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    art in september

    11 eye-catching and vivid Houston art exhibitions for September

    Tarra Gaines
    Sep 12, 2019 | 3:13 pm

    New art comes into Houston at a fast and fantastic pace. For fall, that means a cityscape of colors flow into the galleries, museums, and public venues, if not usually the trees. September in particular becomes a month of change as our visual art institutions cart up the sometimes whimsical summer art exhibits and installations and prepare for an autumnal art mood. We have a few fav exhibitions to wave goodbye to while welcoming some international sensations, so check our guide for the best of September art.

    Gallery openings

    “Marc Horowitz, If it’s not mine, it’s mine” at Jonathan Hopson (now through October 13)
    The assemblage and five individual works on view — motifs within the artist’s expanding but as-of-yet inconclusive forensic system — develop research that took Horowitz from the Roman ruins in Milreu, Portugal to the Dia Foundation in New York. Horowitz questions the value of time, labor, and sincere sincerity in an age when the digital image has become the quintessential found object.

    “Breaking Point” at Rudolph Blume Fine Art / ArtScan Gallery (September 14-October 26)
    Through her sculptures created from recycled plexiglas, paint, and found materials, Margaret Smithers-Crump investigates a holistic approach to the health of our planet and the human impact, both negative and positive, on the vulnerability and interconnectedness of diverse life forms and ecosystems.

    “Australian Aboriginal Art: Beyond Time” at Booker-Lowe Gallery (opening September 14)
    Booker-Lowe partners with Australia’s oldest indigenous art gallery, Cooee Gallery, to showcase more than 30 paintings by old masters and leading artists, including well-known painters who helped launch the Australian Aboriginal art movement in the 1970s.

    Exhibition and installations openings

    “Mapa Wiya (Your Map’s Not Needed): Australian Aboriginal Art from the Fondation Opale” at the Menil Collection, September 13-February 2, 2020.
    This rare exhibition of contemporary (created after the 1950s) Australian Aboriginal art showcases more than 100 contemporary paintings, shields, hollow log coffins (larrakitj or lorrkkon), and engraved mother of pearl (lonka lonka or riji). The artwork comes the Fondation Opale in Lens, Switzerland, one of the most significant collections of Aboriginal art in the world. The show includes work by acclaimed artists such as Kunmanara (Mumu Mike) Williams, Clifford Possum Tjapaltjarri, Paddy Nyunkuny Bedford, Emily Kame Kngwarreye, Gulumbu Yunupingu, John Mawurndjul, and Warlimpirrnga Tjapaltjarri.

    “Tsuruya Kōkei: Modern Kabuki Prints Revised & Revisited” at the Asia Society, September 14-January 19, 2020
    Asia Society Texas Center becomes the final museum in the U.S to host this exhibition featuring 77 prints by Kōkei, including all his kabuki actor portraits from 1984 to 1993, plus a collection of his meticulously rendered self-portrait. “Kabuki actor prints have been a beloved genre in Japanese woodblock printmaking for centuries,” said Bridget Bray, ASTC’s Nancy C. Allen, curator and director of exhibitions, in a statement about the show. “We are delighted to present such a comprehensive view into the ways that Kōkei both reveres and reinterprets these portraits.”

    “Moon Shot” at the Rice Moody Center for the Arts (September 20-December 21)
    While other Apollo 11 celebrations might have ended a month ago, Rice Moody Center is just getting started with this exhibition of artists creating half a century of artwork in response one of humanity’s greatest endeavors. Featured works include Robert Rauschenberg’s Stoned Moon series of 34 lithographs (shown together as a group for the first time since their creation in 1969-1970), Andy Warhol’s Moonwalk (1987) and Laurie Anderson’s virtual reality work, To the Moon (2018), co-created with Hsin-Chien Huang.

    “Off the Wall: Harold Mendez” at Rice University’s Raymond and Susan Brochstein Pavilion (September 21-August 24, 2020)
    A new initiative from Rice Public Art will commission a site-specific installation by a recent alumnus or alumna of the Core Residency Program at the Glassell School of Art that will be on view for a year on the south wall of the Raymond and Susan Brochstein Pavilion, which houses the campus cafe. First up Harold Mendez whose work often integrates photography and sculpture to explore notions of identity and place.

    “Objects Redux: How 50 Years Made Craft Contemporary” at Houston Center for Contemporary Craft (September 28-January 5, 2020)
    The exhibition commemorates the 50th anniversary of the Smithsonian National Collection of Fine Arts exhibition Objects: USA. The original exhibition that influenced the way we view crafts today acknowledged the pioneers of the American Studio Craft movement in enamel, ceramics, glass, metal, jewelry, plastic, mosaic, wood, and fiber. This new show highlights the evolution of craft making from functional works of art to the diversity of meaning and technological methods of the current crop of craft artists.

    Last chance to see

    “This too, shall pass” at University of Houston Downtown’s O’Kane Gallery (closes October 1)
    This exhibition of both new and early work by Japanese artist and University of Houston’s School of Art MFA graduate Mayuko Ono Gray, features 20 works of calligraphy and graphite drawings depicting images of the everyday, household objects, pets, friends, and family, connected by intertwining tubes that are really the proverbs spelled out in Japanese.

    “Icons of Style: A Century of Fashion Photography” at Museum of Fine Arts, Houston (closes September 22)
    The hippest and sometimes hip hop-est exhibition of the summer gave Houston a new understanding of how fashion photography became its own art form. This is one art history lesson fashionistas shouldn’t miss.

    “Ragnar Kjartansson: The Visitors”at the MFAH (closes September 22)
    Our pick for one of the best art installations and films of the summer. The Visitors plays on nine large screens, simultaneously capturing a group of musicians and bystanders each in a different room of a historic Hudson Valley house.

    Though separated by walls, these musicians, characters all, play one, long song together. A meditation on isolation, creativity, and the connective power of music, this video installation feels both intimate and cosmic at the same time. Staying for the full hour the film runs takes some mediative stamina but the MFAH welcomes you to take a seat on a bench or, better yet, the floor and let the music flow around you.

    Tsuruya Kōkei: Modern Kabuki Prints Revised & Revisited opens at the Asia Society September 14.

    Tsuruya K\u014dkei: "Modern Kabuki Prints Revised & Revisited"
      
    Photo courtesy of Tsuruya Kōkei
    Tsuruya Kōkei: Modern Kabuki Prints Revised & Revisited opens at the Asia Society September 14.
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    Best May Art

    Floating worlds and immersive experiences top Houston's 9 best new art openings

    Tarra Gaines
    May 8, 2025 | 2:30 pm
    ​“Rolling Stone Presents: Amplified, The Immersive Rock Experience!”
    Photo courtesy of Artechouse
    “Rolling Stone Presents: Amplified, The Immersive Rock Experience!” opens at Artechouse in May.

    After an blooming array of outdoor art installations the last few months, new art takes flight indoors for some rocking immersive shows and stunning exhibitions embracing the natural world. Art and science meet at the Museum of Fine Arts, Houston and Houston Museum of Natural Science, while art and history merge at Rice Moody Center, the CAMH, and the Menil Collection. Houston-based artists also take the spotlight in several big shows across the city.

    “EAT!!” at the Silos in Sawyer Yards (now through May 24)
    This exhibition from local mixed-media artist Diane Gelman showcases the art of dining in a thoughtful-yet-whimsical new way. A feast for the eyes, this new solo exhibition features paintings, sculptures, and installations all about one of our favorite subjects, food. For Gelman, a registered and licensed dietitian, food is a celebration, served with joy, fostering social activity and positivity the world over. It is a universal language that promotes cross-cultural connection, and nourishes both our bodies and souls. “EAT!!” will encourage personal reflection and will be an entire smorgasbord for the senses. Gelman was awarded a 2025 Individual Artists Grant for EAT!! from the City of Houston.

    “Audubon's Birds of America” at Houston Museum of Natural Science (now through September 1)
    Perhaps one of the most famous naturalist books of all time, John James Audubon’s Birds of America series captivated its original 19th century audience with its spectacular, life-sized ornithological illustrations and helped to make birding the hobby that it is today. This fascinating exhibition at the HMNS gives us the chance to see these illustrations up close in all their colorful plumage. Originally organized by the National Museums Scotland, the exhibition includes 46 prints from their rare unbound collection of Birds of America. Along with these magnificent illustrations, the show will explore both the beauty of Audubon’s work and the complexities of his legacy, including Audubon as an adventurer and naturalist legend, as well as the more complex, problematic realities of his actual life.

    “Floating World: A.A.Murakam” at Museum of Fine Arts, Houston (now through September 5)
    In the past few years, Houston has become home to so many immersive and interactive art spaces, but the MFAH will always be the pioneer when it comes to giving viewers the chance to play amid the art. Once again, the MFAH has captured art lightning in a bottle, this time literally, with the multi-gallery exhibition by the Tokyo and London-based A.A.Murakami, also know as Azusa Murakami, and Alexander Groves. Melding science, nature, and art, the duo create large-scale immersive landscapes working in mediums of light, fog, plasma, bubbles and sound. Each gallery holds work that is etherial, constantly transforming and will never be the same with each visit. Expect “Floating Worlds” to be a local social media art star by June.

    “This is the first exhibition in a U. S. museum of the work of these remarkable artists,” noted MFAH director Gary Tinterow. “The term that A.A.Murakami has used to characterize their work, 'Ephemeral Tech,' aptly captures the uncanny nature of these mesmerizing environments, which rely on the latest innovations in artifice and science to evoke the timeless, fleeting moments of nature’s forces.”

    “The Eternal Garden: Titanium Art by Aka Chen” at Houston Museum of Natural Science (now through September)
    This exhibition of work by the renowned Taiwanese artist Aka Chen features 20 sculptures that uniquely combine jewelry artistry and Chinese brush painting using titanium and gemstones. Chen’s unique process involves sculpting the metal under water using precision tools originally designed for medical applications and working at extraordinarily high temperatures. Once shaped, the titanium undergoes an anodization process, revealing a mesmerizing iridescent shimmer. This intricate process culminates in the artful setting of carefully selected gemstones, each enhancing the inherent beauty of the titanium and elevating the pieces into works of art. Chen’s sculptures represent the most delicate objects and creatures in nature, like flowers, butterflies, and dragonflies, but are formed by some of the strongest natural material.

    “Rolling Stone Presents: Amplified, The Immersive Rock Experience!” at Artechouse (May 15-August 31)
    When the artful fun house that is Artechouse opened last June, the plan was always to rotate in new installations and exhibition, and this latest one will surely rock our art world. This immersive video experience takes audiences on a 50-minute rock ‘n’ roll journey through music history, dropping them into a 270-degree, floor-to-ceiling, 18K-resolution digital canvas and state-of-the-art surround sound. Putting viewers right in the midst of rock history and classic concerts, “Amplified” features rare footage from live performance and behind-the-scenes and candid artist moments, exclusive portrait sessions, album art, and posters. Artechouse says “Amplified delivers one of the most comprehensive collections of rock ‘n’ roll imagery ever assembled and includes the work of 500 photographers and film directors."

    “The Space Between Looking and Loving: Francesca Fuchs and the de Menil House” at Menil Collection (May 23-November 2)
    This show of the acclaimed Houston-based artist’s latest work was inspired by a 50-year-old letter that John de Menil wrote to Fuchs’s father, a German classical archeologist, when seeking his expertise on a sculpture in Menil’s private collection. Decades late, Fuchs found a photo of that piece in her father’s personal effects. “The Space Between” becomes Fuchs’s response to John’s unanswered letter, in the form of her painting various objects, including other art work, from the de Menil House. Through her own artwork, Fuchs reflects on the nature of everyday objects, attempting to capture their fundamental truths. For this series of paintings, Fuchs researched hundreds of photographs taken of the de Menil’s home and studied how artworks were moved through the interior spaces throughout the decades.

    “Francesca’s sincere and inspired approach to researching the de Menil house and permanent collection has generated a refreshingly original and rich perspective on the lives of objects collected by John and Dominique de Menil,” described Menil Collection curator, Paul R. Davis. “Her enduring pursuit of painting compels us to think about the layered and fungible meanings of everyday objects.”

    “Figurative Histories” at Rice Moody Center (May 30-August 16)
    For their dynamic summer exhibition, the Moody Center celebrates Texas-based artists Letitia Huckaby, Earlie Hudnall, Jr., David McGee, and Delita Martin. Besides hailing from the Lone Star State, these four artists also create figurative artwork influenced by their personal histories and socio-political themes. Their work often depicts the human body and uses images from the past to understand the present. Many of the pieces in the exhibition also explore historical absences, especially the lack of Black representation in traditional Western art.

    The exhibition will include photographs by Earlie Hudnall, Jr. of daily life in Houston’s Third, Fourth, and Fifth Wards, eight portraits from Letitia Huckaby’s acclaimed “A Living Requiem” series. The show will also feature seven large-scale watercolors from David McGee’s “Avenging Angels” series, more than one hundred works on paper from his “Tarot Cards” series, and brand new works by Delita Martin, drawn from her “Song Keepers” series, which honors the presence of Black women in history, memory, and spirit.

    “Clément Cogitore: Collective Memories” at Rice Moody Center (May 30-August 16)
    Presented in adjacent galleries, these two video installations from the renowned French artist, director, and photographer, Cogitore, create a dialogue with each other about the nature of community performance and collective energy. The first film, Les Indes galantes, offers a contemporary version of the the 18th century Baroque opera ballet by the French composer Jean-Philippe Rameau. In this reimagining, classic ballet is replaced with krumping, a dance style popularized in South Central Los Angeles in the early 2000s. The second video, Morgestraich (2022), pays tribute to the Carnival of Basel, an event held in Switzerland since the Middle Ages. The piece features elaborately dressed carnival participants against a dark backdrop, walking continually toward an invisible crowd.

    “Tomashi Jackson: Across the Universe” at Contemporary Arts Museum (May 30-March 29, 2026)
    This mid-career survey of the award-winning, Houston-born artist will showcase nearly a decade of her multidisciplinary work, including painting, printmaking, video, photography, fiber, and sculpture. Jackson creates much of her art through a research process grounded in interviews with local community members, historians, and advocates. Jackson weaves together color theory and these discovered histories to explore themes of land, labor, and law — culminating in vibrant pieces that celebrate the empowerment of disenfranchised groups within American democracy.

    “My family is a product of the Great Migration route from Texas to California and I am thrilled to bring Across The Universe to Contemporary Arts Museum Houston,” Jackson said in a statement. “This opportunity to share more than 10 years of my work visualizing public narratives across disciplines to the city of my birth is a long held dream come true.”

    \u200b\u201cRolling Stone Presents: Amplified, The Immersive Rock Experience!\u201d
      
    Photo courtesy of Artechouse
    “Rolling Stone Presents: Amplified, The Immersive Rock Experience!” opens at Artechouse in May.
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