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    meet sarah grace

    Meet the 15-year-old bluesy Houstonian who's wowing judges on The Voice

    Johnston Farrow
    Johnston Farrow
    Sep 26, 2018 | 10:34 am

    A star is born, and she hails from Space City — just ask the pop star judges on NBC’s hit reality television program The Voice.

    Sarah Grace, a 15-year-old, blues-influenced singer, recently tried out for the show, outshining around 40,000 hopefuls to get to the blind audition stage. Her performance of Janis Joplin’s “Ball and Chain,” aired on the Season 15 premiere, and to say she crushed it is an understatement.

    The first performer featured on the broadcast, three of the four judges pressed their famed red buttons for a chance to coach her. The first American Idol winner, Kelly Clarkson, swiveling her chair around from the get-go. Country star Blake Shelton also tapped his buzzer, as did another American Idol star, Jennifer Hudson.

    Maroon 5’s Adam Levine declined to hit his buzzer — but let's be honest, who cares about that guy?

    It was Burleson, Texas-raised Clarkson’s enthusiasm that won out in the end, even if the other judges ribbed her for complimenting Sarah Grace for her “stank face.” Clarkson bestowed her with a bright red Team Kelly jacket, which she proudly wore to school the day after the show. She’s a big fan of Clarkson’s music.

    “I wanted a coach who I would have fun hanging out with and collaborating with, and a coach I felt like I can learn from,” Sara Grace says, taking a break from class to speak to CultureMap. “One of the most important things is she is a Texas girl and I’m a Texas girl. I knew she was from Texas, so I knew going in that if Kelly turns, then I’m going with her because us Texans have to stick together.”

    Sarah Grace came into the audition more than prepared. She works on her many musical talents at the Houston High School for the Performing and Visual Arts, focusing on trumpet. She also counts years of performing and being mentored by established musicians in the tight-knit Houston blues scene as a huge benefit.

    Her band, Sarah Grace and the Soul, plays local clubs and events regularly, appearing at House of Blues just last week. It’s a family affair, including her younger sister Reagan Kimberly on drums, joined by friend Daniel Holder on bass.

    The group was named as one of Houston’s Top Bands Under 21 by Houston Press, and was sent to the International Blues Challenge in Memphis twice by the Houston Blues Society, the first time being when Sarah Grace was a spritely 11 years old.

    “I didn’t know I was going to like the blues when I first heard it, it’s a little outdated for me,” Sarah Grace admits. “Then I realized how easy it is to connect with the blues and how supportive the people are, especially in Houston. Houston has a great scene — they took my sister and I under their wings when were very, very young.”

    Sarah Grace credits her grandmother’s love of Janis Joplin as well as her blues background and deep appreciation of multi-genre act Lake Street Dive, and singer-songwriters Sara Bareilles and Susan Tedeschi for her selection of her audition song, “Ball and Chain.” She’s been performing the tune as a show closer with Sarah Grace and the Soul for the last three years.

    “I definitely wanted to do a blues song for my blind [audition],” she says. “But I also have a lot of rock and roots influence in my music, so Janis was the perfect song to go with, because ‘Ball and Chain’ was originally by Big Mama Thornton, which is a classic blues artist. To be able to pull from classic blues and then a little more of the rock side, it was a real treat.”

    In other words, she knows what she’s doing, so the audition was no big thing for someone who’s been a working musician for most of her formative years.

    She will return to Los Angeles in a few weeks for the next round of taping for of The Voice, as one of the final 48 contestants. She will work with Clarkson on a duet with another member of Team Kelly, matching jackets and all.

    No doubt, Houston will be watching when she's back under the bright lights, on the big stage.

    Sarah Grace, a native Houstonian, performed Janis Joplin's "Ball and Chain" on the The Voice. Three out of four judges sought to be her coach following the song.

    Sarah Grace The Voice
    Photo courtesy of NBC Universal
    Sarah Grace, a native Houstonian, performed Janis Joplin's "Ball and Chain" on the The Voice. Three out of four judges sought to be her coach following the song.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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