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    Best September Theater

    Tony winners and movie adaptations star in Houston's 12 best shows of September

    Tarra Gaines
    Sep 3, 2025 | 1:15 pm

    September might just be the best and busiest month for theater and performing arts lovers in Houston. Local theater companies begin their 25-26 seasons and presenters bring in some of the biggest shows of the year.

    Across the city, stages rock on with killer musicals, thrilling drama, and cutting comedy. We’ve got plays and musicals with some blockbuster cinematic history, shows with Tony Award-winning credentials, and dramas to inspire. And if that’s not enough, the Houston Ballet struts its stuff with the classics — classic rock that is.

    American Psycho from Houston Broadway Theatre (September 2-September 14)
    As one of Houston’s newest theater companies, HBT won attention for their anything but ordinary Next to Normal production last year. For their second show, they’re staging this killer musical based on the best-selling novel by Bret Easton Ellis and the now iconic 2000 film. The novel, film, and musical chronicle the fashion-perfect life of Patrick Bateman, a slick New York investment banker turned serial killer at night. Or is he?

    This musical version of the twisty story first debuted in London in 2013 with music and lyrics by Tony Award winner Duncan Sheik and book by noted television and film writer Roberto Aguirre-Sacasa. The show made its move to Broadway a few years later. Now, the creative team are working with HBT and director Joe Calarco on a revised script and score for a new vision of the thriller musical.

    The Last Yiddish Speaker from Mildred’s Umbrella (September 4-21)
    Early this year, the partnership between Mildred’s, Houston’s original women-focused theater company, and the Evelyn Rubenstein JCC brought us one of our favorite productions of the winter, the poignant and surprising The Wanderers. This next offering seems to be a very timely dystopian play. A teen, Sarah, struggles to get through her high school senior year while dealing with the usual stresses like moving to a new town and making new friends. But not so usual is a dark version of America, where an insurrection was successful and everything has changed. When an ancient Yiddish-speaking woman is deposited on their doorstep, Sarah and her father must decide whether to help the woman hide or to save themselves.

    Onegin from Houston Ballet (September 5-14)
    Ballet gets theatrical with the return of legendary choreographer John Cranko’s Onegin. Based on Alexander Pushkin’s novel Eugene Onegin and set to a dramatic score by Pyotr Ilyich Tchaikovsky, this ballet weaves a tragic love story set in 19th-century Russia. The worldly aristocrat Onegin must face a life of regret when he rejects the love of the innocent, devoted Tatiana. Years later, he must face the consequences of his choices.

    Dancing Lessons from Lionwoman Productions (September 10-21)
    Lionwoman roared onto the Houston theater scene last year with some impressive theatrical and producing experience from the company’s founder, Michelle Britton. As a follow up, they're presenting Mark St. Germain’s comedy about a scientist in need of dance lessons to avoid social embarrassment and a professional dancer who turned to teaching after an injury ended her career. While she looks to the past and what might have been, her new pupil pursues dance with an almost scientific methodology. Together, they take steps towards an unlikely friendship. Britton will direct.

    Purlie Victorious: A Non-Confederate Romp through the Cotton Patch at Main Street Theater (September 13-October 12)
    MST opens and celebrates their momentous 50th season with this satirical comedy. Ossie Davis’s Purlie Victorious debuted on Broadway in 1961. Davis starred as Purlie, a traveling preacher who returns to his small Georgia town hoping to save the community’s church and emancipate the cotton pickers who work on oppressive Ol’ Cap’n Cotchipee’s plantation. The show was later turned into a Tony-nominated musical. After a somewhat fallow period, the original play caught Broadway acclaim from critics and audiences alike with a New York revival two years ago. MST gives Purlie its much deserved regional premiere with a stellar local cast.

    Kimberly Akimbo presented by Broadway at the Hobby Center (September 16-21)
    The second of this month’s several shows about teens in extraordinary situations, Kimberly Akimbo also opens the big Broadway at the Hobby season. The show won many Tony Awards in 2023, including Best Musical. As the musical opens, Kimberly struggles with both ordinary high school drama, like fitting in at a new school, hanging out with outcast friends, and dodgy relatives. But Kimberly also has a rare genetic disorder that causes her to appear much older than she is. The bittersweet comedy follows Kimberly’s crazy life as she navigates her family dysfunction, unrequited love, clueless friends, and possible felony charges.

    Rock, Roll & Tutus from Houston Ballet (September 18-28)
    For their rocking second production of the month, Houston Ballet presents four contemporary dances, including recent creations and audience favorites. Premiering just last year, Houston's own choreographic sensation ISHIDA’s new work, what i was thinking while i was waltzing, offers a kinetic meditation on memory and human connections. The celebratory Illuminate, by Houston Ballet Soloist Jacquelyn Long, explores how inspiration leads to creation.

    The company plays with fire for Christopher Bruce’s Rolling Stones inspired Rooster. With cool, strutting movements and some of the Stones’ best songs from the 60s, this one is a true crowd pleaser. Of course, it wouldn’t be a Houston Ballet mixed-rep production without at least one work from co-artistic director Stanton Welch. In Vi et animo, Latin for “with heart and soul,” Welch’s choreography will showcase Houston Ballet’s full ensemble in all their athletic power and elegance.

    Endgame from Catastrophic Theatre (September 19-October 11)
    Houston’s home for Absurdism and avant garde theater opens its fall season with this Samuel Beckett classic that defies easy description. Amid some dystopian landscape, a blind despot Hamm (who can’t stand up) lords over his weary attendant Clov (who can’t sit down). Each is dependent and endlessly complaining about the other. And let’s not forget Hamm’s parents who occasionally offer commentary and monologues while living (and perhaps dying) in separate trash cans. As one of the few Houston companies who regularly produce Beckett plays in all their dark comic glory, Endgame has become something of a favorite for the company, as they've brought it to stage in 1995 and 2012. Catastrophic co-artistic director, Jason Nodler once again directs a cast of company core artists, including Greg Dean, reprising his role as Hamm, Luis Galindo, Jeff Miller, and Julia Oppenheim.

    Eureka Day at 4th Wall Theatre (September 19-October 11)
    For its 15th season, 4th Wall offers their own production of this recent Tony winning Broadway hit that couldn’t be more timely. When a mumps outbreak hits a progressive private school in Berkeley, California, parents must navigate personal freedoms, public health, and the chaos of online discourse. As the school’s executive committee struggles to reach an agreement, they face a pressing question: How do you find consensus when no one agrees on the truth? 4th Wall’s artistic director Jennifer Dean directs a company that includes 4th Wall’s founders, Kim Tobin-Lehl and Philip Lehl.

    Akeelah and the Bee at Ensemble Theatre (September 19-October 12)
    Extraordinary kids and adolescents are definitely a theme this month, and another one takes the stage as Ensemble Theatre opens its momentous 49th season with this heart-warming drama. Based on the 2006 Keke Palmer film about a girl from South Central Los Angles, young Akeelah Anderson has a talent for words. Though she faces many personal and family challenges, the pressures of her tough neighborhood, and societal obstacles, she won’t let that stop her from succeeding in the national spelling bee. Ensemble artistic director, Eileen J. Morris, helms this inspirational production.

    The Lehman Trilogy at Stages (September 19-October 12)
    This Tony Award winner for best play depicts a truly American story of ambition, risk, capitalism, and family in all their complexities. The show chronicles Hayum Lehmann's arrival to United States from Bavaria in the mid-1800s. Changing his name to Henry Lehman, he begins a new life in America, setting up a small fabric shop in Montgomery, Alabama. As he reunites with his brothers, year-by-year the family builds a business to hand down to their descendants. Over generations that business will transform into one of the most powerful finance firms in the world — until the crash of 2008 brings it all tumbling down. Local actors Spencer Plachy, Orlando Arriaga, and Robby Matlock will tackle a combined 70 roles, spanning 160 years of history.

    Houston Ballet Presents: Rock, Roll & Tutus: A Mixed Repertory Program Bridging Bold Sound and Ballet,
    Photo courtesy of Houston Ballet
    Houston Ballet presents Rock, Roll & Tutus

    The Da Vinci Code at Alley Theatre (September 19-October 19)
    The Alley unlocks this first of three shows in their 25-26 season that audiences might also know as blockbuster films. Best known as a mega-hit Tom Hanks film and a best-selling novel, Dan Brown’s story of symbologist Robert Langdon and cryptologist Sophie Neveu's race to solve a deadly puzzle will play out live on the Alley stage. Following the clues hidden in ancient symbols and imagery, Langdon and Neveu uncover secrets that lead them on a dangerous quest to solve a mystery of the ages.

    Though this show was a hit in the UK, only a few theaters in the U.S. have produced it. The suspense might be a killer as Alley artistic director Rob Melrose directs the resident acting company along with some stellar Alley regulars. Look also for the design team to get as inventive as a certain Renaissance master, as they transport us across Europe for this globe-trotting mystery.

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    honoring the past

    Houston museum's new project preserves historic Freedmen's Town bricks

    Emily Cotton
    Jun 19, 2026 | 12:00 pm
    Freedmen's Town Rebirth in Action pavilion rendering
    Rendering courtesy of Studio Zewde
    Rebirth in Action is set to open in 2027.

    As Houstonians come together to celebrate Juneteenth, it’s jarring to think that this day of celebration has only been a federally-recognized holiday since 2021. After all, it was in 1865 that U.S Major General Gordon Granger arrived in Galveston on June 19 to enforce the Emancipation Proclamation of 1863. After this event many formerly enslaved Black Americans made their way to Houston, establishing what is now Houston’s very first Heritage District, known as Freedmen’s Town.

    Now, the robust Houston Freedmen’s Town Conservancy, in partnership with the Contemporary Arts Museum Houston, and Mount Horeb Church, are working with the City of Houston on a long overdue project, Rebirth in Action, to honor this historic site. Designed by artist Theaster Gates in partnership with landscape architect Sara Zewde, the monumental pavilion will temporarily house more than 20,000 historic bricks previously removed and preserved from Houston’s Freedmen’s Town. Houston Mayor John Whitmire attended the groundbreaking, which took place last month.

    While many people recognize Galveston as the site of the first Juneteenth celebrations, both of those took place on January 1, to honor the Emancipation Proclamation. However, recent research by Mary Gibbs Jones Professor of Humanities at Rice University W. Caleb McDaniel, has uncovered that the first official Juneteenth celebration was led by two ministers, Sandy Parker and Elias Dibble, right in Freedmen’s Town in 1866. McDaniel’s fascinating article will appear in the next issue of the Journal of Texas History.

    Freedmen’s Town, established in 1865 by over 1,000 newly-free Black Houstonians following Juneteenth, has significantly dwindled in recent years due to systematic reductions in resources, despite its initial 500+ historic structures, including churches, schools, and cultural institutions. Rebirth in Action aims to preserve and promote the neighborhood as a monument of Black community, agency, and heritage.

    “The work of the Contemporary Arts Museum Houston is to utilize our museum as a platform for resources sharing; a platform for unearthing new conversations around gems in our city that are also right down the street,” explains Ryan Dennis, co-director and chief curator for the Contemporary Arts Museum Houston. “Artists have different practices and artists like Theaster [Gates] can really help understand preservation conditions and needs of community, revitalization, and bringing resources together to better serve a neighborhood and realize optimal benefits, particularly antiquities like the bricks in Freedman’s Town that have been taken out of the neighborhood, displaced in other areas of Houston, and not in the home where they were originally created, paid for, and laid down in (by formerly enslaved individuals), which is Freedmen’s Town.”

    The first phase of Rebirth in Action involved artistic activations (including Gates’ exhibition The Gift and The Renege in 2024), artist residencies, community and stakeholder meetings, and the identification, cataloging, and preservation of over 20,000 historic bricks. The pavilion will encourage public viewing of these historic bricks and serve as a hub for engagement with the history, cultural significance, and future of Freedmen’s Town. Additionally, Hines Architecture + Design will rehabilitate three row houses into an adjoining community center.

    “I think the whole project is one that’s quite interesting, useful, and productive. I think it’s important for us to think about how we can use our resources to accomplish the things that build collective wellness — right? Wellness in the space of really preserving our communities that have been disinvested in, elevating the real gems of our city,” says Dennis. “We can do that through collaborations and partnerships; we are much stronger when we can do that with others, versus by ourselves, and I think this project really speaks to that ethos.”

    Phase Two has been made possible by Mount Horeb Church’s continued stewardship of both land and existing historic structures in Freedmen’s Town. The project will include an arts pavilion and community green space designed by Sara Zewde, with an installation by renowned artist Theaster Gates, plus three historic structures redesigned and restored by Daimian Hines Architecture + Design for adaptive reuse as a food pantry and community garden, after-school programming, and senior services for Mount Horeb Church, who will guide programming and operations.

    The art installation will display the original Freedmen’s Town bricks that once lined the streets, giving visitors a chance to experience their significance firsthand. Working with the City of Houston and the North Houston Highway Improvement Program that will reconnect Freedmen’s Town to downtown, Phase Three will see these bricks returned to the streets in a pedestrian promenade capacity. Subsequently, the pavilion will showcase rotating artist activations.

    “The Brick Pavilion for Freedmen’s Town is a project that is deeply resonant for me,” shares Gates. “In part, because there are several opportunities to cultivate community and institutional trust, to create an additional neighborhood heart, and to invest in more beauty for this hugely important district of Houston.”

    Landscape architect Sara Zewde's pavilion, gardens, and landscape design will help centralize all facets of Rebirth in Action, creating a community hub: “Studio Zewde's collaboration with Theaster Gates began with a shared belief that the future of Freedmen's Town must be rooted in the wisdom of the community that built it,” she writes in an email. “The pavilion and landscape draw inspiration from the neighborhood's tradition of shared backyards that connected the community across property lines. The project builds on this inheritance by forming a shared landscape at the center of the sacred bricks and their pavilion, the restored row houses, the Freedmen's Town Conservancy Visitor Center, and Mount Horeb Baptist Church.”

    Architect Daimian Hines credits Reverend Dr. Smith of Mount Horeb Church for the continued stewardship of the land and notes that Dr. Smith oftentimes remarks that the holding of the land has been a form of resistance, the act of holding the land keeping outsiders from contributing to the erasure of Freedmen’s Town and its history.

    “The fact that these three houses, and more in the community, that these post-emancipation structures still exist, it wasn’t for a lack of community pressure. It was a combination of efforts by folks like Dr. Smith, who were resisting [gentrification] through ownership,” explains Hines.

    “Some of the ownership of some of these properties are so complex, it was difficult for potential buyers [developers] to actually get ownership of some of these structures—I consider that sheer luck.”

    Hines worked closely with the Houston Archeological and Historic Commission to propose rehabilitating, modifying, and even relocating the row houses a mere 15 feet. The gabled, cottage-style row houses date back to the late 19th century. These post-emancipation row houses were built by formerly-enslaved, new residents of Houston.

    “We wanted to think through: ‘what was the original story, how did the front of the houses and the back of these structures — what role did they play in day-to-day life?’ We were able to make some strategic moves to bring that to the forefront again,” Hines says. “The Rebirth in Action project and the houses are part of a broader preservation goal within the community to not just preserve, but to reuse either for housing, or — in this case — adaptive reuse as a community space.”

    Hines notes that one of the row houses is of double-door configuration. This typology signifies that it was most likely a boarding house in its prime, a time when Black Americans weren’t welcome in downtown hotels. The two front doors let travelers know that they were welcome to rent a safe place to stay. Together, the three row houses will offer approximately 3,200-3,600 square feet of space, plus a large back porch that will face the pavilion.

    As resources were often few and far between in post-emancipation Freedmen’s Town, the cladding on row houses was patchwork in appearance, as purchasing gaps meant that continuing on with the same materials was unlikely. Regardless, these homes were remarkably well constructed, with solid wood, wooden dowels, and shiplap interior walls. These construction methods, along with allowances for airflow, contributed significantly to their preservation.

    “The one thing about these structures is, that as robust as they are, they have taken a beating,” says Hines. “The actual wood, the detailing, a lot of that has been lost, but these structures tell a story. This is a project I knew I wanted to be personally involved in, and my firm. [The structures] will be able to continue telling a story and play an active role in that community, and that’s why I’m excited.”

    Freedmen's Town Rebirth in Action pavilion rendering

    Rendering courtesy of Studio Zewde

    Rebirth in Action is set to open in 2027.

    museumscontemporary art museum houstonfreedmen's townvisual-art
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