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    an artful stay

    New Medical Center hotel books eye-catching local art with dazzling debut

    Tarra Gaines
    Feb 3, 2020 | 11:47 am

    Visitors to Houston who want to stay within the Medical Center or those Houstonians looking for a wellness staycation close to the Museum District have a new artful alternative with the recent opening of the 273-guest room, luxury hotel, the Westin Houston Medical Center.

     

    Instead of building new, Houston-based hotel developers Pearl Hospitality renovated and restored the midcentury modern 1954 Medical Towers building located at 1709 Dryden Rd. The historic landmark first designed by Houston architectural firm Golemon & Rolfe with Pritzker prize-winning architect Gordon Bunshaft of Skidmore Owings & Merrill (SOM) as a modified version of SOM’s 1952 Lever Houston in New York was originally used as an office building for medical professionals.

     

     A state-of-the-art transformation
    “In real estate, location is everything and this newly redeveloped full city block is central, unique, convenient and cannot be duplicated,” said William R. Franks, a member of Pearl Hospitality’s development team in a statement on the opening. “What was once an underutilized old office building, has been transformed into the most modern, state-of-the-art hotel in the Houston Medical Center, which adds tremendous value for the City of Houston.”

     

    “A big part of our goal was to preserve the history of the building which was so important to the city of Houston,” explained Archit Sanghvi, vice president of operations for Pearl Hospitality at a recent preview of the boutique hotel.

     

    The design features natural light in all the public areas on the fifth level pavilion, which acts as an epicenter for the whole hotel. On the fifth floor guests check in, can find the outdoor pool, and 8,000-square-foot ballroom, Terrace 54 Bar + Table with outdoor seating, and two outdoor terraces overlooking the Medical Center. From the poolside terrace guests can also get a stunning view of the Rice University campus.

     

    Nestled in the Medical Center, the hotel wants to weave wellness into guests’ stays. The decor features elements of nature in the design, and hard wood floors in all the guest rooms. It also boasts a 3000-square-foot fitness center with a weekly run club and they plan to hold terrace yoga classes and events in the spring.

     

    “The hospitality side of wellness is a common thread throughout the hotel,” described Sanghvi, in an earlier statement. “Not only because of our location in the Texas Medical Center, but because of our vision for each guest who walks through our doors: we want to nourish their mind, body and spirit.”

     

     A treat for the eyes
    Houston, national, and international art lovers coming to stay can also indulge in treats for the eyes. The skylights on the fifth level pavilion were inspired by the James Turrell major artworks across the city, especially the Skyspace on the Rice campus.

     

    Guests can also view the hotel’s own curated art collection, with works chosen for to bring art and color to the already innovative architecture but to also reflect Houston’s diversity.

     

    The collection features the works of several Houston native and based artists including: muralist Sebastien “Mr. D” Boileau, Houston-born photographer Gary Griffin, abstract and mixed media painter Edgar Medina, Taft McWhorter, and Marthann Masterson who drips paint to create her “Joy”ful piece. Angela Fabbri’s playful and bright “Bloom Big” living artwork, a mix of graphics and painted plant boxes, is specifically installed backwards for optimum selfie taking.

     

    As CultureMap reported last year, down at the street level the Westin building will and has already opened up the dining selection in the Medical Center with “veritable fast casual utopia,” including MOD Pizza, Roti Modern Mediterranean, Poke in the Bowl, Antone’s, JuiceLand, and SusieCakesSusieCakes’ homestyle desserts.

    Angela Fabbri's Bloom Big was installed for selfies.

    Westin Houston Medical Center: Angela Fabbri, Bloom Big
      
    Westin Houston Medical Center Courtesy Photo
    Angela Fabbri's Bloom Big was installed for selfies.
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    give me shelter

    Meet the Houston architects teaching refugees to build permanent homes

    Emily Cotton
    Jun 27, 2025 | 10:46 am
    Every Shelter refugee Africa
    Photo by Moses Sawasawa
    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

    Two Rice architecture alums, and former Gensler Houston interns, Sam Brisendine and Scott Key are utilizing their top-tier education and expertise to make serious waves on a global level — and Gensler wants everyone to know about it. June is Global Giveback Month at the international design and architecture firm, and Every Shelter, the charitable organization founded by Brisendine and Key, is getting the spotlight with a new exhibit in the lobby of Gensler’s office in downtown Houston titled “Why We Flee.”

    Photographed by 26-year-old war photojournalist Moses Sawasawa, “Why We Flee” shines a light on one of the world’s largest drivers of human displacement today: an endless conflict in the Democratic Republic of Congo, or DRC. Also on display are the common goods that Every Shelter helps to repurpose into supplies and tools that refugees can then use to design and build their own permanent homes themselves.

    Every Shelter focuses on designing, building, and supplying permanent shelter solutions for homeless and displaced war and natural disaster refugees. Based in Houston, TX, and Kampala, Uganda, Every Shelter works directly with newly-arriving refugees from the DRC in Nakivale Refugee Settlement in the southwest of the country.

    Every Shelter is unique in that they are “community led, expert supported,” and teach communities how to design and build for their own communities. Megan Mark, director of advancement at Every Shelter, tells CultureMap about a design studio that they are currently piloting at their Ugandan office.

    “We have a humanitarian aid architect there and a program manager. They work with the social innovation leads, who are typically refugees who we’ve employed to help us navigate refugees’ needs in the context of the environment that they are in,” she says. “A refugee who is in Turkey doesn’t have the same needs as a refugee in Uganda. Right now we have three architects who are still in school.”

    Humanitarian aid architects spend nine weeks leading an architecture and design curriculum for refugees between the ages of 18-30 years old. At the end of the nine weeks, the students will have designed a solution, or “intervention” as Every Shelter calls it, for a need that they have in the community.

    “We are really excited to see what they come up with,” says Lauren Hanson, community manager at Every Shelter. “We teach refugees how to make things, then certify them to be the teachers. Then they can go make their own, they can sell their own, they can even start their own business teaching others how to make these things. We want to give the power to them to take whatever intervention we come up with and utilize it. They can take any idea and scale it, and that’s what we want to happen.”

    The most coveted shelter solution by far has been the brick molds that Every Shelter supplies to the communities. While brick molds are nothing new, availability has been scarce. With high demand and low supply, local rental fees for these tools skyrocketed. The UN and the Ugandan government supply refugees with land, a UN tarp, a few poles, and a small amount of money to get settled. Refugees tend to spend 10-26 years in these settlements, far longer than the 3-6 month lifespan of a UN-supplied tarp.

    By supplying brick molds and an invaluable education in building and design — especially lessons on making bricks from local organic matter — Every Shelter can get families from living under a tarp to living in a brick home in about a year. The brick molds cost under $10 to make, and the savings from potential rental fees ($130) is the equivalent of three months of food per household, which is a huge savings for families who are trying to get their children into schools.

    Communities band together to share molds and can work together to allocate bricks in an efficient manner. One house requires approximately 1,500 bricks, and with lessons from Every Shelter, families can design and build homes that best fit their individual needs. Skylights are designed and built using recycled water bottles, and decommissioned billboards are treated and up-cycled into roofing and floor tiles, which have a lifespan of about eight years. Lessons in home repair are also instrumental for those who may need them down the line.

    The focus that Every Shelter places on design, architecture, and construction in underserved communities is something that resonates deeply with Gensler. Stephanie Burritt, managing director and principal at Gensler Houston, certainly feels a connection to the organization’s ethos.

    “When they came to us and told us what they are doing, it was just hand-in-glove in terms of how it fit with our global giveback and our focus on homelessness, and it just made a lot of sense,” Burritt tells CultureMap. “We have happy hours here with contractors, employees, vendors, and everyone who walks through here all the time asks us what this is that we are showcasing and how they can help.”

    Gensler’s summer intern class arrived the same week as the “Why We Flee” installation, and Burritt thinks it has been a good thing for them to see. “I think, for them, it was super exciting to see somebody who had been an intern — 12 years ago, or whatever it was — and go ‘Oh, wow! This is the kind of impact I can have at some point in my career that’s beyond what you see in our day-to-day work at Gensler.’ And I think that’s really special.”

    Every Shelter co-founder Scott Key enlisted college friend and curator Ben Rasmussen to oversee the installation of the exhibition. As for the subject matter, Rasmussen wants the show to be experienced in a fluid way. “Wherever you enter is how you experience it,” he says. “It can be moved through in whatever way people choose, and that sort of personal way of moving through the work kind of echoes the sort of chaotic way that people experience it on the ground. So we wanted for that to exist in a way that people can see it, without trying to force an education on a really long-running and complex conflict.”

    One benefit of the exhibition is the amount of exposure that Every Shelter is receiving from Gensler’s local contractors and vendors, with labor and materials contributions for the organization’s new Heights-area office already pouring in. “Why We Flee” hopes to find a new home after its time at Gensler comes to a close at the end of the summer, so check in with Every Shelter if a trip to Gensler this summer isn’t in the cards.

    -----

    See “Why We Flee" Monday-Friday from 9 am-5 pm at Gensler’s Houston office in 2 Houston Center (909 Fannin Street, Suite 200).


    Every Shelter refugee Africa
      

    Photo by Moses Sawasawa

    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

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