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    Girl Power

    Sailor Moon musical glides into Houston on North American tour

    Hannah J. Frías
    Jan 16, 2025 | 12:45 pm
    Pretty Guardian Sailor Moon: The Super Live

    Pretty Guardian Sailor Moon: The Super Live is coming to Texas.

    Photo courtesy of the Super Live Production Committee

    Here's a treat for those who recall watching Japanese manga series on Cartoon Network: the saga of the legendary silver crystal is coming to Houston this spring in the form of Pretty Guardian Sailor Moon: The Super Live. It will stop at Sugar Land's Smart Financial Centre on Wednesday, March 19.

    After technical rehearsals and a preview night in Pittsburgh, the official tour kickoff coincides with South by Southwest, opening at Austin’s Bass Concert Hall on March 15, 2025. Following a month-long opening in London, the stage adaptation of the popular comic will tour 18 cities in North America, including five stops in Texas: Austin (March 15), San Antonio (March 18), Sugar Land (March 19), Dallas (April 1), and Midland (April 3).

    Originally premiering in Tokyo in August 2018, the musical made its first European stop in Paris in November 2018. It then sold out its debut U.S. appearances in Washington, D.C. and New York in 2019.

    The website refers to the experience as “2.5D musical entertainment,” merging the iconic visual style of manga and anime through costumes and light displays with live musical numbers.

    Based on the series by Naoko Takeuchi, the story follows Usagi Tsukino, a teenage girl with magical powers who battles the forces of evil alongside her fellow Sailor Guardians. The popular comic started in a girls’ magazine in Japan 1991, later adapted as an anime and live-action television series that has since aired in over 40 countries.

    The story has been adapted for the stage by Kaori Miura (book, lyrics, and direction) and Satomi Toma (choreography), with music by Go Sakabe and Kyohei. The play is performed in Japanese with English subtitles.

    In a press release, Miura describes the heart of the show as “five girlfriends banding together to fight for what they believe in ... that’s timely.”

    “Sailor Moon and her fellow guardians are equipped with powers that help them defeat evil and the characters are imbued with the self-determination to have agency and make their own confident decisions,” Miura continues. “In short, they are the ultimate example of ‘girl power.’”

    While exclusive presales will be available in late January through the show’s official fan group, tickets for the North American tour go on sale to the general public at 9 am CT on January 31 at sailormoonsuperlive.com. Ticket prices range from $30-$120, including a VIP package.

    musicalslive musicdance
    news/entertainment

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    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

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