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    Art On Wheels

    Art on Wheels: Sculpted in Steel exhibit drives car lovers to lust after magnificent wonders

    Tarra Gaines
    Mar 1, 2016 | 11:00 am

    Valentine’s Day may be long gone but the Museum of Fine Arts has just made an enticing play for our affection. Let’s be honest, we Houstonians have always been obvious about what we like when romanced: sexy, hot, fast......cars. The MFAH knows our tastes and is ready to take us on the ride of our life with its new exhibition Sculpted in Steel: Art Deco Automobiles and Motorcycles, 1929–1940.

    “The way you arrive has always been an important aspect of public display,” observed MFAH director Gary Tinterow, during a preview walk among the 14 cars and 3 motorcycles in the exhibition. ”Whether it was on a horse in shining armor or in a gilded carriage or whether it was in a fabulous black and ivory Bugatti coupe, that moment of arrival was a way of expressing oneself, one’s position, one’s power,” Tinterow went on to say, making a connection between art, power, transport and presentation.

    The exhibition was organized by Cindi Strauss, the MFAH’s curator of modern and contemporary decorative arts and design, working with Ken Gross, noted automobile expert and former director of the Petersen Automotive Museum in Los Angeles. And Sculpted in Steel certainly does arrive in high style, putting its flashes of chrome, steel, glass and leather on display for all of Houston to lust after.

    But before falling head over heels for this sexy beast of a show, filled with sleek sculptures of resting speed, here’s a few tips to help you decide if this is just a brief art hookup or if you’ve met the One, that exhibition you can have a real relationship with, at least until it hits the road on May 30.

    Get to know Sculpted in Steel’s aesthetic philosophy

    All the car and motorcycles were designed and created between 1929-1940 and are examples of the intimate relationship between art, industry and technology of the Art Deco period. The design style born in France before World War I and reaching its height in the '20s and '30s influenced the shape and design of everything from cigarette cases to the Chrysler Building.

    Steel tears are oh, so sexy (and aerodynamic)

    “One of the great design aspects that you’ll see throughout the show both in body styles and aesthetics is the form of the teardrop,” explained Strauss.

    This was the era when designers began testing cars for the best shapes for speed and realized the perhaps irony that the shape of a drop of water falling could be most aerodynamic. While the depression era public wasn’t necessarily ready for these rounded bodies, it’s hard not to appreciate the beauty of the flow of tear shapes throughout the exhibition.

    Yes, theoretically you could run away with Sculpted in Steel because the cars all run

    But if you’re thinking of pulling a Fast and Furious style heist and hitting the not-so-open Houston freeways with one of these babies, well you better have a crew of 20, a semi outfitted for antique car transport, a rollback truck for getting them off the Museum loading dock and access to two of the MFAH’s large freight elevators, because that’s what it took to get them all into the Beck Building. Strauss calls the immense undertaking a “choreographed ballet” of an installation.

    Enjoy the big picture but don’t miss the beauty in the details

    These vehicles are indeed wondrous sculptures to behold from afar, but move a little closer (though don’t alarm the guards) to see even the smallest features that make them true works of art, from the flush door handles of the 1937 Delahaye 135MS Roadster to the hidden headlights on the 1941 Chrysler Thunderbolt.

    All the good ones have a mysterious-to-badass pasts they want to reveal

    Many of the cars and motorcycles have fascinating stories of their creation, loner lifestyle or near-destruction attached to them. For example, you might imagine Gatsby and Nick tooling around New York in the Edsel Ford 1934 Model 40 Speedster, but Edsel Ford’s real life quest to build this ultimate roadster is a true story that almost rivals a Fitzgerald novel. Ford funded the 40 himself for $100,000. It was sold at his death for $1,000 and is now worth over a million.

    Likewise, when the bright orangish-red color and futuristic styling of the 1938 Czechoslovakian Tatra T97 catches your eyes in the last gallery, know that the fact you’ve probably never heard of this car before can be blamed on Hitler. After the Nazi invasion of Czechoslovakia, he ended Tatra T97 production to get rid of this VW competition.

    Gallery labels and an audio-tour reveal many more vehicle tales as you wander through the exhibition.

    Continue this romance (or bromance) all spring

    You can fill your calendar with Sculpted in Steel dates for the months to come, as the MFAH has a slew of days and evenings planned around the exhibition, starting with its companion Deco Nights: Evenings in the Jazz Age. Also check out the schedule for exhibition’s related car talks, tours, performances and Happy Hour Thursdays, which each week will feature a different type or era of antique cars.

    Sculpted in Steel is a ticketed exhibition on view at the Museum of Fine Arts, Houston until May 30.

    O. Ray Courtney, Henderson Motorcycle Co., KJ Streamline Motorcycle, 1930, Frank Westfall, Ner-A-Car Museum, Syracuse, New York.

    Sculpted in Steel, KJ Streamline Motorcycle, 1930
    MFAH Courtesy Photo
    O. Ray Courtney, Henderson Motorcycle Co., KJ Streamline Motorcycle, 1930, Frank Westfall, Ner-A-Car Museum, Syracuse, New York.
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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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