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    Movie Review

    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale

    Alex Bentley
    Dec 18, 2019 | 11:33 am
    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale
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    For more than 40 years, the specter of Star Wars has hung over the movie landscape like no other franchise. It has influenced countless filmmakers, showing up in big and small ways in multiple other works of art. Now, characters new and old are getting one last chance to add to the series' legacy with Star Wars: The Rise of Skywalker.

    Without getting into spoiler specifics, the Resistance — led by Rey (Daisy Ridley), Finn (John Boyega), Poe (Oscar Isaac), Chewbacca (Joonas Suatamo), and General Leia Organa (Carrie Fisher) — are still facing the threat of the First Order, led by Supreme Leader Kylo Ren (Adam Driver). But a new danger has emerged, one that divides the focus of the Resistance and may also usurp the power of the First Order.

    The previous film, The Last Jedi, was a divisive effort because of new elements that writer/director Rian Johnson introduced to the series. J.J. Abrams, who directed and co-wrote The Force Awakens, is back for Episode XI, and he brings with him both the familiar and unfamiliar.

    There are plenty of recognizable settings and characters from previous movies to trigger nostalgia, but enough is different so as to not seem simply like a retread of things that have been done before. He also introduces some heretofore unseen elements that may have some purists crying foul.

    That said, a lot of retconning is done to make sure plot points that were introduced in the previous two films fall into place. Some of them feel organic to an ever-evolving plot, but there are more than a few that come off as shoehorned in, putting a round peg in a square hole just to provide some sort of answer.

    Unfortunately, one of the biggest of these is the presence of Leia in the film. Abrams and his team used footage from Fisher's work on The Force Awakens to make her a part of the plot, and a series of perfunctory lines fail to do justice for either the character or the actor, who died in 2016. Because of Leia's relationships with other characters, emotions do come, but they don't feel fully earned.

    The connection between Rey and Kylo Ren was the overarching part of the first two films, and that bond comes to a head in The Rise of Skywalker. Abrams and Johnson have tried to make this relationship on par with that of Luke Skywalker and Darth Vader, but it's never had that depth of feeling. Still, they do engage in some epic battles, and the way their story is wrapped up is fully satisfying.

    Poe and Finn are crucial to the plot of the film, but neither feels as important as Rey. They spend most of their time ensconced with the rest of the Resistance, and their efforts are more part of the team than as individuals. They do get some fun and exciting moments, but nothing that makes them truly stand out.

    Part of the reason for this is because the new characters in this trilogy have never been able to move out of the shadow of the characters from the first trilogy. The old characters are revered or reviled by the new characters for good reason, but the attention paid to them has prevented these new films from ever being able to establish their own identity.

    Star Wars: The Rise of Skywalker is a finale that is both enthralling and frustrating, feelings that could change in either direction on repeat viewings. One can only hope that, now that the Skywalker saga is finished, future Star Wars films can explore whatever direction they please without being as beholden to the legacy that came before.

    The cast of Star Wars: The Rise of Skywalker.

    The cast of Star Wars: The Rise of Skywalker
    Photo courtesy of Walt Disney Studios
    The cast of Star Wars: The Rise of Skywalker.
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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