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    New Releases

    Texas icon Kinky Friedman says goodbye with new posthumous album

    Brianna Caleri
    Jan 15, 2025 | 4:30 pm
    Poet of Motel 6 by Kinky Friedman album cover cropped

    Kinky Friedman's final album is a poignant goodbye.

    Poet of Motel 6 by Kinky Friedman, via Hardcharger/Blue Élan Records

    The late Kinky Friedman hasn't made his last pithy musical observations yet. His posthumous album Poet of Motel 6 will be released March 21 on Hardcharger/Blue Élan Records. It's a self-aware goodbye that poetically closes the famous Texan's final creative chapter.

    Two personal details especially shape this album: Friedman's home of 40 years, Echo Hill Ranch, and the death of his friend Billy Joe Shaver.

    A pre-order for a digital album, a vinyl LP, a merch bundle, and more are available now at hardchargerrecords.com.

    Echo Hill Ranch is where the album was written, and a good place to reflect on life in the peaceful Hill Country. The 400-acre property was home not just to Kinky, but his sister, Marcie Friedman, who said in the release, “This record is as good as Kinky’s [1973 debut album], Sold American. Every song is about saying goodbye in a way only Kinky could.”

    Friedman was 79 years old when he died on the ranch; some sources name Parkinson's disease as the cause of death, while others like the Texas Tribune simply mention that he had it.

    At least some of the album's inspiration was saying goodbye to Shaver, another Texas musician who rubbed shoulders with some of the same Outlaw characters Friedman did — Waylon Jennings, Willie Nelson, and Bob Dylan. Head of Hardcharger Records Jesse Dayton, explains how this affected the album's tone. The title track, "Poet of Motel 6," was specifically inspired by Shaver.

    “Kinky was very upset when Billy Joe Shaver died,” said Dayton. “Kinky idolized Billy Joe. I hear that sense of loss.”

    “Those songs he wrote about people he cared about that had passed on, they were quite elegiac,” he continued. “He sang beautifully, and at the end he was in tears. He was very emotionally connected when he was doing these vocals.”

    Although Friedman was famous for wacky antics and satire that went too far for some of his many onlookers, producer David Mansfield confirmed that this 10-song collection was made with real emotions and even a spiritual bent. He shared that sessions for the album were personal and vulnerable.

    Poet of Motel 6 by Kinky Friedman album coverAn uncropped view of the album cover.Poet of Motel 6 by Kinky Friedman

    Heartfelt music is not new for Friedman, whose catalog contains songs like "My Sh*t's F*cked Up" and the feminist-provoking “Get Your Biscuits in the Oven and Your Buns in Bed” alongside more earnest takes like "Mandela's Blues" dedicated to the former South African president and the resiliently hopeful "A Dog Named Freedom."

    Musicians Rodney Crowell, Jimmie Dale Gilmore, Rick Trevino, and Amy Nelson also contributed to this album. Dayton calls it “his most heartstring-pulling record.”

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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