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    icons of style

    5 reasons stylish Houstonians should catch this iconic fashion exhibit

    Steven Devadanam
    Jun 25, 2019 | 6:00 am

    Styles change, style doesn’t. Such is the prevailing theme behind “Icons of Style: A Century of Fashion Photography,” the new exhibit at the Museum of Fine Arts, Houston.

    Boasting more than 200 images, “Icons” documents the vibrant journey of fashion photography’s growth from simple beginnings to what it is now: a cultural force and universally recognized art form.

    First seen at the J. Paul Getty Museum in Los Angeles, “Icons” ranges from aristocratic, high society to gritty street style. There’s the glam of statuesque supermodels and the activism of the Black is Beautiful movement. A detailed walkthrough of style history, the exhibit takes viewers from the early pages (think 1920s) of fashion magazines such as Vogue and Harper’s Bazaar to present day; changes and emergences of photography styles and techniques are on full display.

    The MFAH’s iteration of “Icons” is a broader view of fashion photography than its predecessor, as the curators here felt the first run lacked Houston’s diversity. Thus, a generous amount of the exhibit looks more like Texas and the Bayou City, as evidenced by many of the selections.

    Fans of fashion photography will no doubt spend hours traversing “Icons,” but here are five Houston-centric names that stylish locals should watch for during the trek.

    Beyoncé
    No style study would be complete without Houston’s Queen Bey. What makes her entry — the unforgettable September 2018 cover of Vogue — even more notable, however, is her photographer. Tyler Mitchell was the first African-American photographer to shoot the cover in the magazine’s 125-year history. He was also one of the youngest.

    Solange
    Beyoncé's sister also makes an appearance with a somewhat controversial image. Solange was shot by Daria Kobayashi Ritch, and her hair was styled with a circle of braids to represent the Orion constellation for the cover of Britain’s ES Magazine. However, the publication nixed the striking photo, prompting Solange to call out the incident on social media, with a reference to her single “Don’t Touch My Hair.”

    Lynn Wyatt
    “Class, with a bit of dash, but never trash” is a favorite line of Houston’s society queen, art patron, and all-over social force. Wyatt was inducted into the International Best Dressed Hall of Fame in 1977 — the youngest inductee ever at the time. Her gown, handmade by Dior in Paris and designed by Marc Bohan, was donated to the museum in 1997 and makes for a must-stop viewing.

    James Harden
    The Houston Rockets MVP and NBA superstar is a fashion plate, as evidenced by his post-game attire. Turning the alpha male status on its head, photographer Erik Madigan Heck skips the basketball court or gym and instead depicts Harden in a dazzling floral background.

    Selena
    Forever associated with Texas and Houston, the Latina performer is immortalized in her beaded bustier and a biker cap by photographer John Dyer. He recalls the Queen of Tejano Music pulling up to the shoot in a Porsche full of costumes and outfits that she designed herself.

    ---

    “Icons of Style: A Century of Fashion Photography,” is on view through September 22 at the Museum of Fine Arts, Houston's Law Building at 1001 Bissonnet St. For tickets and more information, visit the MFAH online. $23.

    Houstonians will delight in local icons such as Selena.

    Icons of Style MFAH Houston Selena
      
    Photo courtesy of the MFAH
    Houstonians will delight in local icons such as Selena.
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    Hodge Podge

    Houston artist bids farewell, for now, with career-spanning new exhibit

    Craig D. Lindsey
    Jun 18, 2025 | 10:29 am
    Robert Leroy Hodge Sanman Studios
    Courtesy of Robert Leroy Hodge/SANMAN Studios
    The exhibit shows a range of the artist's works.

    Artist Robert Leroy Hodge is saying goodbye to Houston – well, not exactly.

    The Houston-born multidisciplinary artist recently debuted his latest exhibit, Diamonds That Fall from the Treetop, at SANMAN Studios. Known more for his eye-catching, pop-art collages (in 2023, he collaborated with Austin artist Tim Kerr for the No Kings But Us exhibit at Blaffer Art Museum), this mini-retrospective will feature selected works from his two-decade career – including the early stuff.

    “A lot of kids think I only make collages,” Hodge tells CultureMap. “And, also, I'm not making collages anymore like that. So, it's like the end of an era. I show where I started with these portraits and real paintings and drawings and how I kind of got into collage. It's a wide range of things I do, not just collage.”

    Diamonds will also be his last exhibit in Houston, but he’s not moving away. Hodge will cut down on doing local exhibits and focus more on getting his art and his name out there in other parts of the world. He’s out to prove that serious art can come out of this place.

    “When I interact with politicians and people in higher positions, they treat local artists like they're secondary, they're not good enough,” he says. “[They say] ‘They're in Houston because they can't be in New York and LA,’ and that's not the case. I could be anywhere, and I chose Houston.”

    But Hodge wants to be known as an artist from Houston, instead of just in Houston. “There’s nothing wrong with being a local artist in your city, but that’s not what I want,” he says. “I live here, but for me to get to the next space I wanna get to, I need to be showing more in New York, LA, out the country. And it's nothing personal – when you do a lot of stuff here, you just can't keep doing the same thing. You start to feel stagnant.”

    As much as he loves both the city and its art scene, Hodge knows that the visual arts isn’t a high priority around here. “We are an oil-and-gas city,” he says. “And because that's the main way money is being made, arts and culture is not primary. And, then, the new mayor is not really into art. So, it's like it all depends on who loves art and who's in office.”

    Within city limits, Hodge says he will be more of a curator and mentor, helping young artists and working with galleries and studios on creating showcases for those artists and others. He also wants to continue collaborating with fellow art enthusiasts of color, like the folks at SANMAN.

    “I wanted to do it with SANMAN because it's owned by two young Black men,” he says. “They got a staff of Black creatives, and I wanted to really show cohesiveness between Black men.”

    But Hodge isn’t completely hanging up the idea of doing another big solo show in his hometown. “This is the last one for a while,” he says, “unless the Menil calls or something crazy happens.”

    -----

    Diamonds That Fall will be on display through Saturday, July 26.

    Robert Leroy Hodge Sanman Studios
      

    Courtesy of Robert Leroy Hodge/SANMAN Studios

    The exhibit shows a range of the artist's works.

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