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    Live Music Now

    These are the 5 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 7, 2018 | 10:31 am

    It may be the heat, or the fact that kids are about to start back to school, but the local live music scene is slower in August — before the fall concert season picks up. That’s not to say there isn’t anything good to see in Houston this week. These are CultureMap’s best and biggest shows of the week.

    CultureMap show of the week: Lucinda Williams, Steve Earle, and Dwight Yoakum
    Fans of the grittier side of country, Americana, roots, and folk music will find a lot to love with a bill that sees three powerhouses bless the lawn at White Oak Music Hall. Lucinda Williams, Steve Earle, and Dwight Yoakum joined forces for the LSD Tour (see what they did there?) this summer, bringing three distinct voices together for a dream line-up. Grammy Award-winning Lucinda Williams is widely hailed as one of the best country-folk singer-songwriters in the game. Steve Earle is a roots rock rabble-rouser, known for his political activism as much as his songwriting chops. And last but not least, neo-traditional country crooner Dwight Yoakum makes country music of a bygone era before pop encroached into Nashville. This is a great opportunity to see three musicians who are critically adored within their respective genres, doing what they do best.

    The LSD Tour featuring Lucinda Williams, Steve Earle, and Dwight Yoakum stops at the White Oak Music Hall, located at 2915 N. Main St., on Tuesday, August 7. King Leg opens. Tickets start at $58.50 plus a $19.80 service charge. Gates open at 5 pm.

    Locals Gio Chamba light up the Continental
    While bigger names stay away from the heat that is southeast Texas in August, it’s a perfect time to check out local talent. Gio Chamba, along with bandmate Coffee Guzman, has been making noise on the local scene for a few years now with an intriguing melange of Texas and international sounds, prescribing to the genre Digital Cumbia, which first got its start in South America, a mix of traditional cumbia, electronic indebted dance, and hip-hop beats. Gio Chamba infuses this with a healthy dose of Santana guitars, adding the requisite Tex-Mex temperature to the proceedings. The duo’s latest is last year’s album, Tejas, and they just released single, “Cobra Dinero” in June.

    Houston’s own Gio Chamba performs at the Continental Club, located at 3700 S. Main St., on Thursday, August 9. San Francisco act Bang Data open. Show starts at 10 pm.

    Miranda Lambert and Little Big Town co-headline in The Woodlands
    Five-time RodeoHouston performer and Texas native Miranda Lambert (2008, 2011, 2012, 2015, 2016) teams up two-time RodeoHouston band Little Big Town (2016, 2018) for a huge country show in The Woodlands for those itching to bust out the cowboy boots and tight jeans. Lambert is still touring her 2016 album, The Weight of These Wings, while Little Big Town is still promoting 2017’s The Breaker, but recently released the country version of "Get Lucky" (but not as good), the disco-inflected "Summer Fever," in June. Both groups boast enough No. 1 songs and albums to fill a barn, which points to a well-attended event.

    Miranda Lambert and Little Big Town co-headline the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Friday, August 10. The Steel Woods and Tenille Townes open. Tickets start at $25 for lawn seating, $64.75 for reserved seating, plus service charges. Gates open at 6 pm.

    Jeff Lynne's ELO
    Anyone who saw Guardians of the Galaxy, Vol. 2 will be instantly familiar with Electric Light Orchestra’s “Mr. Blue Sky,” which kicked off the movie with a memorable action scene. Following the dissolution of the band, original member, guitarist/songwriter, Jeff Lynne, carried on under the moniker, Jeff Lynne’s ELO, and why shouldn’t he have, since ELO was massive in the 1970s — heavily influenced by The Beatles and prog-rock that won the band huge rock radio play for hits such as “Don’t Bring Me Down,” “Livin’ Thing,” and “Turn to Stone.” Lynne is also famous for his turn in the ’80s supergroup The Travelin’ Wilburys, alongside his heroes, George Harrison and Roy Orbison (in addition to Bob Dylan and Tom Petty). If Lynne’s career in ELO is any indication, the stage production will be off the charts and there just might be a UFO sighting, imagery the band became famous for in their heyday.

    Jeff Lynne’s ELO plays the Toyota Center, located at 1510 Polk St., on Friday, August 10. Alt-country heroes Dawes open. Tickets start at $49 plus service charges. Doors open at 7 pm.

    CultureMap recommends: ATX’s Walker Lukens
    Talented Austin singer-songwriter Walker Lukens is back in Houston this weekend with a headlining slot at the Continental Club. He made a couple of appearances last year at the start of his touring cycle for his great album Tell It to the Judge, a multi-genre mash-up that recalls Beck’s ability to take varying sounds and mix it into melodic magic, with a touch of Prince's showmanship. This featured appearance at one of the best intimate concert venues in the city will be well worth heading out for the late start.

    Walker Lukens plays the Continental Club, located at 3700 S. Main St., on Saturday, August 11. Tickets are $12 in advance, plus a $3 service fee. Show starts at 10 pm.

    Country star Miranda Lambert co-headlines the Cynthia Woods Mitchell Pavilion with Little Big Town on Friday, August 10.

    Miranda Lambert at Rodeo
    Photo by Michelle Watson/Catchlight Group
    Country star Miranda Lambert co-headlines the Cynthia Woods Mitchell Pavilion with Little Big Town on Friday, August 10.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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