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    HGO Studio Alum

    A real American Idol: Opera singer with Houston roots wins prestigious music competition

    Joel Luks
    Jul 2, 2013 | 10:19 am

    Oh, how easy it is to forget that extraordinary people engage in ordinary activities. And that regular folk can bloom to take the world by storm.

    It was in an unassuming corporate apartment in Midtown where mezzo-soprano Jamie Barton ruled at a game of Taboo, clueing in her teammates to guess terms like Nelson Mandela, unicorn and cake. In the crowded space were her Houston Grand Opera Studio fellows, including baritone Scott Hendricks, soprano Jennifer Root and pianist Miah Im — and this reporter.

    That was five years ago.

    Since then, Barton earned the 2012 Richard Tucker Career Grant and, most recently, a combination of awards that breaks a 30-year spell in one of the most prestigious vocal competitions in the world.

    Barton was awarded two honors at the 2013 BBC Cardiff Singer of the World Competition in Wales: The BBC Cardiff Singer of the World Prize and the Song Prize. The two laurels haven't been conferred on the same female singer for three decades.

    Although hundreds apply, only 20 singers are invited to the live event in Cardiff. Five finalists were selected for the finale concert in which Barton raked in two of the top three prizes. Barton's loot comprises a £20,000 cash prize (around $30,300), two trophies, an opportunity to join BBC Radio 3's BBC New Generation Artists Scheme and the possibility of being invited to perform with the BBC and Welsh National Opera.

    "Houston, while not my hometown, has had a tremendous effect on me as an artist and budding opera singer."

    Barton's timber was described as "smooth" and "melting," her winning performance as "hautingly beautiful" (Wales Online) with a "imperturbable steadiness of tone, and a nobility of utterance," and compared to opera greats such as Kirsten Flagstad or Karin Branzell (The Guardian).

    "The competition has been known to shoot singers to stardom," Barton tells CultureMap by email. "Just being in this competition would have advanced my career, but winning both categories is already seeming to have a wonderful effect."

    The 30-year old, Rome, Ga., native made her UK debut in London's Barbican Centre with Elgar's Sea Pictures in 2012. The previous year, she was a favorite at the Lyric Opera of Chicago where she was cast as Dryade in Ariadne auf Naxos, The Nurse in Boris Godunov and Voice of the Mother in Les Contes d'Hoffman in the same season. At the Metropolitan Opera in New York, she sung the role of Second Lady in The Magic Flute in 2009 followed by a repeat engagement in 2011. Barton will return to New York in September to rehearse for Bellini's Norma.

    Houstonians will remember Barton from her time at the HGO Studio from 2007 to 2009, when she appeared in Beatrice and Benedict, Rigoletto and in the world premiere of Andre Previn's Brief Encounter. She's slated to sing Fricka in the first of Wagner's Ring Cycle operas, Das Rheingold, next year.

    Barton has performed with Cantare Houston and is also a frequent soloist with Ars Lyrica, which featured the young star in a recording of Domenico Scarlatti's La Dirindina and the Grammy-nominated recording of Johann Adolf Hasse's Marc Antonio e Cleopatra.

    "Houston, while not my hometown, has had a tremendous effect on me as an artist and budding opera singer," Barton says. "The Houston Grand Opera is responsible for having given me the chance to grow and learn my craft in an opera house that is known for innovation."

    Barton credits that experience, in addition to coachings with Rice University's voice professor Stephen King, as having a big impact on her career.

    "Houston, as a town, offers so much to those who love the arts," she adds. "Being a resident of Houston for four years afforded me so many performing and audience member opportunities. What a luxury for those who live there!"

    Barton speaks the truth. No doubt Houston adores her.

    Mezzo-soprano Jamie Barton was awarded two honors at the 2013 BBC Cardiff Singer of the World Competition in Wales.

    Jamie Barton mezzo soprano
    WalesOnline.co.uk
    Mezzo-soprano Jamie Barton was awarded two honors at the 2013 BBC Cardiff Singer of the World Competition in Wales.
    unspecified
    news/arts

    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

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