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    best february concerts

    Olivia Rodrigo, RodeoHouston's return, and The Eagles headline Houston's best February concerts

    Johnston Farrow
    Feb 2, 2024 | 11:33 am


    Olivia Rodrigo

    Photo via Olivia Rodrigo/Facebook

    '90s-influenced pop star Olivia Rodrigo performs at Toyota Center on February 27.

    The coldest days of winter seemingly behind us, the Houston live music scene is heating up in February with one sold-old world tour, the kickoff of RodeoHouston, and a number of acclaimed national acts hitting stages across the city.

    Although ticket prices are as burning hot as the shows that are coming to Houston this month, they haven’t seemed to put a damper on the appetites of concertgoers, with a huge slate of 2024 show being announced seemingly every week – see Dave Matthews Band, Alice Cooper & Rob Zombie, Bush, and Third Eye Blind this month alone.

    Consider these shows appetizers to the entrees on the concert schedule in the months ahead.

    Portugal. The Man, February 10, Bayou Mustic Center

    Formed in Alaska, alt-rock act Portugal. The Man found a dedicated fan base in Houston early into its career, so much so that Jagi Katial, co-founder of the local venue White Oak Music Hall, appeared in the video for the 2017 Grammy Award winning hit, “Feel It Still.” Woodstock, the album that featured that song, catapulted the band to festival mainstays. The quintet is back in H-town touring last year’s Chris Black Changed My Life – you might have heard lead single, “Dummy,” in a recent Taco Bell commercial. Snacktime opens.

    Eagles & Steely Dan, February 16, Toyota Center

    Long after hell froze over and seemingly endless final tours, the Eagles – minus deceased original members Glenn Frey and Randy Meisner – are still going strong, almost as if their career is stuck in a “Hotel California” they can never leave. But really, this is it, folks, as this Toyota Center appearance is part of “Long Goodbye” Final Tour with jazzy dad rock legends Steely Dan opening.

    No longer the “New Kid in Town,” it feels like the ‘70s hitmakers that sold 200 million albums worldwide are back in Houston almost annually on a tour touted as the end of the line. Maybe this is the tour they “Take It to the Limit.” Plan accordingly.

    Cold War Kids, February 16, House of Blues

    Indie-rock vets Cold War Kids are on the road following a 2023 opening slot for ’80s New Wave stars Tear for Fears, now headlining shows behind their latest, self-titled release. The Long Beach, California group rose to prominence on alt-rock radio with their hits “First,” “Love is Mystical,” and “Hang Me Up to Dry,” that draws comparisons to later-day Modest Mouse or a poppier version of The Black Keys. To celebrate the start of the tour, they’re releasing their new single, “Heaven In Your Hands.”

    Black Violin, February 17, 713 Music Hall

    Classical and hip-hop meets with Fort Lauderdale duo Black Violin, comprised of Kev Marcus on violin and Wil B. on viola. First gaining acclaim on the Fox talent competition show, Showtime at the Apollo, which they won, they captured the imagination of string afficionados and rap diehards with their unique take on hip-hop covers. Since the early 2000s, they’ve appeared on stage with Alicia Keys and Wu-Tang Clan and guested on records by Tom Petty and Aerosmith.

    Yo La Tengo, February 23, The Heights Theater

    For fans of melancholy, melodic indie music heavily indebted to the Velvet Underground, the Kinks, twee and shoegaze, the appearance of Yo La Tengo at the intimate confines of The Heights Theater is a must-attend event. One would be hard-pressed to find an act that has been as consistently great and as influential as the Hoboken, New Jersey trio since they released their debut album in 1986, laying the groundwork for so many independent acts to come. Add 2023’s This Stupid World to the list of listenable gems.

    Gov’t Mule, February 25, Bayou Music Center

    The hard-touring Gov’t Mule is practically an institution in jam band circles and continues its run with 2023’s Peace…Like a River. Gov’t Mule specializes in easy-going blues riffs as evidenced in their biggest songs, “Thorazine Shuffle” and “Soulshine,” a bit of a throwback to the ‘70s classic rock heyday, not surprising for an act co-founded by Allman Brother Band guitarist Warren Haynes and bassist Allen Woody. Expect a lot of guitar solos and hazy sightlines.

    Olivia Rodrigo, February 27, Toyota Center

    One of the biggest pop stars going right now, Olivia Rodrigo’s first tour in 2022 saw her selling out 713 Music Hall in mere minutes due to her massive, Grammy Award-winning breakthrough debut, Sour. Three No. 1 songs later, the “Drivers License” songwriter will perform a sell-out show at the much larger Toyota Center as part of her insane, 77-show, globetrotting Guts tour. The ‘90s alt-pop-punk influenced trendsetter will bring songs from that similarly huge second No. 1 album, which features her hella-good, fourth chart-topping song, “Vampire.” The fantastic Chappell Roan opens.

    RodeoHouston, February 27-March 17, NRG Stadium

    The annual Bayou City tradition is back! RodeoHouston kicks off its 2024 slate of diverse musical acts doing what it does best: showcasing country stars and a final installment of Bun B’s historic Takeovers. Chart-topping country singer and former judge on The Voice, Blake Shelton, will serve as the season opener on February 27, making his sixth appearance and the first since his wife, Gwen Stefani, put on a RodeoHouston show for the ages in 2022. No pressure, Blake.

    Fast-rising female artist, the Kentucky-born Carly Pearce, brings her classic Faith Hill sound to her first appearance on the star-shaped stage on February 29, hot off releasing her single, “We Don’t Fight Anymore” with another repeat RodeoHouston performer, Chris Stapleton. The month is capped off by the Australian duo King & Country, which made history as the first Christian pop band to play on the NRG Stadium dirt and dust in 2022, drawing a praise-worthy 50,000+ ticket holders.

    ††† (Crosses), February 27, House of Blues

    The decidedly non-Christian but Christian-monikered ††† (Crosses) is the cult-act side project of Deftones lead singer Chino Moreno and multi-instrumentalist Shaun Lopez. Whereas Deftones offers a more straight-ahead approach to hard rock and melodic metal, Crosses dives hard into the synths with a delicious mix of dark wave and goth soundscapes. They are currently promoting the 2023 release, Goodnight, God Bless, I Love U, Delete which featured contributions from the Cure's Robert Smith.

    news/entertainment

    Movie Review

    Camp Miasma puts a comedic twist on the classic slasher movie

    Alex Bentley
    Aug 14, 2026 | 3:00 pm
    Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma
    Photo courtesy of MUBI
    Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

    The horror genre really ramped up in the 1970s and ‘80s, bringing the slasher subgenre that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

    Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

    Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death — a transgender person who has an air conditioning vent as a head/mask — may not just be a character created for the movies.

    Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

    But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

    The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

    Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference — Norma Desmond from Sunset Boulevard — to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

    While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

    ---

    Teenage Sex and Death at Camp Miasma is now playing in select theaters

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