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    see these shows

    Houston theatre sizzles with 9 fantastic new performances for August

    Tarra Gaines
    Aug 5, 2024 | 11:00 am

    August is usually a quiet time for Houston theater openings. Yes, we always have a few audience favorite comedies and thrillers taking a longer summer run, but otherwise this month is usually the best time for a stage nap. Not this year.

    Houston theater has so many offerings this month that our must-see calendar is already full. From the 50th anniversary of the Houston Shakespeare Festival, to three world premieres, musical bios in cabaret and Broadway smashing form to our favorite Sister’s return and a new Cirque Du Soleil with a country twang, August sizzles with fantastic performance offerings.

    Houston Shakespeare Festival at Miller Outdoor Theater (Through August 10)
    To celebrate its 50th season, the University of Houston’s School of Theater and Dance presents two of Shakespeare’s most beloved works, A Midsummer Night’s Dream and Romeo & Juliet. Love is in the air at Hermann Park as the Miller stage is set with two very different sides to romance with these productions. Dream gives us love at its most wild and crazy as runaway couples, a fairy king and queen seemingly headed for divorce, and a team of amateur actors all get lost in a magical forest. Alternating nights bring those most tragic star-crossed lovers swept up by the hatred of their feuding families, Romeo and Juliet, who believe their love is strong enough to overcome the violence around them.

    Melville & Hawthorne from Thunderclap Productions (Through August 10)
    While Thunderclap usually only produces one or two shows annually, this local company has a history of gifting us some productions we remember all year long. For this world premiere, Houston playwright Adi Teodoru takes real American history – specifically the fact two giants of American literature, Herman Melville and Nathaniel Hawthorne, corresponded and lived near each other during the time Melville wrote Moby Dick – and uses those facts to go beyond what history records to explore their personal relationship. Teodoru says at its core the play is a story about how love might have influenced some of the greatest works of American literature.


    Cirque Du Soleil: SongblazersSongblazers plays in Sugar Land through August 11. Photo by Jeremy Poland

    Cirque Du Soleil: Songblazers at Smart Financial Center (Through August 11)
    The aerial daredevils and clowns of Cirque go country with this new show that recently made a preview debut in Nashville. Paying homage to both legendary and contemporary trailblazers of country music, Songblazers chronicles the journey of two artists as they strive for recognition in the country music scene. Offering audiences an unforgettable experience filled with heart and determination, Cirque du Soleil collaborated with Universal Music Group Nashville to weave iconic country songs into the gravity defying performances audiences expect from a Cirque production. We can’t wait to see if bull riding gets a Cirque twist, and we even hear rumors that the cast will offer a celebratory toast with red solo cups.

    Office Hours from Cone Man Running Productions (Through August 18)
    It might be summer, but Cone Man is certainly working hard at comedy with a frantic story about in the lives of a chaotic group of characters in six different offices. From a domineering mother and hen-pecked father to a neurotic figure skater, sex-starved therapist, down-and-out film director, one-armed man, and an overweight athlete, their individual hilarious tales intertwine to create a web of connections that none of them realize. And here’s the casting twist, all the actors have day jobs in Houston’s legal community, including judges, attorneys, law students, and law clerks. See these legal eagle embrace their inner thespians.


    Stages presents Miss Rhythm: The Legend of Ruth BrownStages presents Miss Rhythm: The Legend of Ruth Brown. Photo courtesy of Stages

    Miss Rhythm: The Legend of Ruth Brown at Stages (August 9-October 13)
    Stages begins its new season with this cool, bluesy show that is set to run until the fall. Written and staring veteran Broadway actress Sheryl McCallum, Miss Rhythm pays homage to a true legendary singer-songwriter and actress, known as the Queen of R&B. After the height of singing career in the 50s and 60s, Brown later found second stardom as a television, film, and Broadway actress, winning a Best Actress Tony in the late 80s. In the form of a cabaret show, McCallum as Brown will sing many of Brown’s most celebrated songs, while telling dramatic stories of her life, bringing audiences closer to this legendary woman.

    Frenzy from Dirt Dogs Theatre (August 16-24)
    As part of the company’s Unleashed, an off-season series centered on the development of new works, Dirt Dogs will present this world premiere play about the sometimes frightening power of social media. Written by noted Texas playwright and film artist John Hawthorne Smit, the story stars Rebecca, who has everything prepared for the multimillion-dollar acquisition of her sister’s tech firm. But when a mysterious crowd begins to gather outside the building and a cellphone video quickly goes viral, the deal, and Rebecca’s very life, are suddenly in jeopardy.

    Funny Girl presented by Broadway at the Hobby Center (August 20-25)
    To end their 23-24 season, Broadway at Hobby brings in a touring revival that’s been on everyone’s musical radar for the past year, and we won’t rain on this parade. Featuring one of the most beloved, and sing-along-able scores of all time by Jule Styne and Bob Merrill and an updated book from Harvey Fierstein, Funny Girl was one of the first Broadway shows about Broadway. The show is loosely based on the real life vaudeville to Broadway and screen stardom of the indomitable actress and comedian Fanny Brice. For decades, she’s reminded us that people who need theater people are the luckiest people in the world.

    Sister's Summer School Catechism: God Never Takes a Vacation! at Stages (August 20-25)
    Powerhouse actress Denise Fennell-Pasqualone is back again in a role that made her a Houston theater favorite. For every season there is a Sister show with a lessoning purpose under theater heaven. In fact, Stages is going to present four shows in the always hilarious and rollicking Late Nite Catechism series, all starring the tough but fair Sister. In this first show, Sister makes sure we don’t suffer from any summer learning loss of all the catechism lessons she’s taught us before. She’s even pondering questions like “Did Jesus have to go to summer school?" and “What is an appropriate summer vacation for a practicing Catholic?” But if you don’t already have tickets for this Stages add-on, you might be out of luck, or Sister’s favor, as this looks to be a limited run.

    Esther: The Heart of a Queen at A.D. Players (August 28-September 22)
    Look for some star-studded dancing in this world premiere musical that might just take a leap towards Broadway after its Houston debut. The show recounts the story of the Book of Esther with the company calling this stage adaptation a “modern” yet authentic vision of this dramatic narrative. Sharna Burgess, known for her work on Dancing With the Stars, will play the title role, as the Jewish woman who becomes Queen of Persia, defies tyranny, and saves her people from death. Told entirely through multiple dance forms, live vocalists, live orchestration, and stunning visuals, the story of Esther will be made new once more for contemporary audiences and will illustrate what the tale can still tell us about courage and survival.

    Funny Girl musical 2023
    Photo by Evan Zimmerman

    Broadway at the Hobby Center presents the Broadway smash revival Funny Girl.

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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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