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    Bun B Concert Review

    Bun B, Ludacris, Keith Sweat, and more throw epic birthday bonanza at RodeoHouston

    Craig D. Lindsey
    Mar 8, 2025 | 6:00 am

    Although his birthday isn’t for a couple more weeks, Houston rapper/burger slinger Bun B used his fourth time as the Houston Livestock Show and Rodeo’s resident Black Heritage Day music curator to throw himself a Birthday Bonanza concert on Friday, March 7 — and it was an odd lineup with some awkward technical glitches.

    Before the show started, tributes were given to Sylvester Turner and Sheila Jackson Lee. Then, TSU’s Ocean of Soul and Prairie View A&M’s Marching Storm bands teamed up and gave dual, thundering sets before joining forces and performing together for the announced crowd of 69,667.

    After a bunch of fireworks and pyrotechnics went off a few minutes before 9:30 pm, a clip package of celebs giving Bun birthday wishes played on the screens. This package included comedians (Cedric the Entertainer, Gary Owen), rappers (Slim Thug, Paul Wall) and a predictably creepy message from wrestling legend The Undertaker. Then, Ennio Morricone’s “Man with No Name” theme started playing and Bun came out rocking a long leather coat with fringes and a cowboy hat that once again had the Monster Energy Drink logo on the front. He and his band started things off with “Get Throwed.”

    Bun B Birthday Bonanza RodeoHouston 2025

    Photo by Marco Torres

    Bun B closed the show with Int'l Players Anthem.

    Unlike his previous “Takeover” shows, the concert didn’t have a clear musical theme. For the past few weeks, Bun has gotten clowned on social media for his all-over-the-place lineup. (Facebook trolls were mocking up flyers announcing other possible artists, including Ice JJ Fish and Milli Vanilli.)

    However, the lineup did give off a Black dad’s Spotify playlist kind of energy, and it did seem like Bun (soon to be 52) booked a lot of favorites from his library. First up was So So Def’s resident boy band Jagged Edge, who did a medley of their late ‘90s/early 2000s hits. After that was a surprise performance from Do or Die, a Chicago rap group who was signed to Houston's Rap-A-Lot Records back in the day. They performed their hit tune “Po Pimp,” which Bun said he often performed during sound checks. Both acts dressed Black-dad casual, like they were going to their kids’ soccer game after this.

    If there was one artist people were truly anticipating, it was R&B temptress Coco Jones. Coming out in an all-white ensemble, including shiny cargo pants and a cowboy hat, she led the crowd with a couple bars of “Here We Go (Uh Oh)” before doing “Taste,” from her upcoming album Why Not More? Jones was the first of several artists who had audio problems during the show, switching mics halfway through when her voice wasn’t picking up all over the stadium.

    At this point in this show, Bun B came back out in a beige waistcoat with the UGK logo bedazzled on the back, looking like a land baron on Gunsmoke. “I believe I look like a million dollars in here,” he said, before introducing surprise performer Tommy Richman. Richman, who had a show earlier that evening at White Oak Music Hall, stopped by to do his TikTok hit “Million Dollar Baby.”

    Local gospel great Yolanda Adams came out next, in a white zip-up and spangly jeans, singing during an In Memoriam package of Black people who died recently (like Turner) and who’ve been dead for a while now (like DMX). During this performance, one of the background singers’ mics was louder than Adams’s, something she appeared to pick up on.

    After performing a couple of her peppier gospel numbers, Adams asked Bun, “Don’t you think it’s time to bring out the slabs?” A quartet of slabs rolled up next to the stage, carrying some local rap legends, as Bun performed a couple UGK tunes. Then, Bun brought out Houston MC Don Toliver, who arrived in a red Ferrari. Once he hopped out (wearing what looked like a black leather tracksuit with fringes and a blue handkerchief around his face), he performed several songs but also struggled with microphone problems.

    Next, Bun introduced another surprise performer: T.I. All dreaded up and wearing what looked like a pleather outfit, the Atlanta vet did a boisterous set, pulling out a lot of his 2000s hits and saying, “I’m the king, bitch!” every once in a while.

    Keith Sweat was next, giving the right amount of old school energy as he sang hits from his New Jack Swing heyday. Sweat prematurely left the stage at one point, thinking his set was over. But when the music for “How Deep Is Your Love?” began playing, he returned. He saved face by asking the crowd, “You thought I was finished?”

    An Ali Siddiq video appeared once as Bun introduced Ludacris, the final performer of the night. Just like his fellow ATL rap god T.I., Luda gave an energetic performance (in cowhide-looking shorts!). He pulled out all the classics, including “Stand Up” and “Move B***h,” before leading the entire audience in singing “Happy Birthday” to Bun. Bun closed it out as always with UGK’s “Int’l Players Anthem.”

    Yeah, it was a weird night. There were audio and visual glitches, a lineup that had everything from Dirty South legends to quiet-storm mainstays to one-hit wonders to gospel singers making a joyful noise. Bun took an ambitious swing with this one, assembling a grab bag of his favorite artists for a freewheeling show that appealed to many demographics. I wouldn’t mind if he did it again — but those mics better be sorted out next time.

    Setlist

    Get Throwed, Bun B

    Let’s Get Married (Remix), Jagged Edge
    Promise, Jagged Edge
    Where the Party At, Jagged Edge

    Po Pimp, Do or Die

    Here We Go (Uh Oh), Coco Jones
    Taste, Coco Jones
    ICU, Coco Jones

    Million Dollar Baby, Tommy Richman

    The Battle Is the Lord’s, Yolanda Adams
    Church Doors (Remix), Yolanda Adams

    Diamonds & Wood, Bun B
    Murder, Bun B

    BANDIT, Don Toliver
    After Party, Don Toliver
    Lemonade, Don Toliver

    Rubber Band Man, T.I.
    24’s, T.I.
    U Don’t Know Me, T.I.
    Whatever You Like, T.I.
    Bring Em Out, T.I.
    Live Your Life, T.I.
    What You Know, T.I.
    About the Money, T.I.

    I Want Her, Keith Sweat
    Make It Last Forever, Keith Sweat
    Twisted, Keith Sweat
    Nobody, Keith Sweat
    How Deep Is Your Love, Keith Sweat

    All I Do is Win, Ludacris
    Stand Up, Ludacris
    Yeah, Ludacris
    How Low, Ludacris
    What’s Your Fantasy, Ludacris
    Move B***h, Ludacris

    Int’l Players Anthem, Bun B with group

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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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