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    trunk show

    Unforgettable elephant art installation rumbles into Houston's Hermann Park

    Holly Beretto
    Feb 19, 2025 | 4:30 pm

    They say an elephant never forgets. And it’s very likely that those who see the upcoming Great Elephant Migrantion installation in Hermann Park won’t forget it. One hundred life-sized Indian elephant sculptures will be on view from April 1-30.

    The majority of the herd will take up residence in Hermann Park’s newest destination, the Commons. Smaller herds will be located at the Houston Museum of Natural Science and the Texas Medical Center. The installation is open daily during park hours and is free to view.

    Houstonians also get a chance to see the newest — and biggest — member of the herd. His name is Matt, a real life Kenyan elephant who stood 10-feet tall and weighed more than six tons. As one of Kenya’s largest tuskers, he was closely monitored by Save the Elephants. Matt was fitted with a GPS collar in 2002, revealing groundbreaking insights into elephant migration. Over his 52 years, Matt roamed farther than any other tracked elephant in Kenya, covering hundreds of kilometers. Matt died of natural causes in 2019, leaving behind a legacy that continues to inform conservation efforts.

    The exhibit is part of Hermann Park Conservancy’s Art in the Park Initiative. This is the fourth U.S. stop for the installation, which was previously seen in Newport, Rhode Island, New York City, and Miami Beach. The Great Elephant Migration is a women-led conservation effort, reflecting the matriarchal structures that elephants uphold in the wild. CBS Sunday Morning profiled the exhibition last year.




    Each elephant is one-of-a-kind. The pachyderms were created by The Real Elephant Collective, a community of 200 Indigenous artisans living within India’s Nilgiri Biosphere Reserve in southern India. The herd is made from reclaimed Lantana camara, an invasive plant species that has entangled 300,000 square kilometers of India's forests and diminished food sources for all herbivores. The Great Elephant Migration is designed to spread a message of peaceful coexistence between humans and wildlife.

    “The Great Elephant Migration is more than an art installation — it is a call to action and a place to experience joy,” said Cara Lambright, president and CEO of Hermann Park Conservancy. “By bringing this breathtaking global effort to Hermann Park, we are inviting our community to be part of a worldwide movement to protect ecosystems, eradicate invasive species, and inspire change. These are shared values that span continents.”

    Parkgoers will see every elephant the artists live alongside, from female cows, male bulls (with and without tusks), and baby calves. They’ll also be part of a global awareness campaign. In addition to the pride and financial stability provided to the 200 members of theSoligas, Bettakurumbas, Kattunayakan, and Paniyas communities who created and coexist with the real wild elephants the herd is based on, the exhibit has raised more than half a million dollars.

    While the installation is on display, Hermann Park Conservancy, in partnership with the Houston Parks and Recreation Department and Houston Museum of Natural Science, will present a series of engaging activities designed to help people learn more about these incredible creatures. The activities will be announced soon.

    Following their stop in Houston, the elephants will continue their migration west, with stops in the Blackfeet Nation; Buffalo Pastures in Browning, Montana; Jackson Hole, Wyoming; and Los Angeles.

    Elephant sculptures part of The Great Elephant Migration

    Photo by Corey Favino, Courtesy Elephant Family USA and Newport Restoration Foundation

    The Great Elephant Migration is coming to Hermann Park in April.

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    Small-Town Gossip

    Houston Grand Opera trades Appalachian heartbreak for black-tie revelry

    Joel Luks
    Oct 28, 2026 | 11:45 am
    Houston Grand Opera opening 2026
    Photo by Michelle Watson
    James Gaffigan, Astley Blair, and Ping Sun.

    Ain’t it a pretty night? Well, that depends on whom you ask.

    For the title character in Carlisle Floyd’s Susannah, things go south rather quickly. For the Houston Grand Opera crowd gathered at the Wortham Theater Center on October 23, however, the evening was looking positively peachy.

    HGO opened its 72nd season with the American classic, celebrating Floyd’s centennial and the nation’s 250th birthday. And what better way to salute Americana than with a little Appalachian intrigue, religious fervor, and small-town gossip?

    The drama began before anyone sang a note. A passionate overture accompanied by sweeping projections offered a tantalizing preview of the story’s twists and turns. Spoiler alert: Susannah wasn’t headed for a fairy-tale ending. But the evening certainly had its leading man. James Gaffigan made his first appearance as HGO’s music director designate, taking the podium for a production reimagined by soprano-turned-director Patricia Racette.

    Houston Grand Opera opening 2026

    Photo by Michelle Watson

    James Gaffigan, Astley Blair, and Ping Sun.

    Soprano Sylvia D’Eramo made her role debut as Susannah, with baritone Rod Gilfry portraying the Reverend Olin Blitch. Tenors Bille Bruley and Aaron Blake rounded out the principal cast as Sam and Little Bat. And the audience delivered a standing ovation. Because heartbreak sounds better with a full orchestra.

    Chairs Sylvia Barnes and Jim Trimble, longtime HGO supporters, welcomed guests to Ray C. Fish Plaza, where The Events Company had conjured an Appalachian autumn, complete with sunset hues, lush greenery, and the illusion of a stream. Anyone fancy a dip? Considering how things turned out for Susannah after her ill-fated bathing excursion, perhaps not. You never know who might be watching. Better to plunge a fork into the flourless chocolate torte.

    And while Susannah might have had opinions about mail-order catalogs (if you know, you know), the Houston crowd was having none of that. The dress code was decidedly black tie.

    During dinner, board chair Astley Blair celebrated HGO’s recent Grammy win, while CEO Khori Dastoor reflected on the company’s artistic ambitions. Gaffigan introduced the cast, who received yet another standing O.

    Perhaps Susannah would have fared better had she set her sights beyond Nashville, Asheville, and Knoxville. Houston, after all, knows a thing or two about tall buildings, fancy clothes, and pretty nights. The festivities drew 370 guests and raised $640,000 to support HGO’s mission of bringing opera to Houston’s diverse communities.

    Making a scene were Claire Liu and Joe Greenberg, Patrick Summers, Margaret Alkek Williams, Renu and Suresh Khator, Dian and Harlan Stai, Farida Abjani, François Badoual, Jennifer Bielstein, Jack Bell, Katy and Logan Boatman, Norma and Beto Cardenas, Janet Clark, Louise Chapman, Ambassador Breno Costa, Molly and Jim Crownover, Isabel and Danny David, Mindy and Josh Davidson, Debra Dunn, Mahshid and Rod Foroozan, Sarah and Doug Foshee, Lily and Charles Foster, Mary Foster and Don DeSimone, Marianne and Joe Geagea, Christel and François Good, Janet Gurwitch and Ron Franklin, Celina Hellmund, Gary Hollingsworth and Ken Hyde, Elizabeth and Richard Husseini, Michelle and Doug Huth, Teresa and José Ivo, Sarah and Bryant Lee, Tomikia LeGrande, Kristen and Matthew Loden, Cynthia and Tony Petrello, Irina and Andrey Polunin, Ambassador David Satterfield, Ping Sun and David Leebron, Apurva Thekdi, Ellen and Bob Vladem, and Geraldina and Scott Wise.

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