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    Babs H-Town Visit

    Barbra does Houston: Streisand talks BBQ, gets a little political, and sings her heart out in first Texas concert

    Clifford Pugh
    Nov 28, 2016 | 1:31 am
    Barbra Streisand in Houston concert
    In her first-ever visit to Texas, Barbra Streisand thrilled a near-capacity Toyota Center crowd that included celebrities and everyday fans.
    Photo by Clifford Pugh

    At 74, Barbra Streisand still knows how to put on a show.

    In her first-ever visit to Texas, the legendary diva thrilled a near-capacity Toyota Center crowd that included celebrities and everyday fans who shouted the name of her dog (Sammie), cheered her hometown (Brooklyn), and gave her a warm welcome, despite a smattering of boos when she said, "There is one thing that I really wanted really badly, I did want to see a woman in the White House."

    Soon after the scheduled 8 p.m. Sunday start time of her The Music...The Mem'ries...The Magic! tour, Streisand appeared promptly on stage in a black lace pants outfit and black cowboy hat, proclaiming, "Howdy, H-Town; it's nice to be here." For the next two-plus hours, she mixed songs from each of her No. 1 albums over the past six decades, including such hits as "The Way We Were," "Don't Rain on My Parade," "Evergreen," "You Don't Bring Me Flowers," and "People," along with such lesser-known jewels as "Being Alive," "Losing My Mind," and "Children Will Listen."

    Even if she didn't hit every high note perfectly, she still showed remarkable range of depth and spirit as she took the audience, many who were in their formative years when she first burst on the scene in the 1960s and '70s, on a trip down nostalgia lane. Along the way, I came away with these observations.

    Streisand has star power

    A recent New York magazine article about singers whose voices have conquered the ravages of time noted that Streisand "has deployed a perfectionist's technique, which allows her to regulate the air that passes through her pampered larynx with unequaled control. Her power lies in her breath, her timing, and the way she doses her energy."

    In the Houston concert, Streisand certainly used her energy to maximum efficiency, with chatty explanations for each song that gave concertgoers insider information while providing her a little more time to get ready for the next song. Graphic visuals of album covers and film clips from such hits as A Star Is Born and Funny Girl complemented each song while reinforcing the notion that the audience was in the presence of a real star.

    In addition to the excellent big-screen graphics, Streisand was surrounded by a large orchestra and three back-up singers, which added to the evening's special aura.

    Streisand is ready for some barbecue

    The singer told the crowd that she planned to sample some "good barbecue" while in Houston. "I've heard about a place called Killen's, is that right?" she said to wild applause. She added she was eagerly looking forward to a meal of ribs, creamed corn and other side dishes after the show.

    Streisand is a political animal

    While she didn't dwell too much on politics, Streisand did make her feelings known about climate change and the presidential election. "Here's my point, it's not about male or female. It's simply about who is the best person for the job," she said. And she encouraged young girls to keep dreaming because the time will come when there is a woman president.

    Her comments drew huge applause, along with a few boos, which seemed a little odd to me as Streisand has never hidden her political beliefs, so why would anyone expect her to be silent this time?

    Streisand also lavished praise on former President George H.W. Bush and wife Barbara, who were in the audience. She noted the couple will celebrate 72 years of marriage in January and lauded the former president's heroism, humility and bipartisanship. She also saluted Barbara Bush for her work on literacy and for speaking her mind on a variety of subjects.

    The singer then switched the subject to album covers, noting that a bump on her nose was removed on her The Way We Were cover in 1974. "See my nose. It's not mine," she said, referencing the oversized album cover behind her. "Who took it out? The record company? The art director? I mean if I wanted a nose job, I would have called a couple of doctors, not a retoucher. I've been very successful with that bump. We've been through a lot together, that bump and I. God makes you a certain way and that's the way I should stay."

    Streisand can draw a crowd

    In addition to the Bushes, Streisand singled out boxing great George Foreman, Johnson Space Center director Ellen Ochoa, and Austin film director Robert Rodriguez and his mother, along with Streisand's longtime manager Marty Erlichman, who she said had been with her since she was 18 years old.

    Streisand made the Teleprompter her own

    Though she suffers from stage fright that has kept her from performing live during her career, Streisand seems to have overcome that fear in her later years. She seemed naturally at ease on the Houston stage, even joking that she forgot to stand during one song, rather than sit. "I haven't done this show since August," she explained. (The Houston concert is part of an extended tour that will also take Streisand to three Florida cities in the next week, with a concert in Miami on December 5 that will be recorded. She reportedly told Erlichman that she wanted to play in a few cities she hadn't been to before.)

    A oversized Teleprompter that hung from the arena ceiling might have given Streisand more confidence, as it contained her entire script for the evening, including song lyrics in capital letters. While she occasionally added some impromptu comments, she stuck to the script pretty much word-for-word the entire evening.

    Even so, it was a remarkable evening for a remarkable singer, whose most recent album, Encore: Movie Partners Sing Broadway, debuted at No. 1 in September — her 35th studio set. Most in the audience knew that they would likely never see Streisand in concert again, which made the evening extra-special.

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    In the spotlight

    Houston reels in new rank among 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 27, 2026 | 4:00 pm
    Filmmaking, best cities for filmmakers
    Photo by Kyle Loftus on Unsplash
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    Houston has just snapped up new recognition as the No. 10 best place to live and work as a filmmaker in North America, according to MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The Bayou City has made improvements after ranking 12th in the magazine's 2025 list.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The spotlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    For up-and-coming filmmakers that want to live in Texas, MovieMaker says doing it in Houston is "more sustainable than ever" thanks to incentives like the Texas Moving Image Industry Incentive Program, which increased its production grant rebate from 22.5 percent to up to 31 percent for qualified in-state spending. The report also said Houston has an "arms-wide-open" approach for filmmakers.

    "As the biggest city in Texas, and fourth biggest city in America, Houston has nearly every type of location, from cityscapes to piney woods to rolling hills to nearby farmland," the report said. "It’s close to Galveston Island and the Gulf of Mexico, and car commercials love the absence of billboard advertising."

    MovieMaker also highlighted Houston's diversity, its low cost of living compared to the national average, and its local festivals like the Houston Cinema Arts Festival and Houston Latino Film Festival.

    "The city has enough film crew for two to three sizable features, and recent shoots have included the thrillers Eleven Days, with Taylor Kitsch, and A Love, from director Courtney Glaude, Tyler Perry Studios’ executive creator of Scripted and Unscripted," the report said. "Houston is also notable for a strong contingent of films with budgets under $1 million."

    Elsewhere in Texas, Austin ranked as the No. 5 best place to live and work as a filmmaker in North America. Dallas ranked seventh, while neighboring Fort Worth ranked 12th. San Antonio appeared as No. 14, and El Paso landed 25th on the list.

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