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    Menil Drawing Institute Preview

    Art Anticipation: Preview of Menil Drawing Institute offers vision of a beautiful fall

    Tarra Gaines
    Apr 13, 2017 | 12:30 pm

    We’ve only just sprung spring, yet Houston is well on our way through another major year of arts and entertainment venue openings. Unfortunately, the one space we’ve been anticipating for four years now, The Menil Drawing Institute, won’t quite be ready for our welcome-to-the-neighborhood visit until fall. The Menil Collection, however, seems eager to show off their progress and recently offered a media preview of all the construction action. So if you don’t mind architectural spoilers, here’s a sneak peek at the next great visual art space coming to Houston.

    The History
    In 2012, during it 25th anniversary year, the Menil Collection launched a $115 million campaign in support of their masterplan with goals that included the construction of the MDI building, the expansion of green spaces across the Menil campus and to increase the endowment so that the Menil will always remain free to the public.

    “Our masterplan has given us a blueprint how to treat the rest of the campus and that is to do more what we’re already good at: open, un-programmed and pedestrian friendly green spaces; individual buildings for art, set in a residential neighborhood; meandering approaches to those pavilions filled with light and air and above all accessibility, not monumentality, not formality,” described Sheryl Kolasinski, the Menil Collections’s deputy director and chief operating officer.

    Now five years later, in the year of their 30th anniversary, $105 million has been raised and many of the goals of the masterplan, like the new campus entryway and opening of Bistro Menil, has been realized with the other major component the Menil Drawing Institute on pace to open October 7.

    Inside the MDI
    The Menil Drawing Institute was first conceived to house the Collection’s vast holdings of works on paper, but the $40 million, 30,000 square-foot building will also for serve as a place for scholarship and as an important gallery space for drawing exhibitions.

    “The Menil Drawing Institute will ensure the continuing exhibition and close study of drawing” said Menil director Rebecca Rabinow, adding that the MDI building was especially designed with “spaces for display, study, conservation and storage of modern and contemporary drawings.”

    The multi-use facility proved something of a challenge, explained architect, Sharon Johnston, co-founder of the Los Angeles-based architecture firm, Johnston Marklee, in that they were charged to “create a welcoming, generous and transparent building to house one of the most delicate mediums of artistic practice, which is works on paper.” But it is was a design challenge they believe they met when they began to think of the project as a collection of rooms created for those multiple purposes the whole building would have.

    Progress Report
    As construction on the MDI building has advanced, other projects have recently been completed including the extension of West Main Street along the south side of the building and the new Energy House, the central environmental-sustainable utilities plant serving the entire Menil campus. There are even plans to eventually project films onto the Energy House’s east wall during outdoor events.

    During April and May the construction team will finish the installation of the steel canopies that frame the exterior of the MDI building. When the exterior nears completion, the major landscaping initiatives will continue with white oak trees planted in the courtyards.

    Work on the interior will proceed for several more months. Johnston Marklee has also designed customer furniture, including benches, tables and ottomans, all inspired by elements of the building’s structure. Prototypes of some of the new furniture will be on display in the main building as part of the exhibition, The Beginning of Everything: Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections.

    Art to Come
    While the Menil prepares for the public opening of the MDI building in the fall, the great 30th anniversary celebration has already begun with some unique only-at-the-Menil exhibitions. To help the public fully understand the art of drawing and breadth of medium, the Menil has already premiered the aforementioned Beginning of Everything, an exhibition of nearly a hundred drawings including works by Cézanne, Edgar Degas, Rachel Whiteread and Bruce Nauman.

    In August, look for a special 30th anniversary presentation of 30 works from the Collection that represent an important aspect of the Menil’s history and mission. These installations will be located throughout the main building and in other spaces on the campus.

    The MDI building officially opens October 7 with the inaugural exhibition, The Condition of Being Here: Drawings by Jasper Johns, welcoming Houstonians into the city’s newest art home. This career survey of the drawings by Johns will be organized from the gifts promised to the Menil Collection by Janie C. Lee and Louisa Stude Sarofim, works from the bequest of David Whitney, and select loans from the artist. The exhibition runs October 7-December 31.

    A rendering of the Menil Drawing Institute, which is set to open to the public on October 7, 2017.

    4 Menil Drawing Institute Menil Campus Exterior March 2015
    Rendering courtesy of © Johnston Marklee/Igor Brozyna
    A rendering of the Menil Drawing Institute, which is set to open to the public on October 7, 2017.
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    doubling down

    Shepherd School builds on 50 years with a 2026-27 season of discovery

    Joel Luks
    Jun 10, 2026 | 11:00 am
    Rice University Shepherd School of Music
    Photo by Michael Stravato
    The Shepherd School's 2026-27 season includes six world premieres.

    The next generation of classical music doesn’t wait in the wings at Rice University’s Shepherd School of Music.

    It walks onto the stage, often with a world premiere in hand, and slaps listeners with music so energetically performed that they might need a glass of wine or a Xanax to come down from the thrill.

    Fresh off its milestone 50th anniversary, the Shepherd School’s 2026–27 season doubles down on discovery. The lineup includes six world premieres, the Texas premiere of Matthew Aucoin and Sarah Ruhl’s opera Eurydice, celebrated guest artists, and a steady reminder that Houston audiences can hear rising talent before the rest of the world catches on.

    For students, Shepherd continues to function as a foundation where rigorous conservatory training meets the resources of a major research university. For audiences, it’s an invitation to witness artists in the midst of becoming, tackling ambitious repertoire in halls whose acoustics reward every nuance.

    The orchestral season, led primarily by Distinguished Resident Director of Orchestras Miguel Harth-Bedoya, embraces both pillars of the canon and brand-new voices. Opening night sets the tone with Ravel’s Alborada del gracioso, Richard Strauss’ Death and Transfiguration, the world premiere of Jake Berran’s Probabolophony, winner of the 2026 Cooper Prize, and Hindemith’s Symphonic Metamorphosis.

    The season also launches what is planned as a multi-year exploration of Gustav Mahler with Symphony No. 1, “Titan,” while spotlighting Shepherd faculty members as soloists, including pianist Jon Kimura Parker and oboist Erin Hannigan. Along the way come additional premieres by alumni composers, concerto appearances from competition winners, and opportunities for conducting students to take the podium.

    Shepherd will present a fully staged production of Richard Strauss’ Ariadne auf Naxos before mounting the Texas premiere — and first university performance — of Eurydice, with composer Aucoin visiting campus to work directly with students and audiences.

    Guest artists add another layer, from Aleko Endowed Artist Julia Bullock collaborating with Shepherd opera students to alumna Kate Soper returning with the acclaimed Wet Ink Ensemble. Chamber concerts, faculty recitals, festivals, and family programming round out a calendar of more than 400 events, many offered for free or at low cost.

    The season also includes the Adventurous Electric Guitar Festival at Wortham Theatre, where concerts, workshops, and presentations explore contemporary electric guitar and electroacoustic performance in collaboration with Rice Electroacoustic Music Labs (REMLABS).

    Notably, the school will also inaugurate its undergraduate orchestral conducting degree, the only program of its kind in the nation.

    This author recently caught Miguel Harth-Bedoya deep in score study before a concert, next to his visiting family, meticulously parsing Ravel’s Alborada del gracioso.

    It was a fitting snapshot of the institution itself: Craftsmanship behind moments that can feel effortless once the lights dim and the music begins. That dedication has defined Shepherd for more than 50 years, and the 2026–27 season suggests the next movement is well underway.

    performing-artsrice university
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