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    Pretty please, HLSR

    Post Malone, P!nk, and The Killers: 18 artists who should play RodeoHouston 2027

    Craig Hlavaty
    Mar 24, 2026 | 4:00 pm

    While I’ve still sweeping out the last of the onion ring dander from my moustache from the 2026 Houston Livestock Show and Rodeo, a dream lineup for RodeoHouston 2027 is already taking shape in my bald head. It’s a delicate science, really. Balancing the traditional "King George" energy with the modern, genre-bending stars that keep the stadium seats packed until the artist rides off on a horse, Ford truck, or a SLAB.

    A specific kind of magic happens when the rotating stage starts to spin at NRG Stadium, and while the 2026 lineup gave us everything from the nostalgia of Creed to the powerhouse vocals of Kelly Clarkson, my eyes are already fixed on 2027.

    With the way the current touring landscape is shifting, the possibilities for next year’s RodeoHouston are wide open. In 2026, female acts were much bigger draws than ever, so don’t be surprised if men are in the minority next year.

    With that, here are my annual suggestions for HLSR’s consideration. Let the record reflect that seven of last year’s predictions came true. How about at least eight in 2027?

    Braxton Keith
    Like Zach Top before him, Braxton Keith represents the "throwback" sound that Houston’s traditionalist fan base craves. Throw in some George Strait covers, and he’s a lock to make the jump from rodeo cookoff headliner to the varsity team.

    Bun B Returns
    In 2027, a "Southern Soul & Blues" Takeover featuring artists like Gary Clark Jr., Nicky Diamonds, and Leon Bridges would be a massive draw. Heck, let’s throw in Khruangbin while we’re at it.

    Ella Langley
    I am calling my shot now that Ella Langley will open RodeoHouston in 2027, like her duet partner Riley Green did in 2026. Her single “Choosin’ Texas” was ubiquitous this rodeo season, and I am pretty sure I heard it blaring from every carnival booth and even the restroom line inside NRG Center.

    Flatland Cavalry
    They have spent the last two years systematically checking every box required to graduate to the NRG Stadium stage. In 2024, they were headlining White Oak Music Hall. This summer, they are co-headlining the Cynthia Woods Mitchell Pavilion with the Randy Rogers Band.

    Goo Goo Dolls
    Thanks to a few million trending viral videos, younger generations have a newfound obsession with the Goos. Sure, “Iris” was nice, but we all know that the best single off of 1998’s “Dizzy Up The Girl” was “Broadway.”

    Incubus
    As long as we’re doing the millennial dad rock thing, let’s have Brandon Boyd shirtless in a cowboy hat for the soccer moms singing “Interstellar” while their children divert their eyes.

    Kacey Musgraves
    It’s time for Kacey to return to RodeoHouston as her next album cycle seems to be telegraphing a hard right turn into traditional country, but ya know, hornier.

    The Killers
    Now a 2000s legacy act with huge international appeal, The Killers would be an easy sellout at NRG Stadium. They’ve even admirably covered Kenny Rogers in the past, and lead singer Brandon Flowers has always dressed a little tonk-ish. Set closer is “Mr. Brightside,” and all the elderly millennials trudge hastily out into the concourses because Gen-Alpha babysitters charge like $40 an hour now.

    Miley Cyrus
    It’s time for Miley to enter her true, country music era and not just save it for one-off singles and collaborations.

    P!nk
    It’s astonishing that P!nk has never played RodeoHouston, granted her shows feature tons of aerial stunts and feats of strength. Maybe she could be the first musical performer at the rodeo to compete in the actual rodeo beforehand?

    Post Malone
    Posty is the rare artist who satisfies the hardcore country fans (with his 90s-style hat act) and the rap fans (with his decade of hits). Having drawn more than 70,000 people in 2025, he’s the safest bet for a record-breaking attendance night. He’s due for a new album soon, too, and programming this one on the last official Sunday of rodeo, like Cody Johnson, would break records especially with some like-minded openers.

    Sheryl Crow
    Sheryl Crow is the perfect rock and country hybrid who has never actually played a solo headline night at RodeoHouston. Her catalog of hits is tailor-made for a stadium singalong, just like Kelly Clarkson.

    Sierra Ferrell
    I’m just gonna keep asking for this until I get it. Her next album cycle is looming and her Dolly-esque style -- with piercings and tattoos thrown in the mix -- would make her counterprogramming for the likes of Megan Moroney and Carly Pearce.

    Stephen Wilson Jr.
    Stephen Wilson Jr. is one of the most logical "next up" candidates for the rotating stage. His trajectory is mirroring guys like Koe Wetzel and the Red Clay Strays, both of whom just made their rodeo debuts in 2026. His self-described "Death Cab for Country" sound resonates.

    Tyler Childers
    This is one where I would love him to play, but keeping him to 45 minutes seems like a sin. Is he too political for RodeoHouston? Well, somehow Oliver Anthony played in 2024 and the world didn’t end.

    The War and Treaty
    This husband-and-wife duo would bring a level of vocal power and "tent revival" energy that has been missing at RodeoHouston. They’ve been staples at the CMAs and Grammys for the last two years, too.

    Zach Bryan OR Zach Top
    Which of the two top Zachs would you prefer? Flip a coin. Either way, you’re going to need to order more beer for the concession stands.

    Post Malone RodeoHouston
    Courtesy of the Houston Livestock Show and Rodeo

    It's time for Post Malone to return to the rodeo.

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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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