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    designed for all occasions

    New restaurant's Astrodome-inspired design is 'unlike anything in Houston'

    Emily Cotton
    May 1, 2026 | 2:05 pm

    Legendary Houstonian Mac Haik has managed to fit many lives into his impressive 80 years. Haik, whose empire of car dealerships made him a household name, played no small part in the development of the city’s booming west side. Prior to that, at just 22-years-old, Haik made history with the Houston Oilers as the first person to catch a touchdown pass in the Astrodome.

    His latest venture — the glitzy Kirkwood restaurant — pays homage to the Energy Corridor, a storied football career, and the people who helped him along the way.

    While the Mac Haik Restaurant Group has focused on franchises such as breakfast concept First Watch, Kirkwood is its debut signature restaurant concept. The restaurant’s kitchen is led by executive chef Stephen Chiang, who guests will see quite a lot of thanks to the copper-clad, open-concept kitchen that includes a custom copper hood.

    Located at the base of Energy Tower II at 11720 Katy Freeway, MHRG designed Kirkwood to host a range of experiences. When it opens on Monday, May 11, Kirkwood is intended to become a go-to spot for lunch meetings, a chic spot for group dinners and celebrations, and a cozy place to share a romantic evening near the double-sided, all-seasons fireplace, among other occasions.

    It takes a keen eye and majorly-sharp editing skills to create a space that can perform so many different tasks. It’s unusual for a space that highlights a career in sports to read as elegant and refined, but designer Gin Braverman has done just that. Gin Design Group is the firm behind many of the best hospitality designs in Houston — including Eunice, Haii Keii, and ChòpnBlọk — and Kirkwood is no exception.

    “We were going for a classic clubhouse vibe with a Vegas layer of glitz — definitely a Vegas ‘wow factor,’” Braverman tells CultureMap. “It’s going to be a draw for everyone. You can rent out the sunroom as well as the private dining room, so that will be a big draw. There is a bar cart going around and table side features. There are so many different experiences to be had in the space. It’s going to hit all the boxes.”

    The 242-seat restaurant covers almost 7,000 square feet separated into distinctive spaces: a 154-seat main dining area; 16-seat private Frances Room, named after Haik’s mother; and a 1,900-square-foot sunroom, named the Sunny Room after Haik’s wife, with seating for 72 centered around a curved, double-sided fireplace.

    The restaurant’s symbol, a magnolia, is a nod to Haik’s home state of Mississippi. One impressive magnolia sighting belongs to the patinated-copper front doors inlaid with the flowers and accentuated by leather door pulls. Prior to entering, diners pass through a gallery of wall display cases with Mac Haik memorabilia.

    In the rotunda, customers are greeted from above by a mirrored glass replica of the ceiling of the Houston Astrodome, created by the artisans at Houston-based design and fabrication firm Rootlab. Broken stone mosaic floor tiles add playful movement and patter to the space. Tactile installations like felt wallcoverings by Phillip Jeffries and velvet draperies keep the space feeling warm and inviting amid all the glass and stone.

    The lounge occupies a raised platform with an artisan parquet floor and a burled-wood covered ceiling featuring beautifully-placed copper light fixtures by Tom Dixon, custom sofas, a custom rug, and custom tables.

    An inviting, oversized wraparound bar beckons diners to mingle beneath a tiered canopy, composed of burled walnut, which is also carried through to the bar’s facade, bullnose trim, and integrated foot rail. A marble countertop completes the bar, while the stone is repeated in the custom tables. Custom barstools take inspiration from the seats of Mac’s now vintage Porsche.

    Illuminated cove lighting anchors the bar space, with a red-tinted mirror installed behind the bar shelving and the liquor lockers on the end caps. The shelving is highlighted by custom LED racetrack lighting. Custom copper and alabaster bar lamps complete the space.

    Kirkwood’s booths have been upholstered with alternating leather and teal velvet fabrics with a copper-tinted toe-kick for a bit of glam. Custom arched lighting — crossing above each booth — is comprised of a copper finish structure, alabaster lenses, and copper chain accents.

    The central dining and exposition kitchen space is a framed with burled wood-clad banquettes with integrated planters. Broken stone mosaic floor tiles dance beneath the custom large-scale chandelier that features inverted alabaster and copper arches and a wood surround with integrated cove lighting.

    The private dining room features rich leather wall panelings, a custom leather buffet table, and a metallic gold plaster ceiling with hand-painted magnolia detailing.

    Lastly, the 1,400-square-foot sunroom features a knockout fireplace with an integrated overhead planter. Custom light columns with copper metal mesh flank the fireplace. An impressive glass-and-metal bar canopy attaches to the back bar fireplace.

    The restaurant’s art collection further enriches the space, with original works by English artist Paul Dove displayed throughout. In the private dining room, an original painting by Austin-based artist Lucy MacQueen offers a more personal note, interpreting “The Grove” at Haik’s alma mater, Ole Miss. The piece also serves as a quiet tribute to his mother, Frances Jordan, who was recently honored with a memorial wall at the iconic site. Artist Melissa Leandro contributed a vibrantly embroidered interpretation of the magnolia motifs to the back wall of the sunroom.

    Overall, Braverman is thrilled with the design of Kirkwood. So, which spot is her favorite?

    “The sunroom,” she says. “That circular bar with the column lamps and fireplace with the skylight are unlike anything else in Houston.”

    Kirkwood restaurant interior

    Photo by Leonid Furmansky

    Kirkwood's design includes a recreation of the Astrodome's ceiling.

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    la dolce vita

    How a Houston designer transformed an Uptown hotel into an Italian escape

    Emily Cotton
    Jun 5, 2026 | 1:07 pm
    Hotel Granduca
    Photo by Julie Soefer
    Bespoke furnishings blend seamlessly with the antiques throughout.

    The Hotel Granduca — with its posh Uptown Park address, walled-grounds, and recently-refreshed interiors — has quietly pulled a fast one on Houstonians. While heads have been tilted toward the skyline’s mammoth new developments, the six-story Hotel Granduca has climbed the ranks of the trendiest boutique hotels around town for locals to just, well, be.

    The dark-and-heavy “Texas Tuscan” architecture and decor of the hotel’s earlier days have been replaced with bright interiors, a greenhouse, library, and a European garden terrace more in rhythm with actual Italian villa aesthetics. In addition to the in-house restaurant Remi, additions such as programming like Mahjong Mondays, themed brunches, local boutique pop-ups, live music performances, daily afternoon social hours, and a newly-minted preferred partnership with Biologique Recherché and Evolve Salon have made it impossible to deny the hotel’s reignited appeal. On any given day, someone in the group chat is headed to “The Granduca.”

    "Hotel Granduca presented a unique opportunity to reimagine what boutique luxury hospitality can look like in Houston," said Thomas Duncan, managing director of Transwestern Hospitality Group. “Hospitality should tell the story of the city it calls home, and our continued commitment to enhancing the property reflects a desire to create an experience that authentically captures Houston's warmth, diversity, and quiet sophistication. We are proud to offer a more intimate and personalized expression of luxury that is distinctly different from anything else available in Houston today."

    Originally opened in 2006, Houston’s only all-suite hotel was ready for a bit of a spa day of its own. Houston-based luxury designer Kara Childress — known for her elegant designs and one-of-a-kind antique finds — was picked by Transwestern for this grand reimagining. The newly-completed phase I of the renovation includes the lobby, library, Remi and Bar Remi, the garden courtyard, and over 5,000-square-feet of event spaces. The 141 suites will be rejuvenated as part of phase II.

    “Uptown Park is such a great, easy-to-get-to neighborhood with so many shops, and the hotel was in such need of a facelift,” explains Childress. “My hope was to make it more residential, and not so commercial like some big hotels. I think it feels good. I’m trying to transport you and make you feel like you’re in a beautiful old villa. These [Italian] families take so much pride in their homes. They never tear anything down and start over, they just keep adding to it.”

    Textural layering is something Childress effortlessly does to perfection. From the bones of the building to finishing with the placement of an 18th-century bibliothèque behind the check-in desk, the new design provides a naturally-formulated progression of the eye that suggests to the viewer that the hotel has been this way all along — which is exactly the point.

    Childress intends for the design to transport guests to an old Italian palazzo or monastery. Ceilings were raised and a pair of east-west doors was updated to a contemporary steel and glass combination, allowing the once dark interior space to become vibrant. Save for the doors, the space moves backwards in time. Designer-favorite Segreto Finishes replaced faux plaster paint techniques with genuine lime plaster throughout — including the elevators. Faux-limestone-printed porcelain floor tiles were replaced with genuine limestone, and 100-year-old pine floors reclaimed from a stable and installed in the restaurant all grant the hotel the genuine authenticity it had needed all along.

    “We brought in a lot of authentic materials. We just gave the bones back to the building; that added a lot of character,” says Childress. “When you go to Italy, all of those hotels have been renovated from beautiful old buildings that all have that gorgeous architecture and they’re so outstanding. It’s all new, but it actually feels like it’s been there forever, because it’s all old materials. And that’s what I was hoping for. I didn’t want it to be shiny and brand new; it feels like it’s been there for a long time and it’s not too precious. The more you use and enjoy it actually adds to the age, and it just feels better.”

    Bespoke furnishings blend seamlessly with the antiques throughout. A contemporary mohair sofa is fast friends with an 18th-century French walnut buffet with unlacquered brass hardware. A lobby-centered tête-à-tête dressed in a plush, tiger’s stripe silk velvet by Scalamandré, a mid-17th-century walnut-paneled cassapanca chest, and 19th-century large Louis Philippe mirror mix materials, patinas, and eras to fall perfectly into place as a beacon of Contemporary Classicism.

    While the overall color story in the lobby is a wash of natural limestone and plaster tones, Childress introduces hints of terra-cotta and Mediterranean-inspired teal and blues, followed by a full commitment to color in both the more communal restaurant and library spaces.

    “I want the eye to look outside and not get arrested in the entry. I used teal and terra-cotta because they lean into Tuscan colors, but I really leaned heavily into the ones in the bar,” explains Childress. “Those colors are so warm and rich. We’re wanting it to be a hotel that — obviously — people come and stay when they’re from out of town, but also just locals. It’s a great place for a burger, and the breakfast is incredible.”

    Directly across from Remi and Bar Remi is the equally-moody library. A marble fireplace, Persian rugs, a c.1860 black and burl walnut Italian mirror, oil paintings, accessories, and hundreds of leather-bound books populate the space, while seating for groups and individuals makes it the perfect place to enjoy a coffee and check emails or share cocktails and stories with friends and family.

    Just outside, the garden courtyard serves as an al fresco dining and lounge space. The once-exposed pool fencing has been cleverly concealed with tall hedgerows that play as a backdrop to a large 18th-century horse trough repurposed into a lovely fountain. “Outdoor terrace dining is such a treat to be able to have in Houston, and that’s a really fun place to be when they have live music,” adds Childress.

    The new art collection at Hotel Granduca is a mix of large-scale antique painted canvases — like the depiction of cranes in the lobby and the 18th-century Dutch painted panels behind the front desk — mixed with fun, over-the-top works by Scottish-born philanthropist and photographer David Yarrow speckled around the property. The black and white photos were chosen by Childress — from Yarrow’s La Dolce Vita series — for their playful narratives and mix of sensibilities. With names like “Bull Rider,” “The Last Supper in Texas,” and “Cowgirl,” it’s easy to see the appeal for a hotel in Houston.

    “They’re all black and white, and they have a vintage feel to them, and it’s a little bit Italian and a little bit Texan,” explains Childress. “I’m kind of combining two cultures: Texas, which we are so proud of; and Italy, which we all love. They’re both friendly and convivial, and ‘nobody meets a stranger,’ which I love. So we tried to weave those two together.”

    The pièce de résistance lies within the belly of Hotel Granduca. A short journey through a hallway opens up to the elevator lobby and breathtaking plaster mural by Segreto Finishes. Floor-to-ceiling and wall-to-wall, this incredible piece reads sculptural more than anything — imagine a frieze extended down an entire wall. Childress worked with the team at Segreto to design a piece that is distinctly Texan. A large live oak tree (complete with a squirrel and snake) branches out over native flora and fauna, an armadillo, deer, birds, and even a windmill. This piece is absolutely worth seeking out when visiting the hotel.

    Overall, the reimagined Hotel Granduca is a testament to how excellent design, hospitality, and thoughtful partnerships and programming can be positively transformative. So much so that a handful of live-in residents partake of the available long-term rental options. As mentioned previously, the hotel doesn’t have an on-site spa, but the new partnership with Biologique Recherché makes for an easy spa day, with full concierge-driven appointments and hotel car service.

    Whether visiting from out of town or just down the street, settle in for the day, night, or even month. There is always something to do at Hotel Granduca. With the FIFA World Cup beginning soon, the hotel will offer an exclusive viewing lounge for all Houston-hosted matches, themed cocktails inspired by competing nations, and complimentary country-inspired bites for the first hour of each match.

    Houston-hosted World Cup Match Dates:

    • June 14 | Germany vs. Curaçao | 12 pm
    • June 17 | Portugal vs. Congo DR | 12 pm
    • June 20 | Netherlands vs. Sweden | 12 pm
    • June 23 | Portugal vs. Uzbekistan | 12 pm
    • June 26 | Cabo Verde vs. Saudi Arabia | 7 pm
    • June 29 | Round of 32 | 12 pm
    • July 4 | Round of 16 | 12 pm

    Hotel Granduca

    Photo by Julie Soefer

    Bespoke furnishings blend seamlessly with the antiques throughout.

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