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    New Releases

    Texas icon Kinky Friedman says goodbye with new posthumous album

    Brianna Caleri
    Jan 15, 2025 | 4:30 pm
    Poet of Motel 6 by Kinky Friedman album cover cropped

    Kinky Friedman's final album is a poignant goodbye.

    Poet of Motel 6 by Kinky Friedman, via Hardcharger/Blue Élan Records

    The late Kinky Friedman hasn't made his last pithy musical observations yet. His posthumous album Poet of Motel 6 will be released March 21 on Hardcharger/Blue Élan Records. It's a self-aware goodbye that poetically closes the famous Texan's final creative chapter.

    Two personal details especially shape this album: Friedman's home of 40 years, Echo Hill Ranch, and the death of his friend Billy Joe Shaver.

    A pre-order for a digital album, a vinyl LP, a merch bundle, and more are available now at hardchargerrecords.com.

    Echo Hill Ranch is where the album was written, and a good place to reflect on life in the peaceful Hill Country. The 400-acre property was home not just to Kinky, but his sister, Marcie Friedman, who said in the release, “This record is as good as Kinky’s [1973 debut album], Sold American. Every song is about saying goodbye in a way only Kinky could.”

    Friedman was 79 years old when he died on the ranch; some sources name Parkinson's disease as the cause of death, while others like the Texas Tribune simply mention that he had it.

    At least some of the album's inspiration was saying goodbye to Shaver, another Texas musician who rubbed shoulders with some of the same Outlaw characters Friedman did — Waylon Jennings, Willie Nelson, and Bob Dylan. Head of Hardcharger Records Jesse Dayton, explains how this affected the album's tone. The title track, "Poet of Motel 6," was specifically inspired by Shaver.

    “Kinky was very upset when Billy Joe Shaver died,” said Dayton. “Kinky idolized Billy Joe. I hear that sense of loss.”

    “Those songs he wrote about people he cared about that had passed on, they were quite elegiac,” he continued. “He sang beautifully, and at the end he was in tears. He was very emotionally connected when he was doing these vocals.”

    Although Friedman was famous for wacky antics and satire that went too far for some of his many onlookers, producer David Mansfield confirmed that this 10-song collection was made with real emotions and even a spiritual bent. He shared that sessions for the album were personal and vulnerable.

    Poet of Motel 6 by Kinky Friedman album coverAn uncropped view of the album cover.Poet of Motel 6 by Kinky Friedman

    Heartfelt music is not new for Friedman, whose catalog contains songs like "My Sh*t's F*cked Up" and the feminist-provoking “Get Your Biscuits in the Oven and Your Buns in Bed” alongside more earnest takes like "Mandela's Blues" dedicated to the former South African president and the resiliently hopeful "A Dog Named Freedom."

    Musicians Rodney Crowell, Jimmie Dale Gilmore, Rick Trevino, and Amy Nelson also contributed to this album. Dayton calls it “his most heartstring-pulling record.”

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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