album’s namesake, “Religiously,” deemed the biggest streaming country debut of all time upon its release.

Outside of the country genre, streaming stars and pop-rock trio AJR fill the pop-rock role that Jonas Brothers shattered records with last year, appearing on Thursday, March 6. Mexican singer-songwriter Carin León plays on Sunday, March 9, and two-time Grammy Award-winning contemporary Christian artist Lauren Daigle returns for her second stint on Wednesday, March 12.

Rock and Roll Hall of Famers, Journey, follow-up their epic 2022 RodeoHouston performance on Friday, March 14, while Mexican-American band Grupo Frontera takes the mantle for the seat-filling Go Tejano Day on Sunday, March 16.

RodeoHouston loves their established country stars and plenty will return in 2025. The reliably great Brad Paisley plays First Responders Appreciation Day on March 10 for his 17th appearance; Jon Pardi makes his third appearance in a row on March 13; country band Old Dominion headlines for the second time on March 19; country rebel Cody Jinks is back after his 2023 debut on March 20; Conroe’s Parker McCollum makes it three times on March 21.

Country Hall of Famers, Brooks & Dunn, will tally their mind-blowing 22nd appearance on March 22. After nearly three weeks of performances, American Idol judge Luke Bryan will hip-swivel his way through his 12th show to close out the RodeoHouston calendar.

Always aware of the many different audiences that appreciate a day on the midway, organizers have another eclectic mix of youthful names and legacy acts, ensuring that many Houstonians will have a reason to head to NRG Stadium for at least one night of music this March. Giddy up!

Courtesy Houston Livestock Show and Rodeo

Contemporary Christian singer Lauren Daigle is back on Wednesday, March 12.

rodeohouston rodeo concerts

Movie Review

Margot Robbie ignites provocative new take on Wuthering Heights

Photo courtesy of Warner Bros. Pictures

Jacob Elordi and Margot Robbie in Wuthering Heights.

Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years — each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

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Wuthering Heights opens in theaters on February 13.

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