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    Live Music Now

    These are the 5 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 7, 2018 | 10:31 am

    It may be the heat, or the fact that kids are about to start back to school, but the local live music scene is slower in August — before the fall concert season picks up. That’s not to say there isn’t anything good to see in Houston this week. These are CultureMap’s best and biggest shows of the week.

    CultureMap show of the week: Lucinda Williams, Steve Earle, and Dwight Yoakum
    Fans of the grittier side of country, Americana, roots, and folk music will find a lot to love with a bill that sees three powerhouses bless the lawn at White Oak Music Hall. Lucinda Williams, Steve Earle, and Dwight Yoakum joined forces for the LSD Tour (see what they did there?) this summer, bringing three distinct voices together for a dream line-up. Grammy Award-winning Lucinda Williams is widely hailed as one of the best country-folk singer-songwriters in the game. Steve Earle is a roots rock rabble-rouser, known for his political activism as much as his songwriting chops. And last but not least, neo-traditional country crooner Dwight Yoakum makes country music of a bygone era before pop encroached into Nashville. This is a great opportunity to see three musicians who are critically adored within their respective genres, doing what they do best.

    The LSD Tour featuring Lucinda Williams, Steve Earle, and Dwight Yoakum stops at the White Oak Music Hall, located at 2915 N. Main St., on Tuesday, August 7. King Leg opens. Tickets start at $58.50 plus a $19.80 service charge. Gates open at 5 pm.

    Locals Gio Chamba light up the Continental
    While bigger names stay away from the heat that is southeast Texas in August, it’s a perfect time to check out local talent. Gio Chamba, along with bandmate Coffee Guzman, has been making noise on the local scene for a few years now with an intriguing melange of Texas and international sounds, prescribing to the genre Digital Cumbia, which first got its start in South America, a mix of traditional cumbia, electronic indebted dance, and hip-hop beats. Gio Chamba infuses this with a healthy dose of Santana guitars, adding the requisite Tex-Mex temperature to the proceedings. The duo’s latest is last year’s album, Tejas, and they just released single, “Cobra Dinero” in June.

    Houston’s own Gio Chamba performs at the Continental Club, located at 3700 S. Main St., on Thursday, August 9. San Francisco act Bang Data open. Show starts at 10 pm.

    Miranda Lambert and Little Big Town co-headline in The Woodlands
    Five-time RodeoHouston performer and Texas native Miranda Lambert (2008, 2011, 2012, 2015, 2016) teams up two-time RodeoHouston band Little Big Town (2016, 2018) for a huge country show in The Woodlands for those itching to bust out the cowboy boots and tight jeans. Lambert is still touring her 2016 album, The Weight of These Wings, while Little Big Town is still promoting 2017’s The Breaker, but recently released the country version of "Get Lucky" (but not as good), the disco-inflected "Summer Fever," in June. Both groups boast enough No. 1 songs and albums to fill a barn, which points to a well-attended event.

    Miranda Lambert and Little Big Town co-headline the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Friday, August 10. The Steel Woods and Tenille Townes open. Tickets start at $25 for lawn seating, $64.75 for reserved seating, plus service charges. Gates open at 6 pm.

    Jeff Lynne's ELO
    Anyone who saw Guardians of the Galaxy, Vol. 2 will be instantly familiar with Electric Light Orchestra’s “Mr. Blue Sky,” which kicked off the movie with a memorable action scene. Following the dissolution of the band, original member, guitarist/songwriter, Jeff Lynne, carried on under the moniker, Jeff Lynne’s ELO, and why shouldn’t he have, since ELO was massive in the 1970s — heavily influenced by The Beatles and prog-rock that won the band huge rock radio play for hits such as “Don’t Bring Me Down,” “Livin’ Thing,” and “Turn to Stone.” Lynne is also famous for his turn in the ’80s supergroup The Travelin’ Wilburys, alongside his heroes, George Harrison and Roy Orbison (in addition to Bob Dylan and Tom Petty). If Lynne’s career in ELO is any indication, the stage production will be off the charts and there just might be a UFO sighting, imagery the band became famous for in their heyday.

    Jeff Lynne’s ELO plays the Toyota Center, located at 1510 Polk St., on Friday, August 10. Alt-country heroes Dawes open. Tickets start at $49 plus service charges. Doors open at 7 pm.

    CultureMap recommends: ATX’s Walker Lukens
    Talented Austin singer-songwriter Walker Lukens is back in Houston this weekend with a headlining slot at the Continental Club. He made a couple of appearances last year at the start of his touring cycle for his great album Tell It to the Judge, a multi-genre mash-up that recalls Beck’s ability to take varying sounds and mix it into melodic magic, with a touch of Prince's showmanship. This featured appearance at one of the best intimate concert venues in the city will be well worth heading out for the late start.

    Walker Lukens plays the Continental Club, located at 3700 S. Main St., on Saturday, August 11. Tickets are $12 in advance, plus a $3 service fee. Show starts at 10 pm.

    Jeff Lynne's ELO performs at the Toyota Center on Friday, August 10.

    Jeff Lynne
    photo by Carsten Windhorst
    Jeff Lynne's ELO performs at the Toyota Center on Friday, August 10.
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    Movie Review

    Quirky relationship film Twinless covers grief in a novel way

    Alex Bentley
    Sep 4, 2025 | 4:46 pm
    Dylan O'Brien and James Sweeney in Twinless
    Photo courtesy of Roadside Attractions
    Dylan O'Brien and James Sweeney in Twinless.

    Filmmakers have found all sorts of ways to confront the concept of grief in movies, so it’s rare to find a film that approaches it in a unique way. The new release Twinless does just that, pairing together two men who meet at a group designed for people whose twins have died, leaving them without the bond that only those who have been a twin will know well.

    Roman (Dylan O’Brien) and Dennis (James Sweeney) are close to polar opposites. Roman is straight, a little dense, and a virtual stranger to Portland, where he’s staying after the sudden death of his brother, Rocky. Dennis is gay, a little overly familiar, and clingy, something that comes into play when the two of them strike up an unexpected friendship in the group.

    Roman and Dennis start hanging out on a regular basis, providing comfort to each other at a time when they both need it most. However, the audience is given information about Dennis that Roman does not have, and in that withholding lies the main tension of the film. The closer they get, the more the potential of Dennis’ secret coming out starts to weigh on him and the audience.

    Written and directed by Sweeney, the film mixes tones to mostly positive effect. Because of the concept of the film, death and grief color the entire story, and yet Sweeney manages to keep things relatively light. The interplay between the two main characters is never too heavy, even when they’re discussing what could be depressing topics.

    Sweeney introduces several side characters who maintain the diverting nature of the film, most notably Marcie (Aisling Francioni), a receptionist at the company where Dennis works. Marcie at first seems to be a flighty, eternally sunny person who will be the comic relief of the film. But the character starts to become a bigger part of the story as it goes along, and she winds up being one of its most important pieces.

    Through Roman and Dennis, the film confronts the idea of people putting on masks when dealing with others and the casual lies some people tell to protect themselves. The decision-making of certain characters is understandable given the rawness of their personal lives, but they also do some indefensible things that undermine the nicer parts of their personalities.

    Sweeney gives himself the starring role in the film, and he makes the most of it. Dennis is a strange character whose confidence ebbs and flows throughout the story, and Sweeney’s performance keeps him consistently interesting. O’Brien, who briefly gets to play Rocky in flashbacks, is also solid even if his character isn’t quite as deep due to the nature of the story. Francioni, who also made an impression in 2024’s Speak No Evil, deserves to be the breakout star from the film.

    Twinless is a film that’s difficult to categorize, getting by more on vibe than anything else. But the way it deals with the aftermath of unexpected death and a new connection that may be built on shaky ground turns the film into one that remains compelling throughout.

    ---

    Twinless opens in theaters on September 5.

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