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    New Releases

    Texas icon Kinky Friedman says goodbye with new posthumous album

    Brianna Caleri
    Jan 15, 2025 | 4:30 pm
    Poet of Motel 6 by Kinky Friedman album cover cropped

    Kinky Friedman's final album is a poignant goodbye.

    Poet of Motel 6 by Kinky Friedman, via Hardcharger/Blue Élan Records

    The late Kinky Friedman hasn't made his last pithy musical observations yet. His posthumous album Poet of Motel 6 will be released March 21 on Hardcharger/Blue Élan Records. It's a self-aware goodbye that poetically closes the famous Texan's final creative chapter.

    Two personal details especially shape this album: Friedman's home of 40 years, Echo Hill Ranch, and the death of his friend Billy Joe Shaver.

    A pre-order for a digital album, a vinyl LP, a merch bundle, and more are available now at hardchargerrecords.com.

    Echo Hill Ranch is where the album was written, and a good place to reflect on life in the peaceful Hill Country. The 400-acre property was home not just to Kinky, but his sister, Marcie Friedman, who said in the release, “This record is as good as Kinky’s [1973 debut album], Sold American. Every song is about saying goodbye in a way only Kinky could.”

    Friedman was 79 years old when he died on the ranch; some sources name Parkinson's disease as the cause of death, while others like the Texas Tribune simply mention that he had it.

    At least some of the album's inspiration was saying goodbye to Shaver, another Texas musician who rubbed shoulders with some of the same Outlaw characters Friedman did — Waylon Jennings, Willie Nelson, and Bob Dylan. Head of Hardcharger Records Jesse Dayton, explains how this affected the album's tone. The title track, "Poet of Motel 6," was specifically inspired by Shaver.

    “Kinky was very upset when Billy Joe Shaver died,” said Dayton. “Kinky idolized Billy Joe. I hear that sense of loss.”

    “Those songs he wrote about people he cared about that had passed on, they were quite elegiac,” he continued. “He sang beautifully, and at the end he was in tears. He was very emotionally connected when he was doing these vocals.”

    Although Friedman was famous for wacky antics and satire that went too far for some of his many onlookers, producer David Mansfield confirmed that this 10-song collection was made with real emotions and even a spiritual bent. He shared that sessions for the album were personal and vulnerable.

    Poet of Motel 6 by Kinky Friedman album coverAn uncropped view of the album cover.Poet of Motel 6 by Kinky Friedman

    Heartfelt music is not new for Friedman, whose catalog contains songs like "My Sh*t's F*cked Up" and the feminist-provoking “Get Your Biscuits in the Oven and Your Buns in Bed” alongside more earnest takes like "Mandela's Blues" dedicated to the former South African president and the resiliently hopeful "A Dog Named Freedom."

    Musicians Rodney Crowell, Jimmie Dale Gilmore, Rick Trevino, and Amy Nelson also contributed to this album. Dayton calls it “his most heartstring-pulling record.”

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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