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    a pretty picture

    Stunning Menil Drawing Institute throws open its doors to Houston art lovers

    Tarra Gaines
    Nov 2, 2018 | 1:30 pm

    A dream that began in Dominque de Menil’s lifetime finally becomes a reality as the Menil Collection opens the doors of the Menil Drawing Institute Louisa Stude Sarofim Building and welcomes Houston into an art space like no other.

    Though it might seem we’ve been anticipating the completion of the MDI for a decade, the Menil only broke ground in 2015. The three-and-a-half years of construction, with a few delays, seems like a blink of an artist’s-eye compared to what the Menil has accomplished transforming the whole campus neighborhood while creating a serene haven for both art — specifically delicate works on paper — and art lovers alike.

    Drawing inspiration
    “Based on the premise that drawing is central to artistic practice, this addition to Menil’s neighborhood of art provides an intimate setting for public and scholarly community to access drawings thus advancing appreciation and scholarship of the medium,” says Menil director Rebecca Rabinow, at a recent preview walkthrough of the 30,000-square-foot, $40 million building, designed by Johnston Marklee in collaboration with landscape architects Michael Van Valkenburgh Associates.

    In describing how this decades in the making project came to fruition, Rabinow noted John and Dominique de Menil’s deep commitment to collecting modern and contemporary drawings.

    “It was of great importance to them that they make sustained commitments to living artists, and purchasing drawings became one of the pillars of their support,” explains Rabinow.

    The project to house and conserve the Collection’s great works on paper called for what Rabinow describes as an “unprecedented,” building dedicated to the acquisition, study, exhibition, conservation and storage of modern and contemporary drawings. The multipurpose use of building required designs from Johnston Marklee that would become a natural addition to the Menil campus, tame the sometimes brutal Houston sunlight, while also keeping the works safe from any Houston flooding.

    With two shaded outdoor courtyards, an indoor cool-light-filled “living room” connecting the courtyards and a 2,850-square-foot exhibition space open to the public, along with private office space, a conservation lab, a “scholars’ cloister” and below-ground art storage areas, the MDI beautiful fulfills its many purposes.

    The building becomes as much of an artwork as the pieces it holds, as the lines, stark planes, and sharp angles juxtaposed with its lush courtyards and surrounding landscape seem to blur the borders between interior and exterior, outside and in.

    Art inside and out
    To inaugurate the exhibition space, the Menil presents drawings from one of American’s greatest living artists, Jasper Johns. The Condition of Being Here: Drawings by Jasper Johns exhibition contains 41 works of art from 1954-2016, include drawings made in graphite, ink, charcoal, watercolor, colored pencil, acrylic, water-soluble encaustic, pastel, powdered graphite, gouache, and oil stick, on surfaces ranging from paper to plastic.

    “When the drawings are viewed together they trace the artist’s life-long interest and exploration in drawing as an art form as well as his fascination with certain motifs among them the target and the flag that reappear in his art over many decades,” describes Rabinow, noting that the Collection has one of the largest holdings of the artist’s drawings in the world.

    Any addition to the Menil campus would not contain all its art indoors, of course. At the entrance into the west courtyard look for Ellsworth Kelly’s Menil Curve, 2015. Commissioned to recognize extraordinary financial gifts to The Campaign for the Menil, the blazing white sculpture also captures the feel of the most primal elements of drawing lines, planes and angles.

    Those Houstonians who consider the Menil Campus a second art home will get quite the wonderful surprise walking the sidewalk on West Main Street a few steps beyond the MDI. There they will find the museum has relocated Michael Heizer’s sculptures — Rift, 1968/1982 and Dissipate, 1968/1970 from the front lawn of the main building to a red, graveled plot created to simulate the dry Nevada lakebed where Heizer originally installed the A588 weathering steel pieces.

    ---

    After opening day festivities on Saturday, November 3, the Menil Drawing Institute, located at 1412 West Main St., will join the other Menil art spaces opening to the public Wednesday through Sunday, 11 am to 7 pm. Admission to the Menil is always free.

    Menil Drawing Institute opens this November.

    Menil Drawing Institute, entrance
    Photo by Richard Barnes, courtesy of the Menil Collection
    Menil Drawing Institute opens this November.
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    welcome to houston

    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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