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    Looking good for a century

    Houston Symphony reveals a starry 100th anniversary lineup: The big names coming are . . .

    Joel Luks
    Feb 6, 2013 | 8:00 pm

    The Houston Symphony is looking mighty fresh in the eve of its centennial anniversary. A new, artsy logo alongside a robust guest list of musicians and conductors ushers a year-long musical fête fitting of a platinum jubilee in its just released 2013-2014 season lineup.

    Because, as they say, you only turn 100 once.

    And given the state of affairs of many professionals symphony orchestras around the country, that the Houston Symphony is — according to officials — offering its most ambitious, exciting and expansive season ever, especially during a transition year, is reason to walk the red carpet and take in many of the tuneful events.

    There's much to celebrate: The appointment of new music director Andrés Orozco-Estrada, who officially starts his five-year tenure in the 2014-15 season, new commissions, multimedia works and music celebs like Yo-Yo Ma, John Williams, Joshua Bell, Renée Fleming and Yefim Bronfman and on and on — and on.

    "We have purposefully planned our centennial season as a celebration of our rich history, the breadth and quality of current concert and education programs and our very exciting future," Mark Hanson, CEO and executive director, tells CultureMap when asked how the programming honors the past while looking toward the future.

    "The involvement of current music director Hans Graf, two former music directors and incoming music director Andrés Orozco-Estrada is an obvious way that we are endeavoring to accomplish this goal. Current and new audiences will come away from every concert feeling that they have experienced something very special, very unique and very inspiring."

    Included in that effort is the release of a new Commemorative Centennial Book, a 160-page hardcover tome that illustrates the development of the Houston Symphony from its humble beginnings to its Carnegie Hall debut in 1965 with historical images, timelines and personal stories.

    "Current and new audiences will come away from every concert feeling that they have experienced something very special, very unique and very inspiring."

    "Our centennial book, special lobby exhibits and alumni events will celebrate the hard work, generosity, commitment and creativity of thousands of people who have made the Houston Symphony what it is today," Hanson says.

    The Symphony then and now

    It was on June 21, 1913, when on a $2,500 budged sponsored by Ima Hogg, 35 part-time musicians led by Julien Paul Blitz sounded the group's first melodies — including Mozart's Symphony No. 39 and " Dixie" — of what would become the city's premiere orchestra three decades later. The Houston Symphony will mark that inaugural performance with two free concerts.

    The 100th Birthday Concert (June 21), set for exactly 36,525 days after that concert, gathers the Houston Symphony, the Houston Symphony Chorus and surprise guests at Miller Outdoor Theatre. That presentation will be followed by a 12-hour Day of Music (July 13) marathon at Jones Hall in the company of 30 local art presenters, including Music Doing Good, The Houston Blues Museum, Sugar Hill Studios and Guitar Houston, on different stages set up through out the 1996 concert venue, with food trucks on the plaza.

    For its Opening Night Concert and Gala (Sept. 7), the Houston Symphony is dropping its strategy of featuring its own musicians and hiring a major star of the genre, Renée Fleming. Though no specific repertoire has been released, expect a melange of classical, jazz, Broadway and contemporary art songs and arias. Concert goers may attend the performance alone or join in the black tie dinner, which typically occurs after the curtain falls.

    The American premiere of Mexican composer Juan Trigos' La Trista Historia (Nov. 1 to 3), co-commissioned by the Houston Symphony, nods to the organization's awareness of Houston's cultural make up. The score, performed atop a film by Duncan Copp (producer of The Planets: An HD Odyssey and Orbit: An HD Odyssey), photographer George Jackson and writer Ben Young Mason, delves deep into the cultural significance of the Día de los Muertos tradition.

    Christoph Eschenbach returns to perform Mahler's Symphony No. 8 "Symphony of a Thousand."

    Yo-Yo Ma and John Williams (Dec. 5) meld flavors that will satiate pop audiences and classical music junkies alike. The longtime friends will collaborate in a musicale that enlivens many of Williams' Hollywood film scores and his Cello Concerto.

    For those who were lucky enough to secure a seat for Mahler's Symphony No. 5 led by former music director (1988-99) Christoph Eschenbach, that he returns to perform Mahler's Symphony No. 8 "Symphony of a Thousand" (May 9 and 10, 2014) is no small matter. It takes a force of 250 to take on Mahler's epic masterpiece.

    The new kid on the podium, that would be Orozco-Estrada, is scheduled to lead four concert runs. His programs showcase Midori playing Mendelssohn's Violin Concerto in E minor, Yefim Bronfman in Beethoven's Piano Concerto No. 4 in G major, Mozart's Symphony No. 41 "Jupiter," Holst's The Planets and Orbit: An HD Odyssey.

    More esteemed artists

    Among the conductors who will be appearing during the 2013-14 season are Hannu Lintu, Peter Oundjian, Carlos Miguel Prieto, Andrey Boreyko, James Gaffigan, Rafael Frühbeck de Burgos and Thomas Dausgaard, former music director Lawrence Foster and minimalist composer John Adams, who will be conducting his own City Noir.

    Featured soloists percussionist include Colin Currie, pianists Daniil Trifonov and Kirill Gerstein (who rocked the Rachs), violinist Gil Shaham, trumpeter Chris Botti, NBC's Smash star Megan Hilty and actor Sigourney Weaver.

    Society events

    See-and-be-seen types, mark your calendars for the Centennial Wine Dinner and Collectors Auction chaired by Lindy and John Rydman and Lisa and Hermen Key on March 7, 2014 and the white tie Centennial Ball chair by the Mach family on May 17, 2014.

    Yo-Yo Ma is just one of the stars who will be celebrating the Houston Symphony's 100th.

    Yo-Yo Ma
    Courtesy photo
    Yo-Yo Ma is just one of the stars who will be celebrating the Houston Symphony's 100th.
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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