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    Best August Art

    9 must-see new art exhibits lighting up Houston in August

    Tarra Gaines
    Aug 8, 2024 | 12:30 pm

    August is always a wonderful catchup month for Houston art lovers, as many of the big summer blockbuster shows are set to close either this month or in September. But even in the hottest month, art is always in bloom in the city with several cool, new gallery shows opening.

    The Asia Society opens a window onto the artistic process, and the Museum of Fine Arts, Houston throws a big 25th anniversary art party of an exhibition for their collaboration with another Houston institution, the American Institute of Architects. Student artists and their instructors get their own exhibitions.

    Art League Houston School Exhibitions (through August 31)
    Take a look at the latest work from established Houston artists as well as up-and-coming artists with the Art League’s annual shows highlighting the students and teachers from the Art League School. Both exhibitions feature the latest work in drawing, mixed-media, ceramic, printmaking, and painting. A third show titled “Who are You, Who am I,” features works by the 16 talented teen artists of their Summer Intensive program. This showcase of emerging talent explores the complex themes of identity, heritage, sense of self, mental health, and persona through a diverse range of mediums including painting, sculpture, ceramics, and fiber arts. Art League hopes the works on display will serve as mirrors for viewers to contemplate their own identities and place in the world.

    "Drawn From Life” at Archway Gallery (through September 5)
    Archway Gallery’s longstanding life drawing program allows professional, mid-career, and fledgling artists to draw together and continue honing those drawing skills by learning from the human form. This new exhibition features works created in or inspired by these weekly sessions and curated by a team of Archway artists including Trudy Askew, Cecilia Villanueva, and Maryam Lavaf.

    Sawyer Yards Showcase at George Bush Intercontinental Airport (through June 2025)
    If you’re catching a flight at IAH, don’t forget to check out some hometown art on display at Terminal A. Located near Gate A7, the display represents 21 artists from each of the five studio buildings across the Sawyer Yards campus. The range of media, including drawing, painting, assemblage, photography, and more, highlights the diversity of the studio artists. Awarded an international Best Art in the Airport from Skytrax, this current display will remain on view for a year before a new selection of artwork from Sawyer artists rotates in.

    “Short and Sweet: Group Exhibition” at Anya Tish Gallery (August 9-24)
    This pop-up exhibition features artists who have interned at Anya Tish Gallery. Showcasing a diversity of media and visions, the show will include representational painting, sculpture, and mixed media with an eye towards work that challenges conventions and invites viewers into a dialogue with the art. Featuring new work by Elisabeth Bell, Anastasia Bodagovskaya, Jasmine Cogan, Josephine Diehl, Hanna Jasmyn, Zoe Lozano, Andrea Marmol, Aranxa Ortega, and Madelline Vincencio, “Short and Sweet” illustrates the gallery’s commitment to nurturing new talent and perspectives.

    “Arielle Masson: Chaotic Nodes” at the MFAH’s Glassell School of Art (August 10–October 6)
    The MFAH begins a new series of exhibitions at the Glassell which will celebrate the work of the school’s faculty. First up, is Mexico-born, internationally educated award-winning painter, Arielle Masson, who first earned an MFA from the University of Houston and was also a Glassell Core fellow before becoming a teacher. Of the exhibition’s title, Masson says “A chaotic node happens when the collective creations of the mind achieve an existential paroxysm of absurdity, manifesting itself as a tear in the fabric of reality.”

    The MFAH's Glassell School presents Arielle Masson: Chaotic NodesThe MFAH's Glassell School presents Arielle Masson: Chaotic Nodes (Mugwort Zone, 2009, egg tempera and oil on canvas on panel). Photo courtesy of the MFAH

    “Back on Track” at Sawyer Yards’ Winter Street Studios (August 10-October 19)
    After the fire in 2022 where so many artists lost work — and the slow but sure reconstruction of the studio spaces — the artists are back and have something to prove about resilience. This exhibition by current and new tenant artists will show a selection of paintings, drawings, photography, sculpture, and more that fulfill the show’s title.

    "Artists on Site: Series 5" at Asia Society (August 14-September 22)
    Created in 2020 as an initiative to transform the Asia Society galleries into studio and project spaces for individual Houston-based artists while allowing Houston art-lovers the opportunity to see the artistic practice, this fifth series gives space to artists Claire Elestwani, Loc Huynh, and Chayse Sampy. For the first time, the fourth slot goes to an artist collective, Open MFA. Claire Elestwani is a multi-disciplinary, Lebanese and Filipina artist and designer who uses paper, ceramics, and pliable materials to create research-based “body objects.” Growing up in a Vietnamese-American household in Texas, painter Loc Huynh uses elements of various visual cultures in the work he has shown in many Texas galleries and national museums. Mixed media, Afro-surrealist painter Chayse Sampy is also an artist-in-residence at Sanman Studios. As a collective, Open MFA provides community, dialogue, and cross-disciplinary collaboration for artists based in the Houston area and is thereby shaped by every artists that takes part in the organization.

    "Out Of The Strong, Something Sweet” at Jung Center (August 19-24)
    For art on the literal lighter side, the Jung Center will host an exhibition from DJ Morrow, a Houston-based balloon twister turned contemporary artist. Morrow creates intricately detailed balloon sculptures that paint dark narratives laden with symbolism. Morrow’s art reflect his upbringing in what he describes a religious cult. For “Out of the Strong” Morrow’s balloon sculptures and sculpted paintings depict images and themes from the Biblical story of Samson and the lion as personal exploration of his past as well as themes of isolation and alienation. Morrow will be continually expanding the balloon environment during the week-long show, creating a living exhibit that visitors can watch grow and change.

    \u200bThe Museum of Fine Arts presents "150 Years of Design: The AIA Houston Collection\u201dThe Museum of Fine Arts presents "150 Years of Design: The AIA Houston Collection.” Photo courtesy of the MFAH

    "150 Years of Design: The AIA Houston Collection” at Museum of Fine Arts (August 31, 2024–August 2025)
    For 25 years the MFAH has collaborated with the Houston chapter of the American Institute of Architects to fund and build an AIA Design Collection at the museum. With the mission of the collection to focus on international architect-designed objects made since 1880, particularly furniture, metalwork, ceramics, glass, lighting, and industrial design, this partnership has helped to add even greater breadth and depth to the museum’s already impressive decorative arts and design collection.

    For its 25th anniversary, the MFAH unveils this year-long exhibition featuring nearly 60 objects, the majority of pieces funded by the AIA since the inception of the collaboration. From a early 20th century sterling-silver flower basket by Josef Hoffmann to an early 21st century Maarten van Severen translucent, molded-plastic chair, the works in the exhibition showcase the true art of design.

    “The MFAH is proud that this collaboration with the Houston chapter of the American Institute of Architects is unique,” explains Cindi Strauss, MFAH Department of Decorative Arts, Craft and Design curator, and a consultant on the collaboration from the beginning of the project. “It demonstrates the commitment Houston architects have to the community as well as their forward thinking. The opportunity to build a first- rate collection of architect-designed material is both challenging and exciting; the museum and Houston’s public have benefitted greatly from this singular partnership.”

    Short and Sweet: Group Pop-Up Exhibition, Opens August 9
    Photo courtesy of Anya Tish Gallery

    Anya Tish Gallery presents "Short and Sweet: Group Pop-Up Exhibition."

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    doubling down

    Shepherd School builds on 50 years with a 2026-27 season of discovery

    Joel Luks
    Jun 10, 2026 | 11:00 am
    Rice University Shepherd School of Music
    Photo by Michael Stravato
    The Shepherd School's 2026-27 season includes six world premieres.

    The next generation of classical music doesn’t wait in the wings at Rice University’s Shepherd School of Music.

    It walks onto the stage, often with a world premiere in hand, and slaps listeners with music so energetically performed that they might need a glass of wine or a Xanax to come down from the thrill.

    Fresh off its milestone 50th anniversary, the Shepherd School’s 2026–27 season doubles down on discovery. The lineup includes six world premieres, the Texas premiere of Matthew Aucoin and Sarah Ruhl’s opera Eurydice, celebrated guest artists, and a steady reminder that Houston audiences can hear rising talent before the rest of the world catches on.

    For students, Shepherd continues to function as a foundation where rigorous conservatory training meets the resources of a major research university. For audiences, it’s an invitation to witness artists in the midst of becoming, tackling ambitious repertoire in halls whose acoustics reward every nuance.

    The orchestral season, led primarily by Distinguished Resident Director of Orchestras Miguel Harth-Bedoya, embraces both pillars of the canon and brand-new voices. Opening night sets the tone with Ravel’s Alborada del gracioso, Richard Strauss’ Death and Transfiguration, the world premiere of Jake Berran’s Probabolophony, winner of the 2026 Cooper Prize, and Hindemith’s Symphonic Metamorphosis.

    The season also launches what is planned as a multi-year exploration of Gustav Mahler with Symphony No. 1, “Titan,” while spotlighting Shepherd faculty members as soloists, including pianist Jon Kimura Parker and oboist Erin Hannigan. Along the way come additional premieres by alumni composers, concerto appearances from competition winners, and opportunities for conducting students to take the podium.

    Shepherd will present a fully staged production of Richard Strauss’ Ariadne auf Naxos before mounting the Texas premiere — and first university performance — of Eurydice, with composer Aucoin visiting campus to work directly with students and audiences.

    Guest artists add another layer, from Aleko Endowed Artist Julia Bullock collaborating with Shepherd opera students to alumna Kate Soper returning with the acclaimed Wet Ink Ensemble. Chamber concerts, faculty recitals, festivals, and family programming round out a calendar of more than 400 events, many offered for free or at low cost.

    The season also includes the Adventurous Electric Guitar Festival at Wortham Theatre, where concerts, workshops, and presentations explore contemporary electric guitar and electroacoustic performance in collaboration with Rice Electroacoustic Music Labs (REMLABS).

    Notably, the school will also inaugurate its undergraduate orchestral conducting degree, the only program of its kind in the nation.

    This author recently caught Miguel Harth-Bedoya deep in score study before a concert, next to his visiting family, meticulously parsing Ravel’s Alborada del gracioso.

    It was a fitting snapshot of the institution itself: Craftsmanship behind moments that can feel effortless once the lights dim and the music begins. That dedication has defined Shepherd for more than 50 years, and the 2026–27 season suggests the next movement is well underway.

    performing-artsrice university
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