lights, camera...party!

Houston's toughest critics invite movie fans and cinema snobs to fab film fête and awards show

Colin Farrell in The Banshees of Inisherin

The Banshees of Inisherin leads nominees for Best Picture.

Photo by Jonathan Hession / courtesy of Searchlight Pictures

Houston's film critics are set to hand out awards for the best movies of the year, and all local movie fans and film geeks are invited.

The Banshees of Inisherin and Everything Everywhere All at Once lead nominees for the Houston Film Critics Society’s 16th annual awards, to be held at 7 pm Saturday, February 18 at the Midtown Arts & Theater Center Houston (MATCH). Tickets are available here and start at $10.

Both films are nominated for nine honors, including Best Picture. Other films competing for the top award are Elvis, The Fabelmans, Guillermo del Toro’s Pinocchio, RRR, Tár, Till, Top Gun: Maverick, and Women Talking.

“As the industry continues to debate how we should experience the magic of film, moviemakers continue to imagine creative stories about compelling people,” says Doug Harris, HFCS president. “This year, the films we honor showcase a community daring to rethink, refresh and reinvent.”

Nominated as the year’s Best Actors are Austin Butler (Elvis), Tom Cruise (Top Gun: Maverick), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), and Jeremy Pope (The Inspection). Competing for Best Actress are Cate Blanchett (Tár), Viola Davis (The Woman King), Danielle Deadwyler (Till), Emma Thompson (Good Luck to You, Leo Grande), and Michelle Yeoh (Everything Everywhere All at Once).

“The range of performances this year illustrate what actor and creator can deliver when they free themselves to imagine,” says Travis Leamons, HFCS secretary. “It’s difficult to remember a year where each performance could capture the final awards. The nominees are especially strong in 2022.”

An annual highlight of the ceremony will be the presentation of the Texas Independent Film Award, honoring the best of film made in the Lone Star State. This year’s nominees explore the choices of youth in Acid Test, a fascination with outer space in Apollo 10-1/2: A Space Age Childhood, the hopes of would-be parents in Conception, the natural beauty of the Lone Star State in Deep in the Heart: A Texas Wildlife Story, and the extraordinary life of a legendary athlete in Facing Nolan.

Here is the official rundown of nominees:

Best Picture

The Banshees of Inisherin

Elvis

Everything Everywhere All at Once

The Fabelmans

Guillermo del Toro's Pinocchio

RRR

Tár

Till

Top Gun: Maverick

Women Talking

Best Director

The Banshees of Inisherin, Martin McDonagh

Elvis, Baz Luhrmann

Everything Everywhere All at Once, Daniel Kwan and Daniel Scheinert

The Fabelmans, Steven Spielberg

Tár, Todd Field

Women Talking, Sarah Polley

Best Actor – Leading Role

Austin Butler, Elvis

Tom Cruise, Top Gun: Maverick

Colin Farrell, The Banshees of Inisherin

Brendan Fraser, The Whale

Jeremy Pope, The Inspection

Best Actress – Leading Role

Cate Blanchett, Tár

Viola Davis, The Woman King

Danielle Deadwyler, Till

Emma Thompson, Good Luck to You, Leo Grande

Michelle Yeoh, Everything Everywhere All at Once

Best Actor – Supporting Role

Brendan Gleeson, The Banshees of Inisherin

Barry Keoghan, The Banshees of Inisherin

Ke Huy Quan, Everything Everywhere All at Once

Mark Rylance, Bones and All

Ben Whishaw, Women Talking

Best Actress – Supporting Role

Jessie Buckley, Women Talking

Kerry Condon, The Banshees of Inisherin

Jamie Lee Curtis, Everything Everywhere All at Once

Stephanie Hsu, Everything Everywhere All at Once

Janelle Monáe, Glass Onion: A Knives Out Mystery

Best Screenplay

The Banshees of Inisherin, Martin McDonagh

Everything Everywhere All at Once, Daniel Kwan and Daniel Scheinert

The Fabelmans, Steven Spielberg and Tony Kushner

Tár, Todd Field

Women Talking, Sarah Polley and Miriam Toews

Best Animated Feature

Apollo 10 1⁄2: A Space Age Childhood

Guillermo del Toro's Pinocchio

Marcel the Shell with Shoes On

Puss in Boots: The Last Wish

Turning Red

Best Cinematography

Avatar: The Way of Water, Russell Carpenter

Babylon, Linus Sandgren

Nope, Hoyte Van Hoytema

The Fabelmans, Janusz Kamiński

Top Gun: Maverick, Claudio Miranda

Best Documentary

All the Beauty and the Bloodshed

Bad Axe

Fire of Love

Good Night Oppy

Navalny

Best Foreign Language Feature

All Quiet on the Western Front

Argentina, 1985

Close

Decision to Leave

RRR

Best Original Score

Babylon, Justin Hurwitz

The Banshees of Inisherin, Carter Burwell

Empire of Light, Trent Reznor and Atticus Ross

The Fabelmans, John Williams

Guillermo del Toro’s Pinocchio, Alexandre Desplat

Women Talking, Hildur Guðnadóttir

Best Original Song

Black Panther: Wakanda Forever, “Lift Me Up,” Ludwig Göransson, Tems, Rihanna

Guillermo del Toro's Pinocchio, “Ciao Papa,” Alexandre Desplat, Guillermo del Toro, and Roeban Katz

RRR, “Naatu Naatu,” Kala Bhairava, M. M. Keeravani, and Rahul Sipligunj

Till, “Stand Up,” Jazmine Sullivan and Dermset “D’Mile” Emile II

Top Gun: Maverick, “Hold My Hand,” Lady Gaga, BloodPop, and Benjamin Rice

Best Visual Effects

Avatar: The Way of Water

The Batman

Black Panther: Wakanda Forever

RRR

Top Gun: Maverick

Best Stunt Coordination Team

The Batman

Everything Everywhere All at Once

RRR

Top Gun: Maverick

The Woman King

Best Ensemble Cast

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Women Talking

Texas Independent Film Award

Acid Test

Apollo 10 1⁄2: A Space Age Childhood

Conception

Deep in the Heart: A Texas Wildlife Story

Facing Nolan

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(Full disclosure: Craig D. Lindsey is a member of the Houston Film Critics Society.)

Movie Review

Action-packed Kraven the Hunter showcases gritty Marvel antihero

Photo by Jay Maidment

Aaron Taylor-Johnson in Kraven the Hunter.

One of the oddest things about the blockbuster era we live in is that while Disney owns the rights to the majority of Marvel comic book characters, Sony Pictures owns the rights to Spider-Man and any affiliated characters. Since they’re sharing Spider-Man himself with Disney, Sony has been trying to capitalize on those rights by making stand-alone films using niche characters that only comic book fanatics would know.

Having exhausted Venom and whiffed on attempts with Morbius and Madame Web, they’re trying again with Kraven the Hunter. Also known as Sergei Kravinoff, Kraven (Aaron Taylor-Johnson) is a self-styled vigilante who, as the film tells it, travels the world exacting vengeance on the truly bad people of the world. He’s the son of Nikolai (Russell Crowe), a hard-edged Russian oligarch, and brother to Dmitri (Fred Hechinger), who is relatively weak compared to the rest of his family.

The origin story has Kraven gaining his animal-like powers - including super-strength, speed, and jumping abilities - as a teenager from a mysterious serum given to him by a girl named Calypso (played as an adult by Ariana DeBose) after he was mauled by a lion. The two maintain a tenuous partnership as adults, with Calypso helping him hunt down other villains like Aleksei Sytsevich (Alessandro Nivola) and The Foreigner (Christopher Abbott).

Directed by J.C. Chandor and written by Richard Wenk, Art Marcum, and Matt Holloway, the film looks and feels enormously lazy, something made merely to hold on to potentially valuable intellectual property. Other than the tense family dynamic between the Kravinovs, little makes sense in the story. Kraven has an indecipherable moral code that has him going after poachers - because he’s part lion? - in addition to other high-powered criminals, with no clear goal except to … get back at his father?

The laziness extends to the action scenes, which feature Kraven being mostly impervious to any damage, whether it’s hand-to-hand combat, knives, or guns. The CGI-heavy scenes don’t even allow moviegoers to enjoy an R-rated bloody free-for-all, as all of the blood splatter is computer-generated, too. Since apparently one Spider-Man villain is not enough, three others make appearances with abilities that are under-explained and CGI that is poorly done.

That’s not even counting Calypso, another Spider-Man villain whose purpose in this film is nebulous at best. Her early connection with Kraven is so coincidental as to be laughable, and her continued reasons for helping him as an adult strain credulity as well. The only saving grace of her presence is that the filmmakers don’t try to shoehorn romance into the plot; perhaps they’re saving that for the (inevitable?) sequel.

Taylor-Johnson has had one of the most prolific-yet-anonymous careers in modern Hollywood, with appearances in big films like The Fall Guy, Bullet Train, and Tenet that have made very little impact. Even as the star here, he fails to hold your attention, with the story and visuals doing him no favors. DeBose has followed up her Oscar win for West Side Story with schlock like I.S.S., Argylle, and this, which doesn’t bode well for her career. At least Crowe gets to chew the scenery.

With a contractual inability to mention the name “Spider-Man,” movies like Kraven the Hunter exist in a weird area that forces filmmakers to make up stories for characters to which most people have no attachment. And just like Sony’s previous efforts, it is a very poor way to spend two hours in a movie theater; avoid at all costs.

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Kraven the Hunter opens in theaters on December 13.

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