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    longbow legacy

    Houston oil giant's historically significant estate on elite street lists for $9.6 million

    Holly Beretto
    Jul 14, 2022 | 7:15 pm
    Serenity in the yard.
    Serenity in the yard.
    Photo by Patrick Bertolino for Sotheby's International Realty

    When the summer heat was just too much for Houstonians during the first 40 years of the last century, those with means escaped to a shady spot along Buffalo Bayou called Longbow Lane. Families built massive, multi-acre estates there, complete with stables, swimming pools, and hunting lodges.

    In this pre-World War II world, the homes of Longbow Lane became a world unto themselves, where the very privileged lived very well.

    Now, a new generation of well-heeled Houstonian can be part of that history. Known simply as 3 Longbow Lane, a historically significant, 7,732-square-foot manse sitting serenely on close to three and a half acres is for sale. The six-bedroom, six-bath-home is on the market for $9.6 million, represented by Ruthie Porterfield of Sotheby's International Realty.

    This estate is far more than just another multi-million-dollar property in a city with plenty of them. This estate was built in 1967 for oil man and attorney Bill Liedtke and his wife Bessie, following a move to the Bayou City from the oil fields of Midland. Of note, the estate's listed seller is William Liedtke III.

    By the time he turned up in Houston, Liedtke had already partnered with his brother J. Hugh Liedtke and the future United States president George H.W. Bush to found Zapata Petroleum in the mid 1950s. He and J. Hugh also founded the Pennzoil Company. Liedtke needed a home that showcased his place in the pantheon of energy giants; 3 Longbow Lane was it.

    He chose architect O'Neil Ford to design it. Ford was the creative force behind San Antonio's La Villita historic district and HemisFair. By the time he turned his energy to 3 Longbow Lane, he was considered the dean of Texas architecture.

    His touch is apparent throughout this stunning property. The courtyard style floorplan is a Modernist take on the architectural motifs of New Spain and Mexico, echoing Texas' colonial roots. Design touches employ antique, unique brick, tile, stone, and masonry elements from Guanajuato and Morelia, Mexico.

    Exposed beams and loads of natural light play throughout the home, which features interior courtyards, brick vaults, and a rambling layout.

    Upon entry, a two-story atrium soars upwards 30 feet, nodding to Mexico's colonial haciendas. Tezonite stone climbs above the upper galleries, reaching the wood ceiling. A skylight floods the entryway with light.

    And that's only the beginning of 3 Longbow Lane's dramatic design. In the family room, a spiral staircase curves gently around an enormous, whitewashed brick fireplace, copied from a silver mine smokestack. Down a first floor hallway lies the primary suite, a secluded spot with walk-in closets, two bathrooms sporting Satillo tile floors and marble sink decks, and a dressing room that has its own closet.

    A kiva fireplace and shed-style ceiling make for a killer accents in one of the bedrooms upstairs. The pool house's has a vaulted brick ceiling, tile floors, and stunning views of 3 Longbow Lane's grounds. There's a even a deck that will make owners and guests feel like they've stepped into a child's treehouse reimagined for adults.

    Patios and fountains complete the grounds. Two pools are connected by an underground tunnel. Swimming through the tunnel was a right of passage for the Liedtke children and grandchildren; perhaps it will be for the next owners, as well.

    Throughout 3 Longbow Lane, the windows remind all who enter that this is as much oasis as it is a home. The jaw-dropping, panoramic views of its tree-lined grounds promise serenity and exclusive living.

    This incredible escape is both retreat and home. Its new owners will find themselves part of a legacy of luxury and design.

    The living room.

    3 Longbow Lane Houston
    Photo by Patrick Bertolino for Sotheby's International Realty
    The living room.
    home-for-sale
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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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