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    Fridamania sweeping Houston

    Museum of Fine Arts, Houston celebrates Frida Kahlo with groundbreaking new exhibit

    Tarra Gaines
    Mar 25, 2025 | 9:00 am
    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.

    “Frida: The Making of an Icon" opens at the Museum of Fine Arts, Houston in January 2026.

    Nickolas Muray, Frida with her Pet Eagle, Coyoacán, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.

    From adorning high fashion to T-shirts, dishes to flags, the face and artworks of Mexican artist Frida Kahlo has become some of the most recognizable images of the 20th and 21st century. She even has her own Barbie doll.

    Yet, Kahlo never had this place in our global cultural psyche when she was alive. Now, Frida: The Making of an Icon, a pioneering exhibition organized by the Museum of Fine Art, Houston, will trace Kahlo’s phenomenal rise onto the world art stage and her colossal influence on generations of later artists.

    Set to debut in January 2026, Frida will showcase over 30 works by Kahlo herself. In addition, her artwork will hang amid more than 120 objects by artists from the 1970s into the 21st century who were influenced by her work. Some even co-opted and adapted her art and self-portraits to create their own.

    While certainly not the first survey of Kahlo’s work, this is the first major museum exhibition to attempt a deep exploration of Kahlo’s evolution from an admired, but mostly regionally-known, painter, and artist wife of Diego Rivera at the time of her death in the 1950s to the universal icon and global brand she is today. The MFAH notes that her audience recognition and devotion rival that of legendary artists like Van Gogh and Picasso.

    Conceived by MFAH curator of Latin American Art, Mari Carmen Ramírez, the show will be organized thematically with focuses on how art and cultural movements of the time influenced Kahlo's work and sense of self and how her art continues to influence us. MFAH visitors can expect galleries devoted to Kahlo’s many self-constructed identities, Surrealism influences, the 1970’s Chicano movement, and feminist activism that brought her artwork into more spaces in the U.S., as well as her “Pro-Activist Legacy” and even the “Fridamania” commodification of her life and art.

    “The exhibition reveals how the different facets of Kahlo’s complex persona(lity), which she so carefully crafted and projected, were adapted again and again over her decades-long transformation into an icon,” describes Ramírez. “As a result, her image became subsumed within the desires, fears, and hopes of artists and activists who transformed it into innovative proposals that transcend their source of inspiration while commenting on pressing issues of their place and time. In exploring that process, the exhibition re- establishes Kahlo’s own identity, and asserts her persistent relevance to contemporary art as well as activism over the past 70 years.”

    As anticipation builds for the early 2026 Frida: The Making of an Icon opening, expect Fridamania to sweep Houston and Texas, perhaps sparking Frida fans from all across the country on art trips to see this remarkable show. After Houston, global audiences will need to head to London’s Tate Modern for the next opportunity to view this Houston-grown exhibition.

    “This Museum has been at the forefront of Latin American art since the founding in 2001 of the International Center for the Arts of the Americas,” notes MFAH director, Gary Tinterow, on the groundbreaking exhibition. “While there have been numerous Frida Kahlo exhibitions around the world since the 1970s, Mari Carmen Ramírez has leveraged the unparalleled resources of our ICAA to document and assemble a fascinating group of objects that attest to the enduring appeal of Kahlo’s art and life.”

    "Frida: The Making of an Icon" will be on view January 18-May 17, 2026 at the Museum of Fine Arts, Houston.

    visual-artmuseumsmuseum of fine arts houston
    news/arts

    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
    news/arts
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