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    PIck Five (Plus)

    Your weekly guide to Houston: Nude theater, an Opera Marriage, a Killer Joe &Simon Fashion Now

    Joel Luks
    Apr 14, 2011 | 11:02 am
    • "The Marriage of Figaro" open April 15 with James Gaffigan at the podium.
      Photo by Jim Caldwell
    • Lance Marshall, from left, Leighza Walker, Brad Zimmerman, Shannon Komlofske andTom Stell in "Killer Joe" by Tracy Letts. Directed by Ananka Kohnitz, the BigHead Productions show debuts at Obsidian Arts Space, 3522 White Oak in theHeights.
      Photo by Ananka Kohnitz
    • Misha Penton in Divergence Vocal Theater's production of "Klytemnestra"redefinesthe power femme.
      Photo by Kerry Beyer
    • My Exquisite Corpse, along with 4 other contributors. Jetsons meets Star Warsmeets, Mexican Fiesta meets the Smurfs?
    • Stanley Bahorek as Wolfgang Amadeus Mozart in "Amadeus."
      Photo by Jann Whaley

    Is Mozart in the air?

    Perhaps, though it's mostly accidental, but nonetheless fabulous. What begun with a phenomenal and hilarious fictional account between rivals Mozart and Salieri with Alley Theatre's Amadeus segued with one of the most artistically engaging concerts I have witnessed at the Houston Symphony. The River Oaks Chamber Orchestra (ROCO) picked the theme du jour and surprised audiences with an unscripted performance of Mozart's Overture to La Clemenza di Tito.

    But there is life beyond Mozart, really.

    Ending on a high note, literally, ROCO's principal clarinetist Nathan Williams rocked the Copland Clarinet Concerto, even collaborated with happily chirping birds and a quacking duck who were astonishingly in tune. Closing with Beethoven's Symphony No. 7, the concert left audiences in a chipper mood, myself included.

    As the opera world mourns the loss of Daniel Catán, I will treasure the time I had to speak with him followed by the thoughtful production of Il Postino at the Moores Opera Center. His music and legacy will live on, assuming that Buck Ross will continue to program his works as part of the Daniel Catán Project, an effort established by Ross in 2009 to stage one of Catán's operas every two years.

    Non-music events were plentiful last week, beginning with the reveal of a surrealist parlor game for iPad courtesy of Lawndale Artist Studio Program resident Anthony Thompson Shumate. Exquisite Corpse, though it sounds morbid, is a hilarious and artful game, where participants contribute to create an image, blind to what others have done.

    The Houston Modern Market turned Winter Street Studio into a mid-century mod shopping fete, filled with the most curious objects, art, furniture, clothes and personal items. Lesson learned? Grab something before someone else does. In these shows, one-of-a-kind means you snooze, you loose. And I lost a whimsical set of salt and pepper shakers in the shape of lightbulbs.

    What's on tap for this week?

    Alley Theater's Amadeus: A Tale of Obsession
    Amadeus is for everyone including opera lovers, theater nuts, comic types, even for non-artsy individuals who have never heard of Mozart or classical music all together. Focusing on his nemesis, Antonio Salieri, Amadeus at its roots concerns itself with man's desires and how far one will go to fulfill them.

    Fame, jealousy, murder, failed suicide and sex (even a little nudity) commingle in this hilarious but meaningful tour de force. Though their rivalry was indeed real, the account of events is highly fictional. Enjoy it nonetheless. Runs through May 1.

    Houston Grand Opera's Marriage of Figaro
    Are you Mozart curious? You can experience one of the Operas quoted in Amadeus. In this opera buffa (comic), Mozart abandons the regal and lofty conventions of the time in favor of a piece about everyday people with everyday issues, beginning inside a lady's boudoir.

    The work picks up where The Barber of Seville left off. Young hot shot conductor James Gaffigan makes his Houston Grand Opera debut, having already worked with the Zurich Opera, Glyndebourne Festival and having conducted Don Giovanni at the Aspen Music Festival and School. Opens Friday and runs through April 30.

    Divergence Vocal Theater's Klytemnestra: The Original Subversive Female
    With a title like that, its difficult not to pay heed, although Divergence Vocal Theater's power femme, Misha Penton, has already achieved notoriety in Houston for staging works that expand and challenge the boundaries of opera into a genre in its own milieu. It's a collaborative effort, where everyone involved contributes artistically.

    With music by Dominick DiOrio and text by John Harvey and Penton, Klytemnestra promises to be another success like Selkie: A Sea Tale, which was sold out, standing room only by the time of the performance. DVT will also be debuting its new performance space at Spring Street Studios. Friday and Saturday at 8 p.m.

    Downtown Home Tour
    Downtown Houston is truly a charming neighborhood filled with fantastic shopping, great amenities and breathtaking one-of-a-kind real estate. The Downtown Home Tour opens the doors to unique residences for the home and design curious to tour.

    Guests can peruse the Bayou Lofts, Four Seasons Residences, Franklin Lofts, One Park Place, Commerce Towers and Post Rice Lofts. Also on the tour are the homes of Houston artists Nicola Parente and Olga Porter and the just renovated historic Cash Register Building on Caroline. Saturday from 12 to 5 p.m.

    Texas Bluebonnet Wine & Cheese Trail
    Wildflowers may be a little lazy this year, but that shouldn't prevent wine enthusiasts from taking a trip down the 105 corridor to enjoy some Texas vino. Each winery will showcase two select blends in addition to cheese pairings. Participating wineries include Messina Hof, Bernhardt, Colony Cellars, Cork This, Pleasant Hill, Retreat Hill, Retreat Hill Cellars, Saddlehorn, Texas Star and Windy Winery. Weekends through April 17.

    My colleague's picks:

    Assistant editor and art savant Steven Thomson's pick: Zeitgeist Films Trio: Bill Cunningham New York at Museum of Fine Arts, Houston
    Steven says: "The Sunday Styles stalwart comes to life in this stunning documentary that reveals the world of old school journalism, as well as glimpses of a very complex artist. A must." Friday at 7 p.m. and 8:45 p.m.

    Art contributor and Dancehunter Nancy Wozny's pick: Tracy Letts's Killer Joe at Obsidian Art Space
    Nancy says: "Thanks to Big Head Productions at Obsidian Art Space I can continue being a Tracy Letts groupie, with their production of Killer Joe, directed by Ananka Kohnitz, who also did a bang up job directing Letts' weird ass play, Bug, at Theatre Southwest. Expect drugs, sex, violence, naked people and some biting dialogue, which often makes a Letts play tick.

    It should be noted that the Alley Theatre got in on the Letts action with his Pulitzer-prize winning, August: Osage County earlier this year and Stages jumped in last season with his Man from Nebraska."

    Fashionista Dillon Sorensen's pick: Simon Fashion Now 2011
    Dillon says: "Most fashion show showcases look one season ahead — but not Simon Fashion Now at the Houston Galleria. The weekend-long event kicks off on Thursday night with a runway show featuring the hottest Spring looks from Billy Reid, Kate Spade, Neiman Marcus, Carolina Herrera and Jimmy Choo. Seating is invitation only, but public viewing will be available from the common areas.

    "As usual, the local Billy Reid store will be hosting a ridiculous after-party, and I guarantee that you will have never seen so many people packed into a retail store.

    "On Friday night, more runway shows will take place at 5:30, 6:30, and 7:30. Houston's own version of Project Runway, entitled Design Wars, will take place at 6 p.m. You definitely won't want to miss this, considering that Chloe Dao and I will both be sitting on the judges panel. Galleria retailers will also offer in-store events and specials on Saturday." Thursday through Saturday.

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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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