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Signs of the Times

Recession TV: Sesame Street introduces new “food insecure” muppet, while 2 BrokeGirls struggle

Samantha Pitchel
Oct 18, 2011 | 8:58 am
  • Sunday’s PBS special on hunger was intended to both highlight the severity ofthis issue—particularly for families with children—and also provide a relatablerole model for kids in less-than-ideal economic situations.
  • 2 Broke Girls: two post-grads facing debt and widespread un- (and under-)employment.
  • Many prefer the escapism that voyeuristic shows like Real Housewives provide.

Everyone’s favorite neighborhood welcomed a new member. On the Sesame Street special, “Growing Hope Against Hunger,” we met Lily, a 7-year old muppet facing “food insecurity.”

While it may sound like a delicate way to label an eating disorder, the term “food security” is actually the official USDA term for “access to food” — and the governmental organization determined that, in 2010, 14.5 percent of American households were considered food insecure at one point during the year, meaning that they did not consistently have access to enough sustenance for an “active, healthy life.”

Sesame Street’s decision to highlight the issue was prompted by Sesame Workshop, the nonprofit organization operating in tandem with the show. Sunday’s PBS special on hunger, according to the network, was intended to both highlight the severity of this issue — particularly for families with children — and also provide a relatable role model for kids in less-than-ideal economic situations.

It’s not the first time a kids' show has used at-risk characters to illustrate important current events (the “Very Special Episode” construct was created for this), but it’s certainly a sign of our dim economic environment that the hunger epidemic is so common in kids’ lives that this special, and this character, represent a norm.

Other shows present different takes on financial instability. Shameless, for example — Showtime’s remake of the same-titled British series — explores the daily existence of the Gallagher family, a downtrodden Chicago clan headed by alcoholic single father Frank (perfectly portrayed by William H. Macy). The show deals with touchy topics like turning to crime to pay bills and scamming disability, showing grim snapshots of a lifestyle that’s not uncommon for many urban families.

Portraits of “The American Experience” aren’t always so grim. Roseanne, for example, did a great job of sympathizing with the hardscrabble Conner family, keeping things more humorous than weighty (barring some dim later episodes and Dan’s eventual heart attack, of course). More recent series, like Weeds, embody the same general spirit — a hard-working mother trying to provide for her family — just with a different twist. (Of course, “hard-working” is open for interpretation in dealer diva Nancy Botwin’s case, but her motivations are all ultimately fueled by fear of poverty, so we’ll count it.)

And sometimes it’s hard not to laugh at how rough things can be. Targeting a different demographic, the early-to-mid-20s group of post-grads facing debt and widespread un- and under-employment, 2 Broke Girls is a parody based on some pretty topical premises. Kat Dennings’ street smart Max, one of the Broke Girls in question, spends more than 40 hours a week waiting tables while also baking cupcakes for extra cash in her free time. Her new coworker, Caroline (Beth Behrs), dons the uniform after her formerly rich father’s Ponzi scheme leaves the socialite a penniless urchin.

Of course there's the other side: our obsession with the absurdly rich. While some might prefer to wallow in serious dramas, watching, say, The Wire as a reminder of how bad things could be, many prefer the escapism that voyeuristic shows like Real Housewives provide — though there’s something deeply unsettling about realizing, as you and your roommates are huddled around a 13-inch laptop watching illegally downloaded shows because you can’t afford cable, that there’s a 4-year old in Malibu with a 52-inch flat screen and more pairs of shoes than you’ll own in a lifetime.

It’s no news that television reflects our reality, but it’s interesting to note the importance of relatable, realistic characters. While our new muppet friend Lily doesn’t represent a breaking TV trend, she is another in a long line of fictional characters created to “appeal to the masses,” like Roseanne before her.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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