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'Breathtaking' Houston candlelit concert celebrates 100 years of Warner Bros.' most iconic film scores and TV tunes

Candlelight: 100 Years of Warner Bros. concert

'Candlelight: 100 Years of Warner Bros.' showcases Warner Bros. most memorable tunes in Houston.

Photo via Fever Entertainment

Quick — name some favorite movies. Chances are, many of them were produced by the iconic Warner Bros. Studios, which turns 100 this year. As expected with one of the biggest and most influential film studios in cinematic history, this year will see myriad anniversary celebrations, including one here in Houston.

“Candlelight: 100 Years of Warner Bros.” toasts the studio's century in cinema with a concert of greatest hits from some of its most influential, groundbreaking, and popular films and TV shows.

The showcase of scores including The Lord of The Rings, The Wizard of Oz, Casablanca, Harry Potter, Batman, and even Friends will be performed by Listeso String Quartet on Saturday, April 28 (7 pm and 9:15 pm) at the Lone Star Flight Museum (11551 Aerospace Ave) in what producers promise will be a "breathtaking" candlelit setting.

Tickets start at $45 and can be purchased here.

Houston was one of the first-announced 25 cities worldwide taking part in the commemorative international concert series, including New York, London, Paris, Singapore, Milan, São Paulo, and Mexico City. More cities have since been added for a total of 100 worldwide.

Instantly recognizable venues across the globe were chosen for their "historic nature or unique character, from iconic cathedrals, theaters, museums and gardens, with breathtaking candlelit settings," per Warner Bros. press materials. Production partner Fever Entertainment transforms each destination into a candlelit concert.

“The “Candlelight: 100 Years of Warner Bros.” concert series is a true celebration of storytelling, music, and creativity,” said Peter van Roden, SVP, Warner Bros. Discovery Global Themed Entertainment, in a statement. “From the musicals that we know and love to the iconic films and television series that have shaped generations, Warner Bros. has long been a leader in entertainment, and we are thrilled to bring this unforgettable event to our fans and music lovers from around the world to honor this momentous occasion.”

By the numbers, Warner Bros. boasts one of the most prestigious and valuable content catalogs in the world. Its more than 145,000 hours of programming includes 12,500 feature films and 2,400 television programs comprised of more than 150,000 individual episodes.

Warner Bros. is also home to some of pop culture and entertainment's most recognizable franchises, such as Looney Tunes, Wizarding World, DC, Friends, Game of Thrones, Hanna-Barbera, and more.

As for the concert, expect a soaring night of familiar soundtracks, theme songs, and classic tunes, sure to conjure up some of the most memorable scenes in the movies. Think Willy Wonka strolling through his chocolate factory with "Pure Imagination," the chilling theme song from The Exorcist, the singlong charm of A Star is Born, and for some Texas vibes, Selena singing "Dreaming of You."

Here is the full concert lineup, with movie and theme song/score/suite.

The Wizard of Oz - Somewhere Over the Rainbow (1939)

Casablanca - As Time Goes By (1942)

Singin’ in the Rain - Singin’ in the Rain (1952)

A Star is Born - The Man That Got Away (1954)

Scooby Doo - Theme Song (1969)

Willy Wonka and the Chocolate Factory - Pure Imagination (1971)

The Exorcist - Theme Song (Tubular Bells) (1973)

Purple Rain - Purple Rain (1984)

Batman - Main Theme (1989)

Friends - I’ll Be There for You (1995)

Selena - Dreaming of You (1997)

Lord of the Rings: The Fellowship of the Ring Suite (2001)

Harry Potter and the Goblet of Fire - Hogwarts’ Anthem (2005)

Inception - Time (2010)

Man of Steel - Flight (2013)

Wonder Woman Suite (2017)

A Star is Born - Shallow (2018)

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“Candlelight: 100 Years of Warner Bros.” will be performed by Listeso String Quartet at 7 pm and 9:15 pm Saturday, April 28 at the Lone Star Flight Museum (11551 Aerospace Ave). Tickets and more can be found here. $45.

Movie Review

Chris Pratt fights for his innocence in popcorn thriller Mercy

Photo courtesy Amazon Content Services

Chris Pratt in Mercy.

It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

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Mercy is now playing in theaters.