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    Ima Hogg is smiling

    A 100th birthday for the ages: 18,000 turn out for Houston Symphony's everyman bash

    Joel Luks
    Jun 24, 2013 | 12:52 pm

    It could have been an evening affair studded with a who's who of Houston's blue blood echelon shelling up top dollar for gala tables, each guest slipping into couture — nothing off the rack — to strike a pose for the city's social pages.

    But the musical spectacle that celebrated Houston Symphony's centennial at Miller Outdoor Theatre on Friday night wasn't for a select few. The free concert bowed to the citizens who have welcomed the Bayou City's premiere classical music ensemble as a vital part of their cultural fabric. Because no arts entity of any kind has a chance of thriving if it isn't relevant to its home and its people.

    An estimated audience of 18,000 — enticed by the official start of summer, a cloudless sky, the verdant mantle of Hermann Park, the genteel waters of McGovern Lake and the sparkling fountains of the Reflection Pool — gradually trickled in hours prior to the 8:30 p.m. curtain call. Frisbee with the family dog, wine and cheese picnics on the hill, coolers topped with refreshments — this was an informal, al fresco gala of a different nature, organized 100 years to the day from the inaugural 1913 concert performed by what would evolve in time into the Houston Symphony.

    Courtesy of an official state proclamation presented by Lt. Gov. David Dewhurst, June 21, 2013, will forever be imprinted as Houston Symphony Day.

    "It's an honor to be invited to celebrate this event. That I can do contribute through song — I am humbled."

    That first performance 100 years ago was held in downtown's Majestic Theater (local history buffs refer to it as the second of the Majestics) located where the Houston Chronicle building stands today. The orchestra that comprised 35 musicians each receiving $5 for their service has bloomed into a solid enterprise with a budget of $30.4 million for its 2013-14 anniversary season.

    Associate conductor Robert Franz kindled the memory of the 1913 musicale by programming a couple of the selections of the historic playbill, including excerpts from Bizet's Carmen and Tchaikovsky's The Waltz of the Flowers from The Nutcracker — the latter in hopes of imagining cool December temperatures. Complementing the two-hour soiree were scores that carried happy messages of appreciation such as "Be Our Guest" from Disney's Beauty and the Beast. Collaborations with University of Houston's Spirit of Houston Marching Band on stage and around the amphitheater enveloped concert goers with regal sounds appropriate for the festivities.

    While Westside High School's Inertia Dance Company added a touch of comedic relief with a light-hearted number, the powerhouse of rendition of Whitney Houston's "I Will Always Love You" by American Idol finalist LaKisha Jones, who wore a classy white Tadashi gown, caused the crowd to break into a standing ovation.

    "Though I was born in Flint (Michigan), part of my heart belongs in Houston," Jones, who lived in the Bayou City for six years, tells CultureMap. "It's an honor to be invited to celebrate this event. That I can do contribute through song — I am humbled."

    Imagine everyone's surprise when part of the Houston Symphony Chorus rose from within the theater to belt out the last movement of Beethoven's Symphony No. 9 "Ode to Joy." The blissful tenor of the text served as the finale that was followed by a dazzling fireworks display.

    It could've been a Fourth of July tribute with all the fixings. That it recognized the Houston Symphony's accomplishments with such fervor is validation that Houstonians value — beyond perhaps even crude oil, aerospace and agriculture — the fine arts and creative pursuits.

    Of course, we all owe a great deal to one charitable dame who supported the orchestra's early days.

    Surely, somewhere, Ima Hogg is smiling.

    Fireworks were the finale of Houston Symphony's centennial concert at Miller Outdoor Theatre.

    8 Houston Symphony 100th Anniversary Concert June 2013 at Miller Outdoor Theater with fireworks
    Photo by © Chinh Phan CultureMapSNAP.com
    Fireworks were the finale of Houston Symphony's centennial concert at Miller Outdoor Theatre.
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    Mags Move In

    Shuttered Houston magazine stand finds new home at Austin coffee shop

    Brianna Caleri
    Jan 19, 2026 | 4:00 pm
    Tomo Mags bus outside of brick-and-mortar Austin store
    Photo courtesy of the Downtown Austin Alliance
    Tomo Mags is driving into a new era.

    Austin's roaming newsstand Tomo Mags — which sells books out of a signature blue bus — is moving up in the world. Its new brick-and-mortar bookstore and partner coffee shop, Cielito Lindo, are celebrating their grand opening Thursday, January 22, at 411 Brazos Street, #101. A ribbon-cutting ceremony from 10-11 am with the Downtown Austin Alliance and the Austin Chamber of Commerce will mark the occasion.

    Tomo Mags started in 2015 in Houston, on a decommissioned school bus. Founder Vico Puentes hit the ground running — or driving — visiting shopping centers, galleries, universities, cafés, and more. It toted artsy independent magazines about fashion, photography, design, erotica, and even some comparatively normie selections like The Economist and New York Magazine.

    The journey so far has included an earlier stationary space that later closed (and another one that reopened), a pause for several years, and a "bittersweet" move to Austin in 2025.

    Tomo Mags Austin interior The collection has a lot more room to expand in this new space.Photo courtesy of the Downtown Austin Alliance

    The new shop offers more of the same: a wide selection of magazines and art books alongside studio tools like pens and notebooks, merch, and fashionable accessories. It's been in a soft-opening phase since mid-December. Cielito Lindo, which opened in a coffee pot-shaped trailer in Manor in spring 2025, also kicked off its soft opening in the space a few days. Both the Tomo bus and Cielito's trailer will continue operating.

    Even though both businesses are relatively new to Austin, Puentes has deep personal connections with the city.

    “Before opening TOMO mags, I worked in downtown Austin for the last six years, and I’ve seen such an incredible evolution in what it feels like for the people who work and live here, as well as the visitors passing through,” said Puentes in a press release.

    Tomo Mags Austin interior Cafe tables are great for flipping through new finds with Cielito Lindo's signature horchata latte.Photo courtesy of the Downtown Austin Alliance

    Driving around town to make sales may sound like a fast-paced existence, but Puentes hopes visitors to Tomo can slow down when they visit, enjoying the physical experience and maybe even creating a personal art archive over time. Part of that includes getting to know the artists filling the shelves.

    "With TOMO mags, our goal is to create a place people can come back to regularly to slow down, find inspiration, and leave with something special, or a gift that actually feels thoughtful," he said. "We’re already meeting people from all over the world, and we’re proud to host them and share recommendations that help them experience Austin beyond just downtown, while also spotlighting the creative community and local businesses that make this city so special.”

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