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    Farewell Yellow Brick Road

    Sir Elton John dazzles Toyota Center crowd at triumphant farewell show

    Johnston Farrow
    Johnston Farrow
    Dec 9, 2018 | 8:50 am

    Call it a trip down memory lane, memoir as live show, or a reminder of greatness: Sir Elton John brought a powerhouse performance to Toyota Center on Saturday, December 8 that did not disappoint fans, featuring a diverse setlist from across his storied, five-decades-long career.

     

    John and his high-caliber, six-piece backing band ran through 24 songs in a show that went well over 2 hours and 30 minutes, covering most of his major hits and a few deep cuts to tell the story of his rise from little-regarded songwriter — working in tandem with lyric writer Bernie Taupin — to become one of the highest-selling solo artists of all time.

     

    John admitted at one point that narrowing down the set was a near impossible task, that we'd all be there for "five or six hours" if he got his wish — which none of us would have minded.

     

    It's fitting that the Farewell Yellow Brick Road Tour included six songs from his masterpiece 1973 album and worldwide breakthrough, Goodbye Yellow Brick Road (30 million sales). The album has virtually defined him as an international pop star and it's a perfect collection of tunes to center his legacy around.

     

    Walking onto the stage in the first of three beautifully sequined suits, John opened the set with two Yellow Brick... tracks, first being fan favorite, "Bennie and the Jets," and lesser known, "All the Girls Love Alice," the giant high definition video screen behind the band playing artistic clips throughout.

     

     Fine form
    It was apparent from the outset that time hasn't affected his voice. If anything, it had given it a richer baritone, softening the high soprano tones of his earlier years. It did not once waver throughout the night, hitting all the requisite high notes, embellished by a beautiful vibrato.

     

    It's no spoiler to say John shined the most on his better-known songs, often stretching them into extended jams that allowed each of his band a moment under the spotlight. The best included a fiery "Rocket Man," a beefed up version of "Levon" that would put bands 40 years John's junior to shame, and an excellent solo by longtime John percussionist Roy Cooper on "Indian Summer."

     

    The main set ended on a blitz of hard rockers, "The Bitch is Back," "I'm Still Standing," "Crocodile Rock," and "Saturday Night's Alright for Fighting." John's charm and the sheer joy that exuded from him as he played made all those in attendance remember why we as music fans fell in love with him in the first place.

     

    The sharpened professionalism of his band and over-produced nature of these types of tours sometimes veered towards a Trans-Siberian Orchestra show, but these moments were few and far between, allayed by John's genuine sincerity as he stopped between songs to chat with the audience, reminiscent of a VH1 Storytellers episode.

     

     Touching moments
    The more poignant moments included a touching tribute to the late Aretha Franklin, who covered "Border Song," from his self-titled 1970 album, or when he proudly recalled his work in combatting the AIDS pandemic through his Elton John Foundation.

     

    The best interludes came when he spoke with frankness about how he wouldn't be anything without the support of his fans or when speaking about his well-documented fight with addiction just before an inspiring rendition of "Believe." It was a bittersweet moment when he told the audience that he'd miss performing live, but that he "had other priorities now," including raising his two sons at home with the promise that he wasn't done with music, only touring.

     

    The fact is John isn't getting any younger, which even he acknowledged. He doesn't move the way he did in the past, now shuffling instead of strutting, preferring to stay seated in on his piano bench and letting his agelessly deft fingers do the work. Thankfully, those fingers have not failed him by any stretch, the talent still pouring over the keyboard, making anyone who has sat through a piano lesson awestruck by the sheer virtuosity on display.

     

     Funny farewell
    John treated the crowd to two of his best songs for the encore, bedecked in a bejeweled bathrobe. The first, the 1970 slow ballad, "Our Song," had couples in the audience swaying arm-in-arm, and the finale being a soaring "Goodbye Yellow Brick Road." The proceeding closed with John comically ascend what resembled a wheelchair lift into the production screen in a designer track suit, perhaps a winking nod to his golden age status.

     

    But what could have easily been a moment of unintentional comedy, proved to be a lovely send-off for a once-in-a-lifetime artist, his physical exit transforming into a video image of him walking down the yellow brick road of that famous album cover, an echo of the past, and a celebration of a career that very few live performers could ever hope to equal, now and forever.

     

     Setlist
    “Bennie and the Jets”
    “All the Girls Love Alice”
    “I Guess That’s Why They Call It the Blues”
    “Border Song”
    “Tiny Dancer”
    “Philadelphia Freedom”
    “Indian Sunset”
    “Rocket Man (I Think It’s Going to Be a Long, Long Time)”
    “Take Me to the Pilot”
    “Someone Saved My Life Tonight”
    “Levon:
    “Candle in the Wind”
    “Funeral for a Friend/Love Lies Bleeding”
    “Burn Down the Mission”
    “Believe”
    “Daniel”
    “Sad Songs (Say So Much)”
    “Don’t Let the Sun Go Down on Me”
    “The Bitch is Back”
    “I’m Still Standing”
    “Crocodile Rock”
    “Saturday Night’s Alright for Fighting”
     
     Encore
    “Your Song”
    “Goodbye Yellow Brick Road”

    Elton John's voice is in fine form.

    Elton John - Houston Toyota Center - Farewell Yellow Brick
      
    Photo by Jacob Power
    Elton John's voice is in fine form.
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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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