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    colorful growth

    Houston's beloved Orange Show reveals vivid expansion of vibrant headquarters

    Steven Devadanam
    Nov 18, 2021 | 11:45 am

    One of Houston’s most beloved arts organizations — founded by a local mail carrier four decades ago — has announced a colorful and vibrant expansion of its headquarters.

    The Orange Show Center for Visionary Art (OSCVA), known by many locally as the organizer of the popular Art Car Parade and the force behind major art events, the Beer Can House, and more, will expand its services to become a major artistic and cultural destination, the nonprofit announced.

    The new property (2402 Munger St.) sits adjacent to the iconic The Orange Show Monument and Smither Park. Specifically, the 8-acre expansion will transform the campus into an arena of individual creation and community collaboration, per a press release. The campus integrates into Houston’s Fonde Park, adding an additional 9 acres of greenspace and bringing the Orange Show visitor experience to 17 total acres.

    Park enhancements include a 70-foot-tall sculpture by Bob “Daddy-O” Wade, a legendary Texas artist who traverses contemporary, folk, and self-taught art.

    Meanwhile, the nonprofit’s industrial palette warehouse will transform into a world-class, flexible performance and exhibition space allowing for exhibitions, programs, and offices as well as a comprehensive visionary art library and archive, and spaces for education and events.

    A focal point for the new facility is an 800-foot-long ramp that will run through the entire campus, offering access to buildings and art cars and a destination for a promenade for visitors. Acting as a central spine, the ramp creates a link to an open workshop powered by solar energy.

    Design work comes courtesy of the architectural firm Rogers Partners, after a year-long campus planning process, including a national design competition supported by Houston Endowment.

    OSCVA obtained its 5.7-acre property with a 31,000 square foot, 1950s-era, solid concrete building in 2017. The major expansion was teased during the organization’s wildly colorful and dazzling Orange Show Gala in October.

    Founded by Houston postman Jeff McKissack 40 years, ago the Orange Show has hosted some of Houston’s most eclectic and memorable cultural performances. Notable past performances have included Daniel Johnston, Dirty Projectors, Devendra Banhart, Bonnie “Prince” Billy, and Joanna Newsom.

    “We preserve and promote three of our city’s largest cultural monuments, and have helped put Houston on the map as one of the world’s most important creative cities,” said Orange Show executive director Tommy Lee Pace in a statement. “With this expansion, we’ll be able to bring the community together in an entirely new way. We want to encourage visitors not only to see the art, but to participate, make, and engage with it; this experiential environment differentiates the Orange Show from other museums or gallery spaces.”

    The Orange Show will expand to 8 acres.

    Orange Show headquarters expansion
    Rendering courtesy of Rogers Partners
    The Orange Show will expand to 8 acres.
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    And the Winner Is

    Houston's Alley Theatre only Texas winner of prestigious new play award

    Lindsey Wilson
    Dec 5, 2025 | 11:31 am
    Audience at Alley Theatre
    Photo courtesy of Alley Theatre
    Bring a friend to the theater for free.

    The Tony Award-winning Alley Theatre has once again earned national recognition, becoming the only Texas theater selected for a 2025 Edgerton Foundation New Play Award, a prestigious honor known for helping launch some of the most influential plays and musicals of the past two decades.

    The award will support the Alley’s May 2026 world premiere of Dear Alien by Liz Duffy Adams, giving the production additional rehearsal time that has proven essential for shaping new work.

    The Edgerton Awards have a powerful legacy behind them. Past recipients include phenomenon-level titles such as Hamilton, Dear Evan Hansen, The Prom, Next to Normal, and Vanya and Sonia and Masha and Spike — shows that went on to win Tony Awards, earn Pulitzer Prizes, and define contemporary American theater.

    “I’m so grateful to the Edgerton Foundation for their support of Liz Duffy Adams’ play Dear Alien," says Alley artistic director Rob Melrose in a release. "Getting an additional week of rehearsal on a new play makes a tremendous difference. In Dear Alien, the titular role (played by resident acting company member Dylan Godwin) is onstage the entire show, and it is going to be quite a challenge. Supporting new plays is incredibly important for the health of the American theater. Four years ago, Alley Theatre premiered Liz’s play Born with Teeth, and it is currently having a run on the West End after gracing the stages of major theaters in the U.S. such as the Guthrie, Asolo Rep, and Oregon Shakespeare Festival."

    Alley Theatre has a significant history with developing new work. In 1996, the Alley won the Regional Theatre Tony Award after debuting the world premiere of the musical Jekyll & Hyde, which went on to tour 40 cities and play for two years on Broadway (it lives on thanks to a DVD and VHS recording starring David Hasselhoff in the title roles).

    In 1998, the Alley staged the American premiere of a rediscovered Tennessee Williams play, Not About Nightingales, which later enjoyed a successful Broadway run.

    The Edgerton Foundation New Plays Program, directed by Brad and Louise Edgerton, was piloted in 2006 with Center Theatre Group in Los Angeles by offering two musicals in development an extended rehearsal period for the entire creative team, including the playwrights. The Edgertons launched the program nationally in 2007 and have supported 569 plays to date at over 50 different theaters across the country. Over the last 19 years, the Edgerton Foundation has awarded $19,670,534 to 569 productions.

    Among the 2025 winners are pop-country star Jennifer Nettles' new musical Giulia: The Poison Queen of Palermo at Perelman Performing Arts Center in New York City; Claudia Shear's The Recipe, about the early life of Julia Child, at La Jolla Playhouse in California; and prolific playwright David Lindsay-Abaire's latest title, The Balusters, at Manhattan Theatre Club. See the complete list here.

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