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    King George dethroned

    Judge rules Texas Renaissance Festival owner must sell his kingdom

    Jef Rouner
    May 8, 2025 | 6:34 pm
    Amid scandals covered by multiple documentaries, the nation's largest Renaissance festival opens for its golden season.

    After a protracted legal battle, a judge ruled owner George Coulam must sell the Texas Renaissance Festival.

    Photo courtesy of the Texas Renaissance Festival

    A Grimes County judge ruled on Wednesday, May 7 that Texas Renaissance Festival owner George Coulam must honor an agreement he made in 2023 to sell the fair. The judgement and sale, if upheld, are not expected to affect the fair's operations in the fall.

    "Our commitment remains unchanged: to deliver a safe, vibrant, and memorable experience for the hundreds of thousands of guests who visit each year," spokesperson Tyler Moyer tells CultureMap in a written statement. "Festival operations are moving forward as planned for the 2025 season."

    The case stems from business dealings depicted in the HBO docuseries Ren Faire. Over the show's three episodes, Coulam is shown engaging in negotiations with a party referred to as "The Greeks," but the deal falls through. Those parties, a group that includes RW Lands, Texas Stargate, and Royal Campgrounds, sued Coulam to compel him to honor the contract.

    Judge Gary W. Chaney sided with the plaintiffs in a brief judgment against Coulam. Not only is he ordered to abide by the original contract to sell the festival grounds and adjacent properties for $60 million, he has to pay $22 million in damages as well as $1 million in attorney fees. Coulam has not commented publicly about the ruling, and it is not known at this time whether he plans to appeal the decision.

    King George's History

    For more than half a century, George Coulam has reigned as king of the Texas Renaissance Festival in Todd Mission. Not only is it the largest and one of the earliest incarnations of such festivals, it codified the concept to such a degree that its model is replicated all over the world. There is no doubt that Coulam has been the Walt Disney of renaissance events.

    However, that long reign has come with accusations of bad business dealings and sexual harassment. Multiple former employees have sued Coulam for hostile work environment related to his conduct. In addition to depicting the sale negotiations, Ren Faire exposed the backstage politics surrounding Coulam's business practices. The show dealt with the possibility of Coulam finally selling the festival to retire, while also highlighting his desire to remain "king," with all the privileges that entails.

    Former performer reacts

    As Coulam's management of the festival grew increasingly capricious, many longtime employees and visitors stopped associating with the fair. Niki Korontona was an employee until 2019 when she decided to leave, partially because of her health and partially because of the toxic environment. She says that if Coulam is truly out, she could see returning.

    "If the sale goes through as it says it's going to, I'll go back," she said in a Facebook message. "While my time with the performance company was its own b----, if the new owners are who I've heard, it will be going into... I don't know... less toxic hands?"

    Few renaissance festivals survive a change of ownership, but it's not unheard of. In fact, Coulam was a part of one of the bigger ones. Before starting the Texas Renaissance Festival in 1974, he founded the Minnesota Renaissance Festival in 1971. The investor of that enterprise, lawyer Jules Smith Sr., then sold his shares and opened a new festival in Maryland in 1977. These days, the Minnesota Renaissance Festival is one of Texas's main rivals.

    That was long before the institutions were cemented into their current forms, worth tens of millions of dollars. Still, Korontana says that a change in management that doesn't mess with what works should succeed.

    "[It's] an ironclad business." she said. "Even recessions didn't break it. It's so commercial that it doesn't matter who owns it as long as tickets aren't too expensive and turkey legs exist."

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    River Restoration

    New documentary shows how the Hill Country is recovering after July 4 flood

    Brianna Caleri
    May 12, 2026 | 9:15 am
    Hill Country Alliance Guadalupe River landowner workshop
    Photo courtesy of the Hill Country Alliance
    The Hill Country Alliance is one of the organizations featured in the film. Here, it hosts a workshop for landowners to learn how to plant new vegetation.

    As Central Texas approaches the one-year mark after the destructive July 4 floods in 2025, the disaster has moved into a new phase of remembering and restructuring. A new documentary called Hope for the Guadalupe combines the two, collecting perspectives from the people who lived it and looking at the work Texans are doing now to revitalize the land.

    The film will debut in a series of screenings that start in Austin at the sold-out 11th Annual Water, Texas Film Festival on May 12 and continue throughout Texas. After the community screenings, it will be picked up by Alamo Drafthouse for more showings from May 31 through June 2. These theater showings will be part of a double feature with another, more general conservation documentary called Deep In The Heart: A Texas Wildlife Story. Tickets are on sale now.

    Other screenings with post-film Q&As will take place in the following cities:

    • Kerrville – Thursday, May 14 | Arcadia Live Theatre
    • San Antonio – Friday, May 15 | San Antonio Botanical Garden
    • Dallas – Tuesday, May 19 | Angelika Film Center & Café
    • Houston – Thursday, May 21 | River Oaks Theatre
    • Wimberley — Sunday, May 31 | 7A Ranch Opera House

    The flooding is still primarily referred to by date only. It mostly affected the Guadalupe River, which runs through New Braunfels and separates Austin and San Antonio, but floods also caused significant damage north of Austin. During the worst of the flash flooding, the Guadalupe crested at more than 37 feet in just hours, a press release about the film recounts. It shares an estimate that 52 percent of riparian vegetation — basically, the plants that create a buffer between land and river — was lost in Kerr County.

    Director Ben Masters and producer Josh Winkler gathered their findings by talking to various community members and organizations about the ecology of the region and what they're doing about it now. According to the release, that means hearing from biologists, landowners, and conservationists doing things like planting native species and looking at the area's longterm needs.

    The organizations looking after these longterm needs are now part of a coalition supported by the Community Foundation of the Texas Hill Country. Some of the individual organizations include the Hill Country Alliance, San Antonio Botanical Garden, Kerr County River Foundation, and the Hunt Preservation Society. The film will show some of their projects in progress.

    “The goal was to tell this story with honesty and respect for the people and the place,” said Ben Masters, director of Hope for the Guadalupe. “What we saw was not just devastation, but a community coming together to restore something deeply meaningful. That’s what this film is about.”

    The Community Foundation of the Texas Hill Country is one of several supporters of the film. The Community Foundation is also supporting fundraising efforts through its Hope for the Guadalupe Fund, which supports long-term river restoration, planting of native trees, seeds, and grasses, and stewardship efforts across the region. Many of those efforts are spotlighted in the film.

    “The Guadalupe River is one of Texas’ great natural and cultural resources,” said Community Foundation of the Hill Country CEO Austin Dickson in the release. “This film documents both the devastating impact of the floods and the extraordinary work underway to restore the river corridor and surrounding communities. Long-term recovery means caring for the land, the watershed and the people who depend on them for generations to come.”

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