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    best november theater

    10 best Houston plays showcase high-flying fun, charming holiday treats, and singalong sensations

    Tarra Gaines
    Nov 9, 2021 | 9:45 am

    With the holidays approaching and the majority of Houston theater companies back to in-person performances, stage elves across the city are busy preparing for our favorite performance traditions.

    But, for those saying humbug to early carols and decked halls, there’s still plenty of musical fun as well as serious drama. From singing nuns to an Society of Performing Arts showcase of Houston artists, a Tony-winning Tootsie, to those soaring Cirque du Soleil performers, get ready to fall into a most vibrant and eclectic theater season.

    Sister Act from Theatre Under the Stars (now through November 14)
    If you’re looking for theatrical fun, always bet on singing nuns.

    Based on the Whoopi Goldberg early ’90s hit about a nightclub singer who has to disguise herself as a nun after witnessing a murder, the London to Broadway musical set the story back into the ’70s to allow the original music by Alan Menken and lyrics by Glenn Slater. Expect a funky time with a sometimes disco, sometimes soulful beat.

    Directed by TUTS artistic director Dan Knechtges, who also choreographs, the show stars The Voice alum Simone Gundy along with a cast of fellow Houston faves. From design to performances, everyone goes all in on the sequin and disco ball goodness that dress up a surprisingly moving girl (and sister) power message.

    El Huracán from Mildred’s Umbrella (November 11-21)
    The female-focused company begins their new season at the DeLuxe Theatre with this contemporary play by Cuban-American playwright, Charise Castro Smith and directed by local actor/director favorite, Patricia Duran.

    Set on the eve of a hurricane tells the story of four generations of Cuban American women with a production brought to the stage with an all LatinX cast and crew. Duran says that though the play is not necessarily a political play, its message of “ hope and forgiveness are timely.”

    Houston Artist Commissioning Project Live: Part 2 from Society for the Performing Arts (November 12 and 13)
    The culmination of SPA’s initiative to nurture local artists, giving them commission support and the Jones Hall stage, this performance features world premiere works of music, dance, and theater by Houston artists.

    Harrison Guy, director of Urban Souls Dance Company debuts history told in dance of Houston’s first Black library. Riyaaz Qawwali presents a new message of harmony for all faiths, expressed in the lyrics and rhythm of music with South Asian roots.

    And for theater lovers, the pandemic has inspired a new one act play, The World’s Intermission, from acclaimed writer, and former Houston poet laureate, Deborah D.E.E.P. Mouton.

    Alegría from Cirque du Soleil (November 13-December 12)
    A Cirque classic returns with a new look and high soaring spirit.

    The show originally set up the big circus-of-the-sun top in its usual spot in the Sam Houston Race Park grounds in March of 2020, but had to go dark after only about a week of performances.

    Now, it’s back and ready to bring gasps and delights to audiences of all ages once more. Cirque production’s overarching story usually takes a side ring to the physics-defying individual acts and performances.

    But Alegría’s fairytale story certainly holds some contemporary resonance as the show depicts a world where the aristocratic traditions of the old guard are challenged by the revolutionary ideals of a youth in revolt.

    A Motown Christmas from Ensemble Theatre (November 13-December 26)
    Your favorite holiday standards hit the town, Motown that is, in this musical revue by Nate Jacobs.

    In this very family-friendly production traditional carols get a soulful rendering and then paired with classic Motown songs originally from The Supremes, Marvin Gaye, Stevie Wonder, Gladys Night and the Pips, and the Jackson 5.

    Staying true to their name for their 45th season, Ensemble has assembled a large and stellar singing and dancing ensemble to bring the songs to life and ring in a joyful season.

    Tootsie from Broadway at the Hobby Center (November 16-21)
    This hysterical, almost-too–edgy for the ’80s, comedy about struggling actor, Michael Dorsey, centers on him creating a female persona to win a lead role on a soap opera.

    With original music and lyrics by David Yazbek and a Tony-winning book by Robert Horn, the show exchanges the daytime television world for some commentary satire on the world of stage musicals, as Michael tries to make it as a Broadway diva.

    The show, which won a Tony for best book, was lauded by critics for its comedy for making the era move from the ’80s80s to the 21st century with high-heeled stride.

    A Christmas Carol at Alley Theatre (November 19-December 29)
    The Alley first produced this adaption last season as a streaming performance and now brings it to the stage for in-person audiences.

    Playwright Doris Baizley’s imagining of the Dickens classic frames the ghostly tale with a timely spotlight on the magic of theater-making. In this Carol, a traveling theater company, going through hardships, resolves that the Christmas show will go on even with a barebones production.

    Alley company actors get meta as they all play actors or backstage crew putting together a Carol from scratch. David Rainey reprises his Ebenezer Scrooge, while also playing the company within a company’s stage manager.

    4.48 Psychosis from Catastrophic Theatre (November 19-December 12)
    After several outdoor shows and filmed projects, the avant-garde company returns to its on-stage and in-person MATCH home to follow their long tradition of offering holiday counter programming at its finest and sometimes strangest.

    This work by Sarah Kane will certainly become a gift for those eschewing any and all tinsel and sugarplums. Company co-founder Jason Nodler directs performing artist T. Lavois Thiebaud in this Theatre of Extremes production the company describes as “an abstract, experiential, highly poetic exploration of identity, dysphoria, depression, the body/soul dilemma, and the suicidal mind.”

    Miss Bennet: Christmas at Pemberley at Main Street Theater (November 20 – December 19)
    The new, and beloved, holiday tradition at Main Street Theater has become a production of one of the Lauren Gunderson and Margot Melcon penned sequels to Jane Austin’s Pride and Prejudice.

    This first one gives the bookish sister Mary the spotlight and her own love story, while gifting flighty sister Lydia, who cause all the commotion in Austen’s original, a nice bit of empathy and redemption.

    A sweet, funny holiday treat with some nutritional value of sisterly love, we can see why Main Street continues to spend the holidays with any and all of the Bennet sisters.

    The Christmas Shoes at A.D. Players at the George (November 24-December 26)
    Based on the novel by Donna VanLiere, this world premiere play tells the story of two families forever changed by a chance encounter.

    In this story, young Nathan Andrews' mother is terminally ill, yet he and his cash-strapped family are trying to live life to its fullest. Meanwhile, wealthy Robert Layton is a workaholic attorney on the brink of losing the sweet family he unwittingly neglects.

    Robert is long overdue for a wake-up call, which arrives when he crosses paths with Nathan on Christmas Eve.

    Cirque du Soleil brings the fire and high flying to the season with a new version of their classic Alegría.

    Cirque du Soleil Alegria Alegr\u00eda
    Photo courtesy of Cirque du Soleil
    Cirque du Soleil brings the fire and high flying to the season with a new version of their classic Alegría.
    dancetheateropenings
    news/arts

    Best February Theater

    A Broadway legend and classic musicals star in Houston's best February shows

    Tarra Gaines
    Feb 5, 2026 | 3:00 pm
    Bernadette Peters
    Photo by Andrew Eccles
    The Hobby Center presents Beyond Broadway: An Evening with Bernadette Peters.

    From mythic marriages to small moments of friendship, love is in the air–in its many forms–across Houston stages. This Valentine’s month brings romance and heartbreak among gods and goddess, but Houston theater companies also showcase stories of profound human connections in ordinary spaces, on trains, in diners, and classrooms. If all those dramatic and comic relationships aren’t enough, Theatre Under the Stars invites us to one of history’s greatest jam session and the Hobby Center brings Broadway royalty to town.

    Grand Horizons from Mildred’s Umbrella (February 5-21)
    Mildred’s is the first of many companies this month picking contemporary and sometimes very recent Broadway plays and musicals as sources for their fresh, local productions. The company begins this heartfelt season with Bess Wohl’s comedy-drama about a mature marriage and the grand chaos of falling out of love. The show opens on an ordinary older couple, Bill and Nancy, having dinner at their home in the Grand Horizons retirement community.

    But after 50 years of marriage, they’re ready to call it quits and calmly announce their decision to divorce, sending shockwaves through their family. As their adult sons rush to make sense of the news, long-buried tensions and unspoken truths rise to the surface. With wit and warmth, Wohl explores love, commitment, and the messiness of family in this modern look at what it really means to grow old together or apart.

    Beyond Broadway: An Evening with Bernadette Peters presented by the Hobby Center (February 6)
    The Hobby Center continues to bring the biggest musicals and screen stars for electrifying one-night-only shows with their Beyond Broadway series. Next up, living legend Bernadette Peters – the critically acclaimed queen of stage, film, television and recordings–will present a magical and inspiring evening of songs from some of the greatest musical theater masters. The multi-award winner creates an intimate audience experience when she performs celebrated selections from Rodgers and Hammerstein, Stephen Sondheim, Jerry Herman, and others.

    The Coast Starlight at Main Street Theater (February 7-March 1)
    With its debut in New York a few years ago, Starlight garnered much critical acclaim for its story about passengers on a Pacific Coast train from L.A. to Seattle. These strangers meet on this 36 hour journey and slip into and out of each others lives, perhaps influencing the small and big choices they all need to make.

    At the center of this journey is T.J., a Navy medic with a difficult decision to make. With the help of his fellow travelers, all of whom are reckoning with their own life circumstances, T.J. has roughly 1,000 miles to figure out how he wants to live the rest of his life. As MST continues to celebrate its momentous 50th season, they note this show “illuminates our capacity for invention and re-invention when life goes off the rails.”

    Hadestown presented by Broadway at the Hobby Center (February 10-15)
    This multiple Tony-winning musical and Broadway smash returns to Houston after beguiling Hobby Center audiences in 2022. The road to Hell is full of some bad intentions but some heavenly music as the story entwines the ancient Greek love stories of Hades and Persephone and Orpheus and Eurydice into one epic, bluesy tale. As the first song, “Road to Hell” even spoils, don’t expect a happily-ever-after with these stories, but do lookout for modern, complex visions of these classic myths.

    Katy Perry Candy Darling Mary Magdalene from Catastrophic Theatre (February 13-March 7)
    In a season of mostly world premieres, Catastrophic once again breaks genres and definitions with this edgy musical about Sophia, the lead singer of an underground Houston band called Bird Murderer. Sophia is on a quest to write the perfect song, with the simple requirements that it must be personal, universal, and under three minutes. Most of all, it has to pay tribute to her favorite artist of all time: Katy Perry.

    Describing Katy Perry Candy as “a madcap musical romp” and “a psychedelic meditation on the intertwining dualities of religious faith and gender identity, a harrowing disco-punk psychodrama and a hot wet heavy metal nightmare,” Catastrophic once again is set to defy any expectations of what theater can and should be. Playwright Joe Folladori certainly can write from experience as a long time Catastrophic music contributor and founder of the indie pop collective The Mathletes.

    English at Alley Theatre (February 13-March 8)
    The Alley produces this Pulitzer Prize winning play that just recently became a critically-acclaimed hit on Broadway. The narrative couldn’t be more timely as it deals with themes of language, immigration, assimilation, and ever changing political landscapes.

    Set in Iran in 2008, the play follows four Farsi-speaking adults and their teacher in an English class to prepare for the TOEFL (Test of English as a Foreign Language). They each have different reasons for learning English, from job prospects in English-speaking countries to strengthening family connections to gaining bilingual power. Over the course of six weeks, they reveal their unique life stories as well as their relationships with their motherland and identity. They might even forge friendships all the while speaking a foreign tongue.

    Million Dollar Quartet from Theatre Under the Stars (February 17-March 1)
    While the real 1956 impromptu jam and hangout session between Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash at Sun Record Studios in Memphis remains one of the most iconic and influential moments in music history, this musical depiction of that meeting is relatively new. The hit show made its Broadway debut in 2010 and went on to earn numerous Tony Awards nominations and later a national tour. Now TUTS brings their own rocking production to the Hobby Center.

    Along with depicting the real life backstage drama, including the clashing talent and big personalities, the show delivers fiery live performances of billion dollar hits, like “Blue Suede Shoes,” “Fever,” “Walk the Line,” “Great Balls of Fire,” “Hound Dog,” “Folsom Prison Blues,” and several beloved gospel standards.

    The Counter from 4th Wall Theatre (February 19-March 16)
    A small town diner sets the scene and pace for this recent Off-Broadway hit about an unlikely friendship between a regular customer and a waitress. Paul is a retired firefighter, and Katie serves him coffee daily. After months of small talk and hints at their complicated pasts, Paul reaches out for friendship, and Katie agrees, sensing his need.

    Through shared secrets, they begin to rediscover hope and joy in human connection. But when Paul makes an unusual request, will their new bond deepen or break completely? With a small, three person cast of some of our favorite Houston actors and the intimacy of 4th Wall’s Studio 101 space, look for the type of poignant experience only live theater can bring.

    Sylvia from Houston Ballet (February 26-March 8)
    Along with Hadestown, this month brings a second return of a 2022 production of Greek and Roman love myths. Houston Ballet brings back this audience favorite created by artistic director Stanton Welch about the legendary tale of the huntress Sylvia and her love for a mortal shepherd. Look for the whole HB company dancing as gods, goddess, nymphs, huntresses, fauns, and the odd naiad.

    Though perhaps not as well known to dance lovers as other story ballets, this depiction of the Sylvia myth, set to music by Léo Delibes, has created faun fans for almost a 150 years. In 2019, Welch put his own mark on the tale, and then HB delivered an epic encore in 2022. It’s no wonder Sylvia leaps into the Wortham Center once more, as the stunning costumes and set designs scenic by world-renowned ballet and opera designer Jerome Kaplan, with lighting design by Lisa J. Pinkham and myth building projections from Wendall K. Harrington, all have made this ballet a favorite for HB audiences.

    Venus in Fur from Dirt Dogs Theatre (February 26-March 14)
    Dirt Dogs brings a very different kind of romance to the stage for Valentine's season. This dark, sizzling drama from acclaimed playwright David Ives plays on ideas about sexual relationships but also on creative collaborations. Thomas is a playwright searching for the perfect actress to portray Vanda for in his stage adaptation of Leopold Sacher-Masoch’s infamous novella Venus in Furs.

    On a dark, stormy night of fruitless auditions, a mysterious and unconventional woman calling herself Vanda arrives to read for the part. Not only is she late, she also appears far from the ideal candidate Thomas had in mind. As the audition unfolds, Vanda’s performance takes an unexpected turn, blurring the lines between script and reality. Masks slips and identities transform, leaving the audience to perhaps wonder who’s really directing and who is acting. As the sexual and psychological tension builds, Thomas and Vanda must confront the complexities of their desires and the darker sides of human nature.

    The Chinese Lady at Stages (February 27-March 22)
    Last year, Stages had a quiet hit with award-winning playwright Lloyd Suh’s The Heart Sellers, a touching drama about friendship between young immigrants in the 70s. This winter they’re back with another of Suh’s plays, this one inspired by the true story of the first Chinese woman to arrive in the United States. This Lady begins her journey in the early 1800s as a 14-year-old girl brought to America by promoters and toured across the country as a living curiosity. As Afong Moy travels across America over the decades, with her translator her only constant companion, the Chinese Lady shares her witty, poignant, and occasionally heartbreaking observations of a young nation. Balancing Moy’s sharply funny observations with the historical realities of her circumstances, the play touches on themes of identity, exploitation, and racism.

    Bernadette Peters
    Photo by Andrew Eccles

    The Hobby Center presents Beyond Broadway: An Evening with Bernadette Peters.

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