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    Garth Brooks Concert Review

    Welcome back! Garth Brooks heats up Houston stage with rambunctious high-energy performance — and crowd loves it

    Eric Sandler
    Jun 27, 2015 | 9:33 am

    If absence makes the heart grow fonder, then more performers should wait 17 years between appearances in Houston. Or maybe that only works when a performer is as iconic as Garth Brooks — the high-energy country crooner whose at the top of just about every album sales record.

    Brooks and his wife Trisha Yearwood began a four-night, eight-show run at the Toyota Center Friday night in front of a capacity crowd. As Brooks noted early in the set, "When I come to a concert, I want to hear the old stuff," and play the old stuff he did. The only new songs consisted of set opener "Man Against Machine" and "All American Kid" from his recent performance at the ACM Awards.

    Other than that, the crowd knew every word to every number from second song "Rodeo" to Brooks' biggest hits like "The Thunder Rolls" and "Friends in Low Places." Brooks encouraged his fans to an ever more fevered response — running from one end of the stage to the other, leaning into people in the front row, and pointing at different sections of the crowd to scream in between songs. The audience responded with decibel levels that wouldn't have seemed out of place at a One Direction concert, leaving Brooks smiling.

    If it was all a little "Shameless," well, it was also really entertaining: exactly the sort of energy level and response that made the long wait worthwhile.

    Yearwood appeared about midway through, joining Brooks on a duet of "In Another's Eyes" before performing five songs on her own including classics like "How Do I Live" and "She's In Love With a Boy." Yes, the crowd knew all the words to her songs, too.

    Friday night's show was a multi-generational affair with lots of people Brooks' age (early 50s) and up along with their adult children and a few actual children. For many in attendance, the show looked like an excuse to bust out the Rodeo-wear in the summer with lots of people mimicing Brooks' trademark black cowboy hat.

    After a two hour-plus, 26-song set, the only question was how Brooks and his band would find the energy to do it all again for the folks lined up for the 10:30 p.m. second show.

    Set List
    Man Vs. Machine
    Rodeo
    Two of a Kind, Workin’ On a Full House
    The Beaches of Cheyenne
    The River
    Two Pina Coladas
    Papa Loved Mama
    Ain’t Goin’ Down
    Unanswered Prayers
    That Summer
    The Thunder Rolls
    All American Kid
    In Another’s Eyes (with Trisha Yearwood)

    Trisha Yearwood solo:
    American Girl
    How Do I Live
    PrizeFighter
    Georgia Rain
    She’s In Love With the Boy

    Brooks returns:
    Shameless
    Callin’ Baton Rouge
    Friends In Low Places
    The Dance

    Encore:
    Fever
    In Lonesome Dove
    Much Too Young
    Standing Outside the Fire

    ----------------

    Bonus reading: Garth Brooks and Trisha Yearwood tell CultureMap some surprising things in an in-depth interview.

    Brooks began a four-night, eight-show run at the Toyota Center Friday night in front of a capacity crowd. As

    Garth Brooks at Toyota Center
    Photo by © Michelle Watson/CatchLightGroup.como
    Brooks began a four-night, eight-show run at the Toyota Center Friday night in front of a capacity crowd. As
    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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