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    the stones return

    The Rolling Stones rock Houston with unforgettable, satisfaction-filled show

    Johnston Farrow
    Johnston Farrow
    Jul 28, 2019 | 3:00 am

    The question of the night loomed over the proceedings with well over 50,000 packed into NRG Stadium: Can a band — all members over the age of 70 — still rock a huge crowd?

    The answer: yes.

    The Rolling Stones are well past their expiration date and defiantly so. They have been a going concern for over 50 years, the former rivals to The (freaking) Beatles and have assuredly turned their many hits into becoming the biggest band in the world, no questions asked. At this point, they are only on the road to prove they can outdo any young band that might think they can take on their mantle.

    Lead singer Mick Jagger recently had heart valve replacement surgery, and he even acknowledged the postponement of the show that was supposed to be months ago, apologizing, in saying that he “f*cked everyone’s plans.” Drummer Charlie Watts is 78 years old, Ronnie Wood looks way better than he should, and Keith Richards, well, he is still walking.

    Jokes aside, the Stones almost thrive on these thoughts to make converts anew, something they've been doing for decades. This was one helluva show and one that the Bayou City won't soon forget.

    After a set by Bishop Gunn that would have made Black Crowes fans happy, the Stones came out to "Jumpin' Jack Flash," the 1968 hit that still had the resonant, exciting charge as the day it was released. A huge bank of video screens mostly focused on the big four — Jagger, Richards, (Ronnie) Wood, and Watts — and showed that they still had the goods. Any concerns that Mick would be able to give his nimble best were destroyed as he pranced across the huge stage, his iconic moves still as vibrant as ever.

    Between songs, Jagger alluded to their history at NRG Stadium, noting that they were the first band to ever play the venue after it opened in 2002. Later, he pointed out it had been 55 years since they had first played Houston, a mind-boggling fact to anyone born years after their start.

    Fans of all ages showed their approval for their biggest songs — “Let’s Spend the Night Together,” a killer “Sympathy for the Devil,” and “Paint It Black” was everything and more that a fan could expect.

    Significantly changing the setlist up from earlier in the tour made a statement and kept the audience on their toes. The early ’80s hit, "Start Me Up," that launched the modern Stones was a welcome addition. “Brown Sugar” and its extended jam closed out a killer first set.

    The Stones pulled off the perfect one-two shot encore with the mind-blowing “Gimme Shelter,” back-up singer Sasha Allen stealing the spotlight. “(I Can’t Get No) Satisfaction” had the entire stadium up and dancing, proving that good songs can never die, that people will continue to pay to see one of the most legendary acts to ever take the stage.

    Setlist
    "Jumpin' Jack Flash"
    "Let's Spend The Night Together"
    "Tumbling Dice"
    "Out of Control"
    "Doo Doo Doo Doo Doo (Heartbreaker)"
    "You Can't Always Get What You Want"
    "Sweet Virginia"
    "Dead Flowers"
    "Sympathy For The Devil"
    "Honky Tonk Women"
    "Slipping Away"
    "Before They Make Me Run"
    "Miss You"
    "Midnight Rambler"
    "Paint It Black"
    "Start Me Up"
    "Brown Sugar"

    Encore:
    "Gimme Shelter"
    "(I Can't Get No) Satisfaction"

    The packed crowd at NRG Stadium.

    Rolling Stones Houston concert 2019 NRG Stadium
    Photo by Jacob Power
    The packed crowd at NRG Stadium.
    concertsmusicreviewsnightlife
    news/entertainment

    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

    moviesfilm
    news/entertainment

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