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    best november concerts

    Jelly Roll and Usher headline Houston's 10 best November concerts

    Johnston Farrow
    Nov 4, 2024 | 10:04 am

    In stressful times, one reliable way to blow off steam is live concerts. These settings might be some of the last bastions for melting away all our differences to experience artists performing their distinct brand of melodies, hooks, and beats. Music rarely, if ever, lets us down.

    So in a particularly tense cultural climate, restore your faith in humanity by attending any of the 10 biggest concerts happening in Houston this month.

    Old 97’s with Fastball, November 10, The Heights Theater
    Two of the more underrated Texas acts that found initial success in the ‘90s will visit the intimate confines of the Heights Theater this November. Led by the handsome Rhett Miller, the Dallas-formed Old 97’s carved out a respectable and prolific career on the foundation of hook-filled alt-rock-meets-Americana, their latest being this year’s critically acclaimed American Primitive. Meanwhile, the Austin-formed Fastball garnered attention for the still-great rock radio hit, “The Way,” with their latest album being Sonic Ranch.

    Can’t Miss Songs: “Question," "The Way."

    Cyndi Lauper, November 16, Toyota Center
    The neon-bright feminist icon Cyndi Lauper is doing one last dance, embarking on her Girls Just Wanna Have Fun Farewell tour to celebrate 40 years as one of the most successful pop stars of all time. The Grammy, Emmy, and Tony Award-winning songwriter ruled the charts in the ‘80s, and her outspoken voice on women’s issues has endured over the years alongside her hits. The Lauper-influenced pop duo AJ & Aly will open.

    Can’t Miss Songs: “Girls Just Wanna Have Fun,” “Time After Time,” “True Colors,” and “She Bop.”

    Jelly Roll, November 17, Toyota Center
    The first of several former RodeoHouston headliners to perform in Houston this month, Nashville’s Jelly Roll is, well, on a roll these days, taking over the country charts in true crossover fashion that’s become a popular strategy for hip-hop artists. His No. 1-hit “Save Me” has been inescapable since it was released in 2020, and he has parlayed that into a stratospheric rise to mainstream popularity after starting his career as an indie rapper. His new album, Beautifully Broken, scored him his first Billboard #1 pop and country album.

    Can’t Miss Songs: “Save Me,” “Need a Favor”

    GWAR, November 17, Warehouse Live Midtown
    Not for the faint of heart, heavy metal legends GWAR are on a mission to melt your face off with their hyper-sexual, mythological and frankly, uncouth, guitar assault. Best known for their exuberantly over-the-top and grotesque costumes and interactive performances that involve actual audience members being consumed by onstage props or being sprayed by fake bodily fluids, GWAR have no time for pearl clutching. In other words, are you not entertained?

    Can’t Miss Songs: “Immortal Corruptor,” “Lust in Space”

    Mariah Carey, November 19, Toyota Center
    The Queen of Christmas is coming. We’re not just talking about Mariah Carey’s biggest holiday hit song of all time, “All I Want For Christmas,” which should start blasting from speakers any day now. For those who haven’t heard enough of that tune, the superstar will also be taking the show on the road with a setlist full of festive favorites alongside non-Yuletide-themed hits.

    Can’t Miss Songs: “All I Want For Christmas,” “Hero”

    Manchester Orchestra, November 20, Bayou Music Center
    A festival favorite, Manchester Orchestra, has steadily been building a solid fanbase in the Bayou City, seemingly playing city stages every year, even when there’s no new music to tout. Thanks to the genius of singer/guitarist Andy Hull, the Atlanta band’s sprawling, multi-genre sound is the catharsis many crave. Their last original album may have been released in 2021, but their strong live presence forged on large stages means that they’ll continue to draw a crowd.

    Can’t Miss Songs: “The Gold,” “The Alien”

    Kacey Musgraves, November 21, Toyota Center
    The Texas-raised, seven-time Grammy winner Kacey Musgraves is one of the brightest lights in the new country scene. After winning multiple awards for 2018’s groundbreaking full-length, Golden Hour, Musgraves achieved her first No. 1 pop chart hit with Zach Bryan, “I Remember Everything,” and she appeared on Saturday Night Live following the release of her new album, Deeper Well. The strength of her live performance has only grown since she opened RodeoHouston in 2019, and Lord Huron and Nickel Creek round out a solid line-up at this Toyota Center headlining gig.

    Can’t Miss Songs: “Follow Your Arrow,” “Butterflies”

    Better Than Ezra, November 22, House of Blues
    Three bands that had their own 15 minutes of fame on ‘90s alt-rock radio are playing within days of each other on different Houston stages. Denton’s Deep Blue Something (“Breakfast at Tiffany’s”) perform on November 22 at the Last Concert Café and SoCal rockers Everclear (“Santa Monica”) are at Sawyer Park Icehouse on Nov. 24. Of the three, our pick is Better Than Ezra at House of Blues, a trio that released a series of good-to-great albums featuring the power-pop gems, “Good,” “King of New Orleans,” and “Desperately Wanting” that found alt-rock radio success.

    Can’t Miss Songs: “Good,” “Desperately Wanting”

    Usher, November 27, 29 and 30, Toyota Center
    Is R&B heartthrob Usher the biggest artist in the world right now? A sell-out Las Vegas residency, a Super Bowl halftime performance, and three-night run at Toyota Center at the end of the month points to (cue Lil Jon voice) “Yeah!” The seemingly ageless performer who first broke out during the Total Request Live era will draw from a vast catalog of hits in what might be some of the biggest shows of the year in Houston.

    Can’t Miss Songs: “Burn,” “You Make Me Wanna,” “Yeah!”

    Midland, November 29, 713 Music Hall
    Country act Midland heads down the highway from their Central Texas home for a headlining gig at 713 Music Hall, their Eagles meets ‘80s country a perfect fit for their blue steel looks. A few years removed from their 2020 RodeoHouston opener, in many ways this trio pointed the way forward for country acts today, with outlaw attitudes up against catchy hooks as a recipe for success. They are back on the road with their new album, Barely Blue.

    Can’t Miss Songs: “Drinkin’ Problem,” “Mr. Lonely”

    Jelly Roll at 2024 CMT Music Awards
    Photo by Rick Kern/Getty Images for CMT

    Famed countrified hip-hop star Jelly Roll headlines the Toyota Center on November 17.

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    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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