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    A new-old dusty

    Bourbon-obsessed bar owners unite to bring unique whiskeys to Houston

    Eric Sandler
    Jan 11, 2018 | 12:02 pm

    Any bar or restaurant can have a lengthy whiskey list by buying every bottle a distributor sells; it just takes the financial resources to lay out the cash.

    Increasingly, whiskey-obsessed bars and restaurants are going the next step by selecting individual barrels that become theirs to sell exclusively. While that draws customers, it also has downsides, including the initial cost, the volume of liquor that comes in a barrel (as many as 250 750-mL bottles), and the limits individual distilleries place on the number of single barrels they’re willing to sell.

    Given those challenges, it should come as no surprise that two of the city’s most bourbon-loving restaurant groups — Underbelly Hospitality (Underbelly, Hay Merchant, One Fifth) and Agricole Hospitality (Coltivare, Eight Row Flint, Revival Market) — have joined forces to form the Houston Bourbon Consortium: a new organization that will purchase single barrel selections for both companies’ properties.

    Underbelly partner Kevin Floyd tells CultureMap that he approached Agricole co-owner Morgan Weber about the idea after he realized they were competing for barrels from the same distilleries. After all, if only a couple of single barrels of a certain spirit have been allocated for Texas, they probably wouldn’t both come to Houston. Together with Floyd’s business partner, chef Chris Shepherd, the HBC was born.

    “We’ve been friends for 10 years. We started talking about it,” Floyd says. “Do you really need an entire barrel for your bars? Wouldn’t it make a lot more sense if we bought together and split it up? That way we could get more product and have less of an obligation to sell it.”

    The first selection makes its debut this week at both restaurant groups' businesses. They selected a barrel of Maker’s Mark Private Select that uses 10 staves with different levels of char to recreate the flavor of a 1965 bottle of Old Fitzgerald that’s part of Weber’s personal collection. Old Fitz is a product of the legendary Stitzel-Weller distillery that also created Pappy Van Winkle.

    “Morgan brought up that the Van Winkle family helped Bill Samuels start Maker’s Mark,” Floyd says. “He gave Bill the recipes, the yeast, and the still design. Makers is probably the closest to the old Stitzel Weller flavor that still exists.”

    Floyd hadn’t had the opportunity to taste the final product, but he’s optimistic they’ve come as close to recreating the flavor as possible. That’s good news for fans of “old dusties,” the bourbon enthusiast nickname for prized bottles of antique spirits, who otherwise might not get to experience the differences between the taste of it and newer products.

    Patrons of the group’s various establishments could probably drink the entire barrel, but the HBC has decided to make a few cases available for retail purchase at Houston Wine Merchant and Nasa Liquor. The first allotment sold out quickly, but more bottles will be available on Friday, January 12, for about $65.

    Next up will be a barrel of Knob Creek Rye. In February, the group is going to the Buffalo Trace and Wild Turkey distilleries to select between four and eight barrels that will make up the remaining releases for 2018.

    “I think we’ll maybe do some 1792, some Weller Antique,” Floyd says. “With the Weller stuff, we’ll pick (non-chill filtered). There’s a possibility for a Blanton’s barrel. Then the Russell’s will be Russell’s Reserve. Trying to talk them into letting us do some rye.”

    In the future, the group might even acquire non-bourbon whiskeys. Floyd recalls being approached about purchasing a bourbon barrel-aged whiskey from Kavalan, the acclaimed Taiwanese distillery, but he balked at the $50,000 price. Spreading that out across as many as nine concepts, including all the new establishments both companies have in the pipeline, would make the acquisition more viable. Still, the group has its name for a reason.

    “It’s going to mainly be bourbon, because that’s what we can get our hands on. Expect to see ryes. Expect to see more as we show producers we can move it,” Floyd says. “We started as ‘hey this sounds like a good idea.’ It’s actually going to grow into a cool thing that’s going to really help us out.”

    The HBC blended bourbon aged with different staves to create a version of Maker's Mark that tastes like antique bourbon.

    Houston Bourbon Consortium Maker's Mark blend
    Photo by Morgan Weber
    The HBC blended bourbon aged with different staves to create a version of Maker's Mark that tastes like antique bourbon.
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    designed for all occasions

    New restaurant's Astrodome-inspired design is 'unlike anything in Houston'

    Emily Cotton
    May 1, 2026 | 2:05 pm
    Kirkwood restaurant interior
    Photo by Leonid Furmansky
    Kirkwood's design includes a recreation of the Astrodome's ceiling.

    Legendary Houstonian Mac Haik has managed to fit many lives into his impressive 80 years. Haik, whose empire of car dealerships made him a household name, played no small part in the development of the city’s booming west side. Prior to that, at just 22-years-old, Haik made history with the Houston Oilers as the first person to catch a touchdown pass in the Astrodome.

    His latest venture — the glitzy Kirkwood restaurant — pays homage to the Energy Corridor, a storied football career, and the people who helped him along the way.

    While the Mac Haik Restaurant Group has focused on franchises such as breakfast concept First Watch, Kirkwood is its debut signature restaurant concept. The restaurant’s kitchen is led by executive chef Stephen Chiang, who guests will see quite a lot of thanks to the copper-clad, open-concept kitchen that includes a custom copper hood.

    Located at the base of Energy Tower II at 11720 Katy Freeway, MHRG designed Kirkwood to host a range of experiences. When it opens on Monday, May 11, Kirkwood is intended to become a go-to spot for lunch meetings, a chic spot for group dinners and celebrations, and a cozy place to share a romantic evening near the double-sided, all-seasons fireplace, among other occasions.

    It takes a keen eye and majorly-sharp editing skills to create a space that can perform so many different tasks. It’s unusual for a space that highlights a career in sports to read as elegant and refined, but designer Gin Braverman has done just that. Gin Design Group is the firm behind many of the best hospitality designs in Houston — including Eunice, Haii Keii, and ChòpnBlọk — and Kirkwood is no exception.

    “We were going for a classic clubhouse vibe with a Vegas layer of glitz — definitely a Vegas ‘wow factor,’” Braverman tells CultureMap. “It’s going to be a draw for everyone. You can rent out the sunroom as well as the private dining room, so that will be a big draw. There is a bar cart going around and table side features. There are so many different experiences to be had in the space. It’s going to hit all the boxes.”

    The 242-seat restaurant covers almost 7,000 square feet separated into distinctive spaces: a 154-seat main dining area; 16-seat private Frances Room, named after Haik’s mother; and a 1,900-square-foot sunroom, named the Sunny Room after Haik’s wife, with seating for 72 centered around a curved, double-sided fireplace.

    The restaurant’s symbol, a magnolia, is a nod to Haik’s home state of Mississippi. One impressive magnolia sighting belongs to the patinated-copper front doors inlaid with the flowers and accentuated by leather door pulls. Prior to entering, diners pass through a gallery of wall display cases with Mac Haik memorabilia.

    In the rotunda, customers are greeted from above by a mirrored glass replica of the ceiling of the Houston Astrodome, created by the artisans at Houston-based design and fabrication firm Rootlab. Broken stone mosaic floor tiles add playful movement and patter to the space. Tactile installations like felt wallcoverings by Phillip Jeffries and velvet draperies keep the space feeling warm and inviting amid all the glass and stone.

    The lounge occupies a raised platform with an artisan parquet floor and a burled-wood covered ceiling featuring beautifully-placed copper light fixtures by Tom Dixon, custom sofas, a custom rug, and custom tables.

    An inviting, oversized wraparound bar beckons diners to mingle beneath a tiered canopy, composed of burled walnut, which is also carried through to the bar’s facade, bullnose trim, and integrated foot rail. A marble countertop completes the bar, while the stone is repeated in the custom tables. Custom barstools take inspiration from the seats of Mac’s now vintage Porsche.

    Illuminated cove lighting anchors the bar space, with a red-tinted mirror installed behind the bar shelving and the liquor lockers on the end caps. The shelving is highlighted by custom LED racetrack lighting. Custom copper and alabaster bar lamps complete the space.

    Kirkwood’s booths have been upholstered with alternating leather and teal velvet fabrics with a copper-tinted toe-kick for a bit of glam. Custom arched lighting — crossing above each booth — is comprised of a copper finish structure, alabaster lenses, and copper chain accents.

    The central dining and exposition kitchen space is a framed with burled wood-clad banquettes with integrated planters. Broken stone mosaic floor tiles dance beneath the custom large-scale chandelier that features inverted alabaster and copper arches and a wood surround with integrated cove lighting.

    The private dining room features rich leather wall panelings, a custom leather buffet table, and a metallic gold plaster ceiling with hand-painted magnolia detailing.

    Lastly, the 1,400-square-foot sunroom features a knockout fireplace with an integrated overhead planter. Custom light columns with copper metal mesh flank the fireplace. An impressive glass-and-metal bar canopy attaches to the back bar fireplace.

    The restaurant’s art collection further enriches the space, with original works by English artist Paul Dove displayed throughout. In the private dining room, an original painting by Austin-based artist Lucy MacQueen offers a more personal note, interpreting “The Grove” at Haik’s alma mater, Ole Miss. The piece also serves as a quiet tribute to his mother, Frances Jordan, who was recently honored with a memorial wall at the iconic site. Artist Melissa Leandro contributed a vibrantly embroidered interpretation of the magnolia motifs to the back wall of the sunroom.

    Overall, Braverman is thrilled with the design of Kirkwood. So, which spot is her favorite?

    “The sunroom,” she says. “That circular bar with the column lamps and fireplace with the skylight are unlike anything else in Houston.”

    Kirkwood restaurant interior

    Photo by Leonid Furmansky

    Kirkwood's design includes a recreation of the Astrodome's ceiling.

    anderson
    news/restaurants-bars
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