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    Live Music Now

    9 coolest concerts to ring in the new year in Houston this January

    Johnston Farrow
    Johnston Farrow
    Jan 4, 2022 | 3:28 pm

    A sense of déjà vu has descended all across concert venues in Houston and the culprit is omicron.

    The fast-moving strain of the COVID-19 virus has been wreaking havoc on the live music scene, leading to a handful of cancellations. It was likely the cause behind the postponement of the much anticipated New Year's Eve homecoming show for Houston-based world-beaters, Khruangbin, at the 713 Music Hall.

    The seemingly exponential rise in cases leaves any early-2022 show a crapshoot, raising concerns over future concerts whether it's due to staffing issues or bands rescheduling shows out of an abundance of caution.

    That leaves it up to ticketholders to check the latest status of gigs, not only to make sure they are still a go, but whether COVID safety measures are in place at the venues. In other words, have those vaccination cards and 72-hour COVID test results handy before heading out.

    Hopefully, the following January shows will still happen as we have a full slate ahead. CultureMap's best shows of the month are as follows:

    Clay Melton
    Thursday, January 6
    The Big Barn at Dosey Doe

    Equally influenced by Stevie Ray Vaughan and John Mayer, Houston-based Clay Melton is establishing himself as one of the hottest blues-rock acts in the Lone Star State. Simply put, the talented young guitarist-vocalist can shred and is an extremely fun watch, backed by a rock-solid unit in his longtime drummer, Zach Grindle, and bassist Zach Cox.

    He’ll be recording a live album from the unique confines of The Big Barn at Dosey Doe in Spring alongside a who’s-who in the local music scene, including Sir Earl Toon of Kool & the Gang, Evelyn Rubio, and Sarah Grace. That follows the well-received 2021 EP, Back to Blue.

    Tickets start at $15 plus fees. Doors open at 6:30 pm.

    CultureMap Local Show of the Month: BowiElvis Festival
    Saturday, January 8
    The Continental Club and Big Top Lounge

    January 8 holds a special place in the hearts of music fans across the globe as the day produced two of the greatest pop icons in modern musical history: David Bowie and Elvis Presley. Those two cultural forces will meet at the return of BowiElvis Festival.

    The 13th edition is back after a one-year hiatus and will feature a number of acts celebrating the late-singers, including Graveltooth, Johnny Falstaff, India Tigers in Texas, Sara Van Buskirk, Elise Morrison, Yaupon, and a burlesque performance by Dem Damn Dames.

    Bands will play Bowie and Elvis cover songs in addition to original tunes, and guests can participate in face painting and a costume contest alongside catering that features "The King" — Elvis's favorite banana and peanut butter sandwich and "The Bowie," a croque madame with Gruyère, ham, and a fried egg.

    Tickets start at $20 plus fees in advance, $35 at the door. Doors open at 7 p.m.

    CultureMap Recommends: TWRP with Rich Aucoin
    Sunday, January 9
    White Oak Music Hall (Upstairs)

    Hailing from the frosty hinterlands of Canada, fans of high-energy weirdness are in for a real treat when TWRP (formerly Tupperware Remix Party) and Rich Aucoin take over White Oak Music Hall. Both hail from the creative Halifax, Nova Scotia scene and are getting huge accolades not only for their synth-driven indie sounds, but their insane live performances. TWRP's concert gear recalls Power Rangers mixed with Devo, Daft Punk, and manga comic books.

    The secret weapon on this bill is Aucoin, a genius-level multi-instrumentalist whose exuberant intellect is expressed in award-winning videos and movie-synched live shows that include actual surfing on crowds and crazy-fun dance parties underneath a elementary school parachute. His latest album, United States, is a amazing listen as well, an ultimately uplifting treatise on modern America. This show is sold out but is worth every penny on the resale market.

    Tickets are sold out but there is a waitlist. Doors open at 8 pm.

    Washed Out
    Thursday, January 13
    Warehouse Live

    One of the leaders of the late-2000s chillwave movement alongside luminaries such as Toro Y Moi, Neon Indian, Small Black and others, Ernest Greene’s Washed Out project is a vibe unto itself.

    Combining dream pop with ’80s synths and gentle vocals, Washed Out first garnered major notice with his 2009 EP Life of Leisure, lead single “Feel It All Around” becoming the title credits song for the hit comedy show, Portlandia.

    The song is seemingly now ensconced on the playlist at any and every upscale eatery. His latest is 2020’s Paracosm.

    Tickets start at $25 plus fees. Doors open at 8 pm.

    Maze featuring Frankie Beverly with The Isley Brothers and LeVelle
    Saturday, January 15
    Toyota Center

    Classic soul and funk gets a major spotlight with a Toyota Center bill that includes Maze, led by Frankie Beverly. Originally from Philadelphia, Maze first made waves when they hooked up with Marvin Gaye in the '70s, scoring hit songs such as "Joy and Pain," "Before I Let Go," and "Happy Feelin's" [sic].

    They'll be joined by the timeless, former Motown act, The Isley Brothers, who are instantly recognizable with the hits "This Old Heart of Mine (Is Weak for You)," "Shout," and "Twist and Shout," famously covered by The Beatles.


    Tickets start at $69.50 plus fees. Doors open at 6:30 pm.

    CultureMap Show of the Month: Sir Elton John
    Friday, January 21 and Saturday, January 22
    Toyota Center

    The last time Sir Elton John rolled through town with his Goodbye Yellow Brick Road tour to perform to a sold-out Toyota Center crowd, it was under the guise of being his last tour before setting off into the sunset. That show included a roll-call of greatest hits that would be a wonderful bookend to a storied career (read the CultureMap review here).

    But alas, the icon had second thoughts and is back for a two-show encore, perhaps bolstered by the fantastic hit Dua Lipa/PNAU collaboration, "Cold Heart," that resulted in John's biggest hit song in years, reaching No. 1 in the U.K. and No. 11 in the U.S.

    Expect a look back on his biggest hits, a stellar live band, and eye-popping visuals — for John fans, or music fans in general, this show is a must-see.

    Tickets start at $69.50 plus fees. Doors open at 7 pm.

    Shawn Colvin
    Friday, January 21
    Heights Theater

    We were set to recommend the Lucinda Williams concert at Heights Theater this month but that one is sold out. For those looking for a fantastic singer-songwriter, Shawn Colvin will also appear in the intimate venue.

    Colvin got her start in the Midwest and quickly garnered attention when she joined the famed Greenwich Village folk circuit in New York. A tour with Susanne Vega led to a recording contract and since then, she became a fixture at the Lilith Fair tours and racked up three Grammy Award wins, including two for her hit song, "Sunny Came Home," which picked up Record of the Year and Song of the Year.

    Her latest is The Starlighter, a collection inspired by the children's music book, Lullabies and Night Songs.

    Tickets start at $28 plus fees. Doors open at 7 p.m.

    The War on Drugs with Lo Moon
    White Oak Music Hall (Lawn)

    Finding that sweet spot between Bruce Springsteen and Bob Dylan juxtaposed with layered indie guitars, The War on Drugs developed a distinctly American rock sound that recalls vast landscapes and gritty stories of the everyman, set to a sonic palette made for today's audiences.

    Led by Adam Granduciel, the band initially started after he struck up a friendship with psych-rocker Kurt Vile. But it wasn't until Vile departed that the band truly took off with 2014's Lost in the Dream achieving modern classic status and catapulting the act to festival headliners.

    The 2017 release A Deeper Understanding and last year's I Don't Live Here Anymore were critical smashes, solidifying The War on Drugs as a touring force.

    Tickets start at $46 plus fees. Doors open at 8 pm.

    Cat Power
    Thursday, January 27
    House of Blues

    Cat Power's Chan Marshall has had a strange career. Starting off as an unassuming indie darling most noteworthy for the excellent 1998 full-length Moon Pix, the demands of the road proved at times too much for the Atlanta-based singer-songwriter. Show performances were erratic and oftentimes awkward with her deeply personal lyrics at odds with rowdy crowds.

    Thankfully, with her social anxiety issues behind her, Marshall has gained new confidence not only as a frontwoman but also as a recording artist, producing excellent albums over the last decade and touring with the likes of Alanis Morissette. She'll be releasing a covers album this year.

    Tickets start at $35 plus fees. Show starts at 7 pm.

    The legendary Elton John is back at the Toyota Center on Friday, January 21 and Saturday, January 22.

    Elton John - Houston Toyota Center - Farewell Yellow Brick
    Photo by Jacob Power
    The legendary Elton John is back at the Toyota Center on Friday, January 21 and Saturday, January 22.
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    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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