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    TRF on Ren Faire

    Texas Renaissance Festival distances itself from viral HBO docuseries

    Eric Sandler
    Jun 10, 2024 | 1:18 pm
    Texas Renaissance Festival king and queen

    Long live the king.

    Photo courtesy of Texas Renaissance Festival

    TV watchers nationwide suddenly have opinions about the Texas Renaissance Festival. That’s thanks to Ren Faire, the three-part HBO docuseries that aired its final two episodes on Sunday, June 9 [Spoilers below].

    As CultureMap has previously reported, the series takes a look at a period in 2022 when Texas Renaissance Festival founder “King” George Coulam contemplates retiring and selling the festival. Over the episodes, director Lance Oppenheim introduces viewers to his potential successors: general manager Jeff Baldwin, market vendor Louie Migliaccio, and vendor coordinator Darla Smith.

    The episodes have drawn attention for its depiction of Coulam, who is portrayed as an eccentric octogenarian who wants to sell the festival in order to concentrate on making art, tending his garden, and establishing a romantic relationship with a much younger woman. Towards that end, viewers watch Coulam on dates at the local Olive Garden, where he muses on his sexual ability and inquires as to whether his dates have undergone cosmetic surgery procedures.

    Coulam's opinions about his women, and the mercurial way he treats everyone who works for him, drive much of Ren Faire’s drama. Baldwin, Magliaccio, and Smith all rise and fall according to the whims of the man everyone in the show calls King George.

    Given the attention, the Renaissance Festival felt compelled to reply. In a statement issued to media, the organization distanced itself from the people portrayed in the show. It reads as follows:

    The Texas Renaissance Festival (TRF) is aware of the HBO docuseries which features some of our staff and former employees. While we acknowledge the quality of production and the participation of individuals associated with our organization, TRF emphasizes its commitment to remaining neutral in its public statements regarding external productions.

    As an organization, we strive to provide a diverse and inclusive environment for all patrons and participants. While we appreciate opportunities for exposure and recognition, TRF believes in maintaining impartiality regarding media representations of our festival and its community.

    While we cannot comment on the content or portrayal within the HBO docuseries, we extend our best wishes to all involved in the production. We hope that viewers will enjoy the series and gain insight into the unique experiences and talents of those featured.

    Those who’ve watched all episodes may find the comments strange, since, spoiler alert, Coulam ultimately decides to maintain his ownership of the festival and take over as general manager by demoting Baldwin, firing Smith, and rejecting two different offers from Migliaccio to buy the festival outright. It’s tricky to distance an event from its owner, but that’s what the statement attempts to do.

    Of course, whether getting a closer look at the festival’s leadership makes the thousands of people who attend more reluctant to spend their money at the event remains to be seen, but it seems more likely than not that festival fans will be ready for turkey legs, mead, and creative anachronisms when TRF celebrates its 50th anniversary this fall.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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